It's amazing what you can find on line, from people you don't even know, who are updating ancestry information. New information pops up, virtually day by day.
My wife and I were discussing her ongoing genealogy research of her maternal ancestors in Lancashire, England – so many relatives with the same names, from century to century. People with the same first and last names pop up in Manchester....or Liverpool....or Rhode Island....or Baltimore....or Kentucky.....or Australia....and some of them even back to England.
She also researched my mother’s ancestry, in the same region -- centuries of women named Mary and Jane and Elizabeth (right out of the 16th Century history books) plus men named John and James and George. No direct links between families, at least not yet.
We agreed there could be a play about the overlapping of the centuries – when suddenly we remembered that just such a play has already been written.
“Stoppard!” one said.
“Arcadia!” the other said.
I refreshed my memory about "Arcadia," and the first thing I noticed was that the playwright, Tom Stoppard (Born Tomás Straüssler on July 3, 1937 in Zlín, Czechoslovakia) is having a birthday soon. Happy birthday, with thanks for one of the most beautiful evenings we have ever spent in the theater.
It was July of 1993, and I was not scheduled to write at Wimbledon that day, so I started to duck out of the press tribune around 5, only to hear the cutting tones of my beloved colleague, Robin Finn, alerting the entire press crew: “So, Giorgio, the Missus has theater tickets tonight, huh?”
Well, yes. Marianne had picked up tickets for the Stoppard play at the National Theatre on the South Bank, our favorite place in London, or maybe the world. Very often, she would see two plays in one day.
This night we watched a play about a country estate in Derbyshire in 1809, where a man is tutoring his precocious charge, just entering her teens.
The plot is complicated – Stoppard’s always are – but the main theme is about the maintenance of the mansion; to change or not to change?
The action shifts to 1990 or so, when other humans are discussing the very same country estate. (Makes you think there just might always be an England, despite its “leaders.”)
The centuries rock against each other like tectonic plates but the twains do not meet until – spoiler alert – the very last scene, when the two generations mingle on the stage.
Stoppard can be highly intellectual and abstract, but suddenly my eyes were gushing, tears from nowhere. This is the best thing the theater can do – bring you to your knees, in emotion. My fine drama teachers at Hofstra taught us about “catharsis” – from the Greek, the cleansing, the purging.
“Arcadia” made us think and feel deeply. In 2009, The Independent asked if Arcadia was the “greatest play of our age.”
One review described “Arcadia” as “a serious comedy about science, sex and landscape gardening.” I also remember a murder mystery and physics mixed in.
My best to you, sir. Perhaps you are writing?
* * *
More about “Arcadia:”
When I was a little kid, my father used to bring home baseball record books from the newspaper office, including photos of the first class of five players elected to the Hall of Fame.
How stodgy and old-fashioned they looked in old photos – faces and bodies and uniforms that seemed clunky by “modern” standards of 1946 and 1947.
Yet there they were, the first “immortals” – chosen in 1936 for the emerging Hall of Fame: Walter Johnson, Christy Mathewson, Honus Wagner, Ty Cobb and Babe Ruth.
I saw Cobb and Ruth at the first Old-Timers Game in Yankee Stadium at the end of 1947; Ruth was dying, in his camel’s-hair coat, his voice crackling on the primitive public-address system.
He was an immortal, but he was most surely mortal.
In 1947, we were also living in a time of Ted Williams, Joe DiMaggio and Stan Musial – and Jackie Robinson. More immortals. When I saw them play, did I stop to study them carefully, so I would have an engraved memory of their swing, their mannerisms? Nah. Not smart enough.
We live in the moment, but I was minimally wise enough, as a young sportswriter in the ‘60s, to know I was in the presence of immortals -- Koufax and Gibson, as good as it gets; Mays and Clemente and Aaron and Frank Robinson.
And when I was around the New York Yankees from 1995 to 2013, it was a privilege to watch Mariano Rivera break off that cutter that was equal-opportunity unhittable. He dominated in a modest way, no gestures, no celebrating, because, as he often says, he “respects the game.”
I must add, it was also a privilege to watch Jeter and Williams and Posada and Pettitte, year after year; they soothed the ancient sting of my Yankee-tormented childhood as a Brooklyn Dodger fan. How could I hate a team that had those guys?
