When I was writing about Levon Helm of The Band before his death on Thursday, I referred to the commonality of American and Canadian culture, pertaining to pop music.
I was not saying it all sounds alike, but that modern technology and communications have exposed all of us to various strains of music that we know and love.
The Band produced a new blend of rock, folk and country from all over the continent. Levon, bless his heart, brought Arkansas north of the 38th Parallel.
When the soul singer pictured above delivered the first note of Let’s Stay Together – the first high note! -- everybody knew he was doing Al Green. Of course, it was at the Apollo Theater in Harlem, and “The Rev” was in the audience, and President Obama quickly made a Sandman joke (Sandman Sims, a noted tap-dancer, used to give performers the hook when the Apollo audience had enough.)
Not everybody watching the President got the Sandman reference, but who didn’t recognize Let’s Stay Together? It’s in the culture.
I’m an official Old Guy, and my iPod has Brazilian music, Latino Music, the Chieftains, Anna and Kate McGarrigle with Quebec accordions, Joe Williams at Newport, Lucinda Williams, Thomas Hampson singing Stephen Foster. Not one culture, but so many cultures, all out there in our ozone. When the American President can do Al Green, we are getting somewhere.
Response to Thoughtful Reader Brian – II
The other day I mentioned a double Yankee connection to Stan Musial. This was before I gave a talk about my Musial biography, at the Bronx Museum of the Arts, a lovely building on the Grand Concourse.
Brian asked: just what were those connections? Well, in 1938, when Musial was already signed by Branch Rickey’s vast Cardinal farm system, he told a scout from his home-region Pittsburgh Pirates that the Yankee empire was showing an interest in him.
Apparently an un-named Yankee “bird dog” had spoken to him, according to a Musial friend who was trying to get the Pirates interested in the local boy. But the Pirates couldn’t touch Musial because he was under contract, and the Cardinals quickly sent him to his first minor-league post in West Virginia, as a wild lefty pitcher.
The other Yankee connection? When Musial slumped in 1959 and manager Solly Hemus saw fit to bench him, the Sporting News ran a copyright story that the Cardinals might trade Musial to the Yankees for St. Louis home-boy Yogi Berra. Musial said it was ridiculous, nothing to it. He had already blown away a proposed trade for Robin Roberts a few years earlier.
The question is: how would Musial have done as a Yankee, either at the start of his career or at the end? Perhaps he would have gotten lost as a wild young lefty pitcher, and never gotten a chance to show his hitting ability. He only got to play the outfield regularly in the Cardinal chain after blowing out his pitching shoulder while making a diving catch in center field.
Years later, the Yankees found a position for a shortstop named Mantle, and they found ways for Berra and Howard to co-exist. My guess is the Yankees – or any club – would have discovered the kid could hit and they could have used him in left field or at first base, just as the Cardinals did.
In 1960, the Pirates turned down a chance to get Musial for their pennant drive. Could his bat have helped either the Yankees or the Pirates in that wild World Series?
Oh, yes, Musial visited Yankee Stadium in his first two World Series in 1942 and 1943 and he hit his last all-star homer in 1960 in Yankee Stadium.
Those are his Bronx connections. With impeccable good sense, Musial managed to spend the last 70 years in a grand baseball city that loves and appreciates him. He did fine.