![]() It is Black History Month, which means I always learn something. This Black History Month has caused me to re-think my position on the first woman, or women, who should be on an American bill. But first: Three years ago, Terrance McKnight of WQXR-FM did a documentary on a composer I had never heard of, Florence B. Price. The other night, PBS ran a visual documentary on Price, and by now her music was more familiar to me, ranging from traditional classical to black gospel. One of the experts (mostly black, via Arkansas Public Television) compared her to one of my favorites, Antonin Dvorak, who used folk music (in the deepest sense of the phrase) of two worlds, Bohemia and America. Artists generally have it hard, but black artists have it harder. The PBS documentary showed how Price was inspired by classical music but segregation and economics held her back. She always had to be double good. (Sound familiar?) In one pathetic episode, already accomplished, Price wrote a letter to Serge Koussevitzky, the legendary director of the Boston Symphony Orchestra, asking to compose for him, and she felt the need to call attention to being “Colored.” He never wrote back. Yet she had her triumphs. Mainstream conductors and critics and performers took her seriously, notably in her adopted home town of Chicago. In one of the great moments in American history, Marian Anderson performed at the Mall in front of the Lincoln Memorial, April 9, 1939, after Eleanor Roosevelt had forced the issue. Anderson sang a hymn by Florence B. Price, her friend. In the Arkansas documentary, an elderly black woman recalls, half a century later, being young and seeing a black woman singing to 75,000 people. The old lady daubs her eyes with a handkerchief. I bet you will, too. How hard it was, how hard it is, to be black in America. Just look at the dignity of people who have been poisoned in Flint, Mich., because of the incompetent and heartless regime of a latter-day plantation massa, Gov. Rick Snyder. But there are triumphs. Look at the lovely front-page photo of President Obama, speaking at a mosque in Baltimore, calling for a cessation of prejudice, as children smile in awe. We have seen those smiles on black service members when Obama visits the troops and on black citizens when Obama goes out in public. So there is that. But Black History Month reminds us how hard America has been on any black who aspired. That is why I am wavering in my position that Eleanor Roosevelt should be on a bill. I think she may be the greatest woman yet produced by the U.S.A., but her greatness may have been in her advocacy of the underprivileged, for people of all colors. Now I think the next bill (lose Andrew Jackson off the 20, not Alexander Hamilton off the 10) should be a tribute to the great women of color in America. Who? How many? I leave that to historians. But when that glorious bill arrives, somebody should play the classical music of Florence B. Price. Below: The multitalented Terrance McKnight accompanies Erin Flannery in “To My Little Son,” by Florence B. Price: 2/4/2016 06:20:09 pm
Thanks, George, for this informative piece on Florence B. Price, and for your related comments on the black experience in America. (The NYT photos from the archives are amazing...) And then there's the opera great (Mary Violet) Leontyne Price. No relation, I assume, but interesting name connection.
George Vecsey
2/5/2016 09:22:32 am
Peter: Thanks, nice to hear from you.
Kathleen McElroy
2/7/2016 05:17:53 pm
Highly informative. Sadly, I didn't know much about her. What is made invisible is very hard to remember. Heavy sigh. But now I'll look for her music.
George Vecsey
2/8/2016 08:10:37 am
Dear Kathleen: The one-hour program by Terrance McKnight would be a great primer. 2/11/2016 05:18:11 pm
MCLA, Massachusetts College of Liberal Arts, in North Adams, MA is celebrating Black History Month with an exhibition called “Black Lives Matter. It was initiated by their art department and will run for a month in MCLA’s store front gallery on Main Street. Comments are closed.
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Measuring Covid Deaths, by David Leonhardt. July 17, 2023. NYT online. The United States has reached a milestone in the long struggle against Covid: The total number of Americans dying each day — from any cause — is no longer historically abnormal…. After three horrific years, in which Covid has killed more than one million Americans and transformed parts of daily life, the virus has turned into an ordinary illness. The progress stems mostly from three factors: First, about three-quarters of U.S. adults have received at least one vaccine shot. Second, more than three-quarters of Americans have been infected with Covid, providing natural immunity from future symptoms. (About 97 percent of adults fall into at least one of those first two categories.) Third, post-infection treatments like Paxlovid, which can reduce the severity of symptoms, became widely available last year. “Nearly every death is preventable,” Dr. Ashish Jha, who was until recently President Biden’s top Covid adviser, told me. “We are at a point where almost everybody who’s up to date on their vaccines and gets treated if they have Covid, they rarely end up in the hospital, they almost never die.” That is also true for most high-risk people, Jha pointed out, including older adults — like his parents, who are in their 80s — and people whose immune systems are compromised. “Even for most — not all but most —immuno-compromised people, vaccines are actually still quite effective at preventing against serious illness,” he said. “There has been a lot of bad information out there that somehow if you’re immuno-compromised that vaccines don’t work.” That excess deaths have fallen close to zero helps make this point: If Covid were still a dire threat to large numbers of people, that would show up in the data. One point of confusion, I think, has been the way that many Americans — including we in the media — have talked about the immuno-compromised. They are a more diverse group than casual discussion often imagines. Most immuno-compromised people are at little additional risk from Covid — even people with serious conditions, such as multiple sclerosis or a history of many cancers. A much smaller group, such as people who have received kidney transplants or are undergoing active chemotherapy, face higher risks. Covid’s toll, to be clear, has not fallen to zero. The C.D.C.’s main Covid webpage estimates that about 80 people per day have been dying from the virus in recent weeks, which is equal to about 1 percent of overall daily deaths. The official number is probably an exaggeration because it includes some people who had virus when they died even though it was not the underlying cause of death. Other C.D.C. data suggests that almost one-third of official recent Covid deaths have fallen into this category. A study published in the journal Clinical Infectious Diseases came to similar conclusions. Dr. Shira Doron, the chief infection control officer at Tufts Medicine in Massachusetts, told me that “age is clearly the most substantial risk factor.” Covid’s victims are both older and disproportionately unvaccinated. Given the politics of vaccination, the recent victims are also disproportionately Republican and white. Each of these deaths is a tragedy. The deaths that were preventable — because somebody had not received available vaccines and treatments — seem particularly tragic. (Here’s a Times guide to help you think about when to get your next booster shot.) *** From the great Maureen Dowd: As I write this, I’m in a deserted newsroom in The Times’s D.C. office. After working at home for two years during Covid, I was elated to get back, so I could wander around and pick up the latest scoop. But in the last year, there has been only a smattering of people whenever I’m here, with row upon row of empty desks. Sometimes a larger group gets lured in for a meeting with a platter of bagels." --- Dowd writes about the lost world of journalists clustered in newsrooms at all hours, smoking, drinking, gossipping, making phone calls, typing, editing. *** "Putting out the paper," we called it. Much more than nostalgia. ---https://www.nytimes.com/2023/04/29/opinion/journalism-newsroom.html Categories
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