I recently met a rabbi on Long Island who raved about a trip he had taken to Israel in the company of the evangelical Christian Mariano Rivera.
I am sure Rivera’s rabbinical admirer is celebrating today, as Rivera has become the first baseball immortal to be elected unanimously. Considerating the cranks and crackpots and purists in my colleagues, this is huge.
I did not have the same surety about Roy Halladay and Mike Mussina (NYT writers are not allowed to vote for awards, and I follow those rules in retirement.) The voters have confirmed Halladay and Mussina as Hall of Fame pitchers, so congratulations.
And did you see Tyler Kepner’s absorbing insider explanation of what Rivera taught Halladay about the cutter? It would cost Rivera a few bucks in a clubhouse kangaroo courthouse.
In Rivera’s first season, 1995, I got to watch one of the best post-season series ever played, a best-of-five division thriller between the emerging Yankees and what seemed to be the emerging Seattle Mariners.
The difference in that series was Edgar Martinez, a designated hitter at the peak of his game. He was unspectacular in demeanor but dominant in hitting a ball.
Just before the fifth and final game, I wrote an “early” column – for the first national edition – quoting Reginald Martinez Jackson, Yankee star and by then Yankee advisor, raving about Edgar Martinez, no relation. Reggie’s raves are best read in context of my revised column, after Martinez had clubbed the Mariners into the next round:
Do I think of Edgar Martinez the way I think of Ruth, or Mays, or Koufax, or Rivera? No, but there are four or five levels of Hall of Fame players. I hate the designated-hitter rule; it has led to the current plague of launch-arc/strikeout flailers. But Edgar was not a launch-arc guy. Read how Reggie dissected his professional swings in that marvelous 1995 division series.
I cannot hold being a designated hitter against Martinez; he played where they told him to play. Designated hitters gotta live, too.
I remember Edgar dominating an epic series, sending Junior Griffey sliding home with a joyous cat-in-the-hat smile,
(Think Buck Showalter ever wonders why the Yanks did not activate young Derek Jeter for the post-season….or why Buck did not keep young Mariano Rivera on the mound after getting two outs?)
That epic coastal series was the time of Edgar Martinez, not Mariano Rivera. Now they go into the Hall together.
Like Johnson, like Mathewson, like Wagner, like Cobb, like the Babe himself – by definition, tightly monitored by baseball fans and players and officials and voters: immortals, all.
Hal Boyle’s columns were big wherever the Associated Press was used. He was Everyman, from Kansas City, writing for Middle America, with no political bias and plenty of heart.
I knew Boyle, from bowling in the Associated Press league when I was a 16-year-old copyboy. He was a jovial man whom I recall with cigar and perhaps a beer, laughing easily with everybody.
He had won a Pulitzer Prize in 1945 – for his coverage of the European war -- but you would never know it.
Now, as a recovering columnist, I am reading Hal Boyle’s columns. In 1954, he visited my Irish-born grandaunt in Brussels and wrote about the atomization of her family from World War II. (I recently came upon my mother’s cache of photos and clippings of her lost Belgian-Irish relatives.)
Decades later, Hal Boyle holds up in hard-cover form; very few columnists do -- Mike Royko, Jimmy Breslin, a few story-tellers, writing about the human condition.
Like the best journalists, Boyle has a fine eye for details – the bullet hole in Madame Duchene’s front doorway -- from the day a Scottish soldier she had been hiding bolted from the Gestapo, and was gunned down in the street. (He lived to old age but Madame Duchene’s daughter, Florence, and her son, Leopold, did not.)
I cannot access Boyle’s column on line, but I wrote about that family in 2006: https://www.nytimes.com/2006/06/09/sports/soccer/09vecsey.html
Boyle paints a portrait of the grandaunt I never met. On the 10th anniversary of following the Allies into Europe, he spent a few hours at her home – get this -- 7, rue Sans-Souci. (Street Without Care)
Again, like the best journalists, Boyle is there to observe, to ask questions. His compassion for the old lady with her memories and her medals, surely has roots in his mother’s childhood in poverty-ridden Ireland.
I never finished his collection – the aptly-named “Help, Help! Another Day!” – from a poem by Emily Dickinson – but now I am enjoying his changes of pace: communing with the graves of men who died on the Normandy killing beach, or staying in a camp deep in the Catskills, listening to the sounds of night.
Perhaps his most poignant column came from defying the third or fourth rule of journalism – never succumb to the cheap device of quoting taxi drivers. But Boyle happened to ride in the cab of a philosopher who was mourning a beloved wife who had died years earlier. The man advised Boyle to cherish his own wife, and life itself, and Boyle was wise and talented enough to make a column out of his encounter. (Boyle’s own wife would die young, and he would follow, from a heart attack, at only 63.)
Many great journalists are full of themselves, to the point of grimness, but Boyle was jolly, in a melancholy Irish way.
He was as much at home in the camaraderie of a beer frame as he had been with the sights and sounds of combat.
One thing I just learned from skimming his columns: his own meter was always running.
I am convinced: what I am about to tell you is no coincidence:
At that bowling alley – Beacon Lanes, 76th and Amsterdam, second floor – the coat-check was run by a highly loquacious and secure black man, who seemed to have the word “autodidact” glowing proudly like theater lights on his forehead.
The man liked to chat about the books and poems he had read – most notably “Thanatopsis,” by William Cullen Bryant, using the Greek word for “consideration of death.” At 16, I looked forward to my weekly chat with the brother.
Now, 63 years later, I pick up Hal Boyle’s collection. His latest column is from Jan. 9, 1964, called “Nostalgia Is a Medicine to Cure the Blues,” with one-line observations about things you don’t see much anymore. One of them was:
“Anybody with a claim to culture could prove it by reciting aloud the concluding lines of William Cullen Bryant’s “Thanatopsis.”
This means, to me, without a doubt, that Hal Boyle, Pulitzer-Prize winning columnist of the Associated Press, had been chatting with the same vibrant coat-check man at the Beacon Lanes in the season of 1955-56.
With that discovery, I feel a great kinship with the man who visited my grandaunt in war-ravaged Brussels. I wish I had read more of Hal Boyle, had asked more questions, back in the day. But I did bowl with him.
In the final hours of an ugly year, I stuck with the tried and true.
Our local classical station, WQXR-FM, was playing the top 100, as chosen by listeners. It was reassuring to hear music that stirred people and soothed people in other dark times, with other crackpots and despots flailing around, and the music survived.
Then again, we have seen votes go wacko in a democracy. When the Gilbert and Sullivan spectacle, “Pirates of Penzance,” popped up in 10th place, my reaction was, “Wait, WTF, how did that get in there?”
The WQXR–FM web site had the same reaction:
Was it was the work of Gilbert and Sullivan superfan sleeper agents? Or is everyone just really excited about the end-of-year New York Gilbert and Sullivan Players production of Pirates at the Kaye Playhouse. (It turns out that it very well might be both, as the New York Gilbert and Sullivan Players staged a campaign to launch the opera into the countdown — and it clearly worked.
Trolls. Bots. Hacking. Malware. Whatever they are. Sounds like a job for Super-Mueller, but Our Civic Protector is said to be otherwise occupied with his investigation into more serious shenanigans.
Other than the jolt of Gilbert and Sullivan coming in 10th in any classical music ranking, it was a joy to hear oldies soothe the dark days and nights as 2018 slunk off into history.
Beethoven had four symphonies in the top 10, including his Ninth, with the rousing “Ode to Joy,” now becoming a staple ‘round midnight on Dec. 31.
Some of the most familiar music can be considered chestnuts, but I was happy to hear them, knowing that new and adventuresome and inventive music will be presented by John Schaefer on “New Sounds” and by Terrance McKnight on his weeknight show.
Plus, as 2018 ebbed, I heard some of my favorites, Dvorak and Copland and Vaughn Williams and Smetana and Bartok and Barber and Ravel and Satie and Lenny Himself, conducting his “West Side Story: Symphonic Dances,” which always makes me feel 16 again, walking the streets of my home town, feeling, “could be, who knows?”
In the symphonic version, I could hear the lyrics of Stephen Sondheim:
Could it be? Yes, it could
Something's coming, something good
If I can wait
Something's coming, I don't know what it is
But it is gonna be great.
Happy New Year.
I had forgotten that I once scored on a header in the ancient amphitheater at Caerleon, Wales.
I was reminded of my stirring athletic feat – sending the ball spinning into the corner of an admittedly spectral goal – when I recently read a terrific book: “The Edge of the Empire: A Journey to Britannia; From the Heart of Rome to Hadrian’s Wall,” by Bronwen Riley.
I read about the book in a review in the Times by Jan Morris, which was good enough for me.
People don’t know enough about the Roman Empire. Or, rather, I don’t. I’ve encountered Roman ruins in Ephesus, Turkey, and southern France and silver mines in Wales, and I speak just enough French, Spanish and Italian to realize the debt to Mother Latin. But somehow I got through college without ever taking a course in the Roman Empire. Quid pudor est (What a shame, courtesy of Google Translate)
So, about the header. My epic goal took place while we were touring Wales, oh, a few decades ago, with our former Long Island neighbor, Alastair, who had retired to his home in Wales, with a view of the Brecon Beacons, the hills to the south.
Alastair had a Scottish surname but was a true Welsh patriot who loved driving us around to chorus recitals and old ruins and vacated railroad lines from his youth.
(Whenever Alastair crossed the Severn River bridge from England back home to Wales, he would mutter something about “them” – the country in the rear-view mirror.)
On this lovely summer day, Alastair drove south from Brecon, telling us about the great rugby teams of his youth in these old coal-valley towns. We reached flatter ground where the Usk River widened, and Alastair found the old Roman amphitheater, now just vestigial green mounds and a few outcroppings of stone, surrounding a lush green lawn. In Roman times, the outpost was known as Isca Augusta.
Riley’s book taught me that the Roman amphitheaters all over the empire conformed to style: outbuildings for entertaining Roman dignitaries on inspection tours. I did not know that the same spectacles in Rome were repeated in the colonies – animals fighting animals, gladiators fighting animals, gladiators fighting gladiators. This primal gory spectacle was the National Football League of its time.
The old arena was empty, as far as I could see, as we entered through one of the passageways. The ground underneath felt firm. Once we were inside, the grassy mounds surrounding the arena were higher than my head. I felt as if I were in Wembley or Olimpico or Bernabeu, some of the modern stadiums in outposts of the Roman Empire.
Still fit, in my 40s or 50s, I felt the urge to jog…to open it up, to let it go. Down at the other end, I imagined a rectangular goal and some pigeon of a keeper, just ripe to be juked out of position. Just like CR7 or Ibra these days, I closed in, leaped in the air and connected with a gorgeous service from my wing, and I flicked the ball into the nets, as thousands roared.
Well, not thousands. Nobody cheered. Right about then, I noticed a little knot of children with an escort, in one of the runways, against the rocky sideline, staring at this daft old bloke. I decided not to tear off my shirt to celebrate – bad form with a dozen tykes staring at me.
That was my goal. We continued our drive through Alastair’s homeland. A few years later, he inconsiderately dropped dead while shopping for food for his border collie, which put an end to our annual post-Wimbledon visits to idyllic Welsh summer – flower-festooned pubs (with good food!) alongside the Usk canal, plus his occasional glider sorties from the nearby Black Mountains.
Wales all came roaring back to me after the Times book review for Bronwen Riley’s book. She describes how Julius Severus, the newly-appointed governor of Britannia, traveled the 1486.9 miles from the bustling Rome docks in the year 130 to supervise the building of Hadrian’s Wall. (One thing I learned was that the famed Roman galleys did not, repeat not, rely on slave labor, but instead were powered by well-trained military men, many earning their citizenship through 20 years of expert labor.)
The book describes the over-land portion of the journey in Britannia, stopping briefly at the growing town of Londinium (London) and then heading west to Isca Augusta (Caerleon), and then north to Deva (Chester) and on to the growing wall.
That is right: Hadrian managed to get his wall built, thereby separating neighbors and relatives, brutally and cruelly. Omnia mutantur magis ... (The more things change… in Latin.)
Those Roman emperors could really build things, back in the day. They built an arena in Isca Augusta that I visited one green summer day, thinking not of Romans but of a dashing header, smack, into a make-believe net.
* * *
Jan Morris’s recent review in the NYT:
When friends in Jerusalem and the Upper West Side send the same link, it makes sense to read it -- and pass it on. Roger Angell, 98, has some thoughts on election day and citizenship.
What could be more American than an essay on voting by a hallowed member of the writers' wing of the Baseball Hall of Fame?
(The art was a bonus. I found it on line, and consider my posting it here as an endorsement for any artist who can put these three dudes in the same work.)
The following is a contemporary version of the classic warning of the Holocaust, by the Rev. Martin Niemoeller. This was written by my friend, Arthur Dobrin, the Leader Emeritus, Ethical Humanist Society of Long Island, and professor emeritus, Hofstra University.)
First they mocked the handicapped and then they boasted about assaulting women.
And I did nothing.
Then they called black people stupid and Muslims terrorists.
And I did nothing.
Then they called Mexicans rapists and the press the enemy of the people.
And I did nothing.
Then they called political opponents traitors and those who body-slam critics “my kind of people.”
And I did nothing.
Then they posted pictures of dollar bills over Stars of David and said transgendered people couldn’t serve in the military any longer.
And I did nothing.
Then two African Americans were shot dead in a supermarket, pipe bombs were sent to critics of the administration and eleven Jews were murdered in a synagogue.
And now the president laments the hate in the country and then tweets about baseball.
* * *
(The incident in the video has played out dozens of times, and the message continues: take matters into your own hands. Trump’s behavior, as he foists himself upon a grieving Pittsburgh, reminds me of George Orwell’s immortal warning in the novel, “1984:”
If you want a picture of the future, imagine a boot stamping on a human face, forever.
Trump’s impact on the U.S.A. and the world is more and more apparent.
Nearly half this country voted for this man.
At the same time, the pastor’s daughter, Angela Kasner Merkel, has announced she will leave the chancellor’s post of Germany in 2021. She witnessed two totalitarian regimes – Nazi and Communist – and became a beacon of humanity in a world growing darker by the day.
My thanks to Arthur Dobrin.
Barack Obama Gave a Speech on Television.
I had tears in my eyes.
I was sad for what we have surely lost – an intelligent, verbal president who speaks of values.
When the former president mentioned Michelle Obama and their daughters, I felt empty, as if thinking of good neighbors who have moved away.
He delivered a civics lesson at the University of Illinois, urging young people to vote -- clearly political but so rational and timely that it rose above partisanship, to become a warning:
Where have we gone? What have we done to ourselves?
He cited the white-power people who stomped in psychic jackboots through Charlottesville, Va., in 2017, in plain daylight, not even bothering with hoods. He evoked the man who is still president as of this writing, who claimed there were good people on both sides.
Barack Obama asked, plaintively:
“How hard can that be? Saying that Nazis are bad?”
My wife said that should be a bumper sticker.
A president who can write and read and speak his native language. Imagine.
On Friday in Illinois, he was at his best in the national and global bear pit -- Laurence Olivier performing Shakespeare’s speech for Mark Antony in “Julius Caesar:” “So are they all, all honorable men.”
The previous president spoke against stereotyping people, saying he knew plenty of whites who care about blacks being treated unfairly, saying he knew plenty of black people who care deeply about rural whites. Then he added:
“I know there are evangelicals who are deeply committed to doing something about climate change. I’ve seen them do the work. I know there are conservatives who think there’s nothing compassionate about separating immigrant children from their mothers. I know there are Republicans who believe government should only perform a few minimal functions but that one of those functions should be making sure nearly 3,000 Americans don’t die in a hurricane and its aftermath.”
Like Shakespeare, he was making a bigger point: there is a malaise loose in the land. At one point he said Donald Trump is “a symptom” and not “the cause.”
In other words, Trump is an illness that has been coming on for years.
I nodded grimly, in my den, thinking of the McConnells and Ryans, who have sat by maliciously, allowing a Shakespearean character, the worst of the buffoons, the worst of the tyrants, to tear things apart.
Was I imagining, the other day, that these politicians were squirming in their seats in the cathedral, along with their fidgety wives, listening to the orations for John McCain, wondering if anybody would ever confuse them with patriots?
On Friday, Barack Obama gave notice to the young people of many shades and facial characteristics in his audience: you are the largest population bulge in this country, but in 2016, only one in five of you voted.
“One in five,” the playwright emoted, enunciating his own words. “Not two in five or three. One in five. Is it any wonder this Congress doesn’t reflect your values and your priorities? Are you surprised by that? This whole project of self-government only works if everybody’s doing their part.”
The television showed the college students nodding, or averting their eyes. Will they remember this warning at mid-term elections in early November? So many distractions these days. So easy to get lost, twiddling thumbs in the social media.
Shakespeare was borrowing stories from earlier centuries but Barack Obama has been active in public life. On Friday he returned to the stage to deliver artful words, dramatically delivered, surely from the heart.
How many reminders, how many chances, do we get?
The transcript of Barack Obama’s speech (really worth reading):
I’ve been reading a lot of books lately.
I think I know why.
My latest has been a gripping history of the first settler to advocate local government and polyglot culture among people he labelled “Americans” -- a new concept in the mid-17th Century.
Adriaen van der Donck was perhaps the first “New Yorker” – except that it was still named New Amsterdam in his time.
Of course, my discovery is a trifle late. The book, “The Island at the Center of the World,” by Russell Shorto, was first published in 2004. I don’t know how I missed it, until our friends Ina and Maury gave us a copy recently.
New Yorkers know the names of Peter Minuit and Peter Stuyvesant, executives sent to the New World to regulate commerce for the Dutch West India Company. Van der Donck, trained in the law, was also sent to New Amsterdam to help the company make more money, but he saw the mélange of Dutch and England, French and Spanish, Africans and Native Americans, and he realized they constituted something far more than company workers.
Van der Donck was sent as a lawman to another Dutch region, Fort Orange, now Albany, where he learned Indian languages and encouraged trade and visited their villages. Native Americans were somewhat free to bargain, to visit, to argue and even sue.
Why don’t we know more about him, and more about the contribution of Dutch society? For that matter, why don’t we know about the petition signed on Dec. 27, 1657, by 31 English settlers, protesting the persecution of Quakers. (Not one signee was Quaker.) And, while they were speaking up for Quakers, the English protesters proclaimed:
“The law of love, peace and liberty in the states extending to Jews, Turks and Egyptians, as they are considered sonnes of Adam, which is the glory of the outward state of Holland, soe (sow? GV) love, peace and liberty, extending to all in Christ Jesus, condemns hatred, war and bondage.”
The petition was signed in the Long Island village of Vlissinge, today known as Flushing, the home of the Amazing Mets and a bustling Chinatown and the start of a thriving Korean diaspora moving eastward along Northern Blvd. (the roadway of Tom and Daisy Buchanan.)
The Flushing Remonstrance – issued at the end of the time of Adriaen van der Donck -- is one of the great statements in the history of North America. It has rarely been more relevant than now, when “sonnes of Adam” are being separated psychologically, as children are grasped from their parents by agents of an increasingly cruel state.
In a way, the current regime led me to read this book about Dutch settlers.
The puffy, petulant face of a child tyrant -- as well as his dissonant voice, the President as shrill earworm -- have driven me from the news channels (and the repetitiveness of most commentators, and the commercials for old-age “remedies.”)
Lately, I have taken to sitting near the evening music on WQXR-FM and reading books. My wife, as part of her family genealogy studies, just finished “Domesday: a Search for the Roots of England,” issued by Michael Wood in 1986, and also a classic television documentary.
One more point about books: one of the heroes of Russell Shorto’s book is Charles Gehring, an American scholar, who has spent much of his career on an un-numbered floor in a state building in Albany, translating historic Dutch handwritten documents into contemporary English.
This book adds to my immense respect for scholars like Gehring – and Shorto – and Wood. They help us see ugly times in the 21st Century, in perspective.
* * *
The Flushing Remonstrance:
has filed an interview with, of all people, me.
It's on his blog. (Just past photo of rat!) My thanks for his interest. GV
David Vecsey's sweet tale of distant love before the Web, now NYT Podcast, narrated by Griffin Dunne. Please see: