My birth-date pal, John McDermott, ex-difensore del club Italo-Americano di San Francisco, is better known as master photographer of subjects moving and still.
Not to stereotype him, but he is at his best covering the world sport of soccer. (Yes, that is Roby Baggio's voice on his cellphone.)
John is now living in Italy, making art out of the Dolomites and the streets of Napoli. He recently put together the video above for a sports seminar he was giving in Verona. You will recognize Maradona, Baggio, Beckham, Klinsmann, Ronaldo, plus Olympic sports. Click it on, above.
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Lonnie Shalton is a financial-services lawyer in Kansas City who issues occasional sports blogs that never fail to entertain and stimulate me. (I know him through Bill Wakefield, the Kansas City kid who had a very nice 1964 season for the NY Mets.)
Lonnie's latest, in honor of the birthday of the Rev. Martin Luther King, Jr, is about Negro League Baseball, a passion of his. On this blog, he presents the history,with photographs, of the only woman selected for the National Baseball Hall of Fame:
Hot Stove #90 - Martin Luther King Jr. Day (2019) - Effa Manley and the Newark Eagles
[When my law firm added Martin Luther King Jr. Day as a holiday in 2002, I began an annual message within the firm about why we celebrate the holiday. The distribution was later expanded outside the firm, and since 2016 the message has been circulated as a Hot Stove post. Below, my 18th annual MLK message.]
One of the best ways to appreciate Martin Luther King Jr. Day is to visit the Negro Leagues Baseball Museum in Kansas City. Not just for the memorabilia collection – although that is well worth the trip. There is also a compelling civil rights lesson. As one walks through the baseball exhibits, there is a parallel timeline along the lower edge that places Negro Leagues history in context with civil rights milestones.
In a new exhibit added last year – “Beauty of the Game” – the museum honors the contribution of women both on and off the field. The exhibit features three women who played in the Negro Leagues (Mamie “Peanuts” Johnson, Toni Stone and Connie Morgan), plus one executive, Effa Manley.
Effa Manley is also featured in another well-known museum. She is the only woman ever inducted into the National Baseball Hall of Fame. There are 324 men. Below is her plaque at Cooperstown:
Abe and Effa: Effa Louise Brooks grew up in Philadelphia and moved to Harlem after graduating from high school in 1916. She met Abe Manley in the early 1930’s and they married in 1933. They were both baseball fans. Effa went to games at Yankee Stadium (“I was crazy about Babe Ruth”). Abe went to Negro League games when he lived in Pennsylvania and became friends with many of the players. He also once owned a semipro team. Legend has it that Abe and Effa met at Yankee Stadium during the 1932 World Series.
Effa and Abe each brought an interesting backstory. Effa’s maternal grandparents were German and Native American. Her father might have been her mother’s black husband or white boss. Whatever the correct story, Effa lived her life as a black woman married to a black man (actually four, the marriage to Abe plus three short-termers). Abe was in the numbers racket and some of his excess funds would come in handy to own a baseball team. At least two other Negro League teams were similarly capitalized – it’s not like there was a lot spare capital in the black community.
Negro National League (NNL): The original Negro National League was formed in 1920 at the Paseo YMCA in Kansas City. The KC Monarchs joined the league and became one of its premier teams. The league was forced to disband during the Depression, but it was revived in 1933. However, the Monarchs did not rejoin, but instead became a member of the new Negro American League (NAL) formed in 1937.
In 1935, Abe Manley formed the Brooklyn Eagles as a franchise in the NNL. He moved the team to Newark the following year, and the team played as the Newark Eagles from 1936 to 1948. Effa became Abe’s partner in the business and soon took over the day-to-day operations. Abe liked the social side – traveling with the players and swapping stories – the team was his “hobby” according to Effa. She did almost everything else: setting playing schedules, booking travel, managing payroll, buying equipment, negotiating contracts, dealing with the press and handling publicity. She was a trailblazer on creative promotions to draw fans. She was also very active in the community and counselled her players to do the same. She became the public face of the Eagles.
Effa was also an active participant in league matters. There, not to the pleasure of some owners, she was outspoken and demanding. Gus Greenlee, owner of the Pittsburgh Crawfords (and, like Abe, a numbers runner), was president of the league in the early years. His initial take on Effa: “The proper place for women is by the fireside, not functioning in positions to which their husbands have been elected.” Sportswriter Dan Burly wrote that Effa was a “sore spot” with other owners “who have complained often and loudly that ‘baseball ain’t no place for no woman. We can’t even cuss her out.’”
Greenlee learned to deal with Effa, and this leads to a Satchel Paige story. In Larry Tye’s biography of Satchel, the author writes that “[Effa] also was renowned across blackball for her willingness to battle on behalf of both the Newark Eagles and civil rights, her pioneering role as the sole woman of consequence in the fraternity of the Negro Leagues, and her flirtations and more with her husband’s ballplayers.” It is that last item that lends some context to the Satchel story.
Paige had played for Greenlee’s Pittsburgh Crawfords in 1936 and then jumped to a Dominican Republic team for 1937. He was potentially returning to the states in 1938, but Greenlee was tired of chasing him and sold his contract to the Eagles. As Effa told the story in a 1977 interview, “Satchel wrote me and told me he’d come to the team if I’d be his girlfriend…I was kind of cute then too…I didn’t even answer his letter.” Satchel’s letter was a little ambiguous: “I am yours for the asking if it can be possible for me to get there…I am a man tell me just what you want to know, and please answer the things I ask you.” Satchel instead pitched in Mexico in 1938 and never joined the Eagles. But Effa’s role was memorialized in the press:
Effa became a force in the league. She pushed for a more businesslike operation and rules to deter players from jumping teams. She argued for an outside commissioner. Her hard work and perseverance brought a grudging respect. In the end, as shown in the photo below, she was “in the room where it happens.”
Effa as Civil Rights and Community Activist: Rosa Parks and Martin Luther King, Jr. came to national attention in 1955 in the bus boycott in Montgomery. That was 21 years after Effa Manley led a civil rights boycott.
Effa was an influential member of the local chapter of the NAACP and the Citizens League for Fair Play. In 1934, she spearheaded the “Don’t Buy Where You Can’t Work” campaign that called for a boycott of Harlem retail stores that would not hire black clerks. One of the key moments was a pivotal meeting between Citizens League leaders, including Effa, and the owner of Blumstein’s, a major department store. The result was a big success.
In April of 1939, Billie Holiday (below) released “Strange Fruit” – the protest song that reenergized the fight for anti-lynching laws. Effa took up the cause that summer with the first of her “Anti-Lynching” days at the ballpark. The ushers wore “Stop Lynching” sashes and collected money from the crowd for anti-lynching causes. [Anti-Lynching Law Update: Since 1901, some 240 attempts have been made in Congress to pass an anti-lynching law. All have failed. In 2005, the Senate issued an apology for its past legislative failures. Lynching is no longer the common form of racist killing, but symbolically, it has remained a blemish. Last month, the Senate unanimously passed an anti-lynching bill – ironically, the presiding officer during the Senate vote was Cindy Hyde-Smith who recently used the term “public hanging” as an “exaggerated expression of regard” for a campaign supporter. The bill was not brought up in the House before the session ended, so the process will need to start again in 2019.]
Other civil rights and charitable causes were regularly given fund raising nights at Eagles games. During the war, funds were raised for bonds and relief efforts. Effa recruited or shamed other teams into participating to raise funds for the NAACP, the Red Cross and community hospitals, among others. As a local paper wrote, “She was one of the few blacks who had a little money, and she put some back into the community.”
And by her actions if not her words, Effa fought for the equality of women in management long before it was fashionable.
The Eagles Players: Abe and Effa’s Eagles had three future Hall of Famers in the infield in the late 1930’s. They were referred to as the “Million Dollar Infield” although this was hyperbole – most players (black or white, stars or not) were not making big money in those days. The first baseman was Mule Suttles, one of the great power hitters in the Negro Leagues. [That’s Mule with Effa below. Effa always dressed fashionably, usually with a fine hat, even at the games. But a photographer talked her into wearing a team cap for this photo op.]
The third baseman was Ray Dandridge. It was said that a train could go through his bowlegs, but that a baseball never did. Shortstop Willie Wells was so good that he was touted as a replacement for the Dodgers’ Pee Wee Reese who had been drafted for the war in 1942. It was the right major league team, but the wrong year – the Dodgers would break the color line with Jackie Robinson five years later.
Newark continued to add good players who helped the Eagles to mostly winning seasons in the 1940’s. The Million Dollar Infield was joined by four more future Hall of Famers: Leon Day, Biz Mackey, Monte Irvin and Larry Doby. The team won the NNL pennant in 1946 and then beat the NAL Kansas City Monarchs in the Negro League World Series.
The World Series glory was short lived. The good young ballplayers were being recruited by the majors and the Negro Leagues began to decline.
Effa Manley v. Branch Rickey: Even before the successful 1946 season, Effa felt the sting of losing a star to “organized” baseball. After Brooklyn’s Branch Rickey signed the Monarchs’ Jackie Robinson in 1945, his next two big signings were in April of 1946: Roy Campanella of the Baltimore Elite Giants and Don Newcombe of Effa’s Newark Eagles. Robinson made it to the majors in 1947, and the other two soon followed.
Effa of course did not like losing good players, but she realized that integration of baseball was a victory for the community. But what rankled her was that Rickey was poaching players without any recognition that Negro League teams had developed the players. She thought compensation was justified, but Rickey refused. Despite some bad press for interfering with the integration of baseball, Effa would not be silenced. And her perseverance paid off. Her stars Larry Doby and Monte Irvin both had feelers from Branch Rickey, but ended up with teams who were willing to compensate the Eagles.
Branch Rickey was set to sign Doby, but backed off when Cleveland owner Bill Veeck entered the picture. Rickey knew it would be good to have a second team integrate, especially one in the American League. So Doby signed with the Indians in July of 1947. Veeck knew that Effa had no leverage to get compensation for Doby. But Veeck was no Branch Rickey. The Indians paid $15,000 to the Eagles. More importantly, Effa had established a precedent that ultimately benefitted all of the Negro League teams (as so noted on her Cooperstown plaque).
The Manleys sold the Eagles after the 1948 season, but Effa still had a connection to her star Monte Irvin: the terms of the sale provided that the Manleys and the new owners would share any money received if a major league team paid for one of the players. This was potentially a moot point when Branch Rickey signed Irvin with no intent to pay the Eagles. Effa fought back claiming that the Irvin had a contract and that she would contest the signing. Rickey backed off and Effa made a deal with Horace Stoneham of the Giants for $5,000. After paying lawyer fees and giving a share to the new owners, Effa got $1,250. She used the money to buy a mink stole.
Some Major League Highlights of Former Eagles: Larry Doby broke the color line in the American League in July of 1947. The next year, he became the first black player to hit a home run in a World Series, helping the Indians win their second title (they have not won since). Newcombe was the NL Rookie of the Year in 1949 and was both the MVP and Cy Young winner in 1956.
In 1951, Monte Irvin led the NL in RBI’s and was instrumental in the famed comeback by the Giants to catch the Dodgers to force a three-game playoff for the pennant. Irvin got a hit in each playoff game, including a homer to help win the first game. In Game 3, Newcombe started the game, but was relieved in the ninth by Ralph Branca who gave up the famous 3-run homer to Bobby Thomson. The Giants then met the Yankees in the World Series where Irvin became part of history by playing in the first all-black Series outfield alongside two fellow former Negro Leaguers (Willie Mays of the Birmingham Black Barons and Hank Johnson of the Kansas City Monarchs). Irvin ignited a Game 1 victory for the Giants by stealing home in the first inning on Yogi Berra. Irvin went on to hit .458 in the Series, but the Yankees won in six games. Irvin was on a Series winner in 1954 when the Giants beat the Indians.
After the Eagles: After the Eagles were sold, Effa continued her work in community and civil rights organizations. But her true cause was keeping alive the history of the Negro Leagues and pushing for the induction of Negro League players into the National Baseball Hall of Fame. She finally saw some movement in the early 1970’s as Satchel Paige was inducted in 1971, followed by five other players through 1975.
To emphasize that many more should be inducted, Effa self-published a book with sportswriter Leon Hardwick in 1976 titledNegro Baseball – Before Integration. Included are 73 biographies of players she felt should be considered for enshrinement. Progress remained slow with only three more players being added before the special committee to add Negro Leaguers was disbanded in 1977. The 80-year-old Effa Manley still had her voice, “Why in the hell did the Hall of Fame set that committee up, if they were going to do the lousy job they did?”
She fired off letters to the Hall of Fame, Commissioner Bowie Kuhn and C. C. Johnson Spink, publisher of The Sporting News: “I would settle for 30 players, but I could name 100.” Spink’s column of June 20, 1977, seemed receptive to this crusade by a “furious woman.” She liked that description and saved the clipping.
In 1978, Effa was the special honoree at the Second Annual Negro Baseball League Reunion. Monte Irvin was there and saw Effa wearing her mink stole. He asked if it was the one she got from her sale of Irvin’s contract to the Giants. “Yes, it still looks good and keeps me warm.”
It would take another quarter century, but some 35 Negro Leaguers now have plaques alongside Babe Ruth, Ty Cobb and other greats in Cooperstown. Effa’s Newark Eagles are well represented. The team played from 1936 to 1948, just 13 years. But that was enough time for seven Hall of Famers to play a good part of their career in Newark. [To put this in perspective, the Royals have played 50 seasons and produced one Hall of Fame player, George Brett.]
The Eagles of course have another representative in the Hall of Fame – the team’s top executive, Effa Manley. She was inducted in 2006.
Effa’s Hall of Fame induction was a posthumous award. She died in 1981 at age 84. Inscribed on her gravestone: “She Loved Baseball.”
Lonnie’s Jukebox: Three selections today. For those of a certain age (teenagers in the 50’s/60’s), you may remember that you paid a quarter for three plays on the jukebox. These are free.
First, the Negro Leagues Baseball Museum. I urge everyone to attend and buy a membership. When you walk through the Field of Legends, you will see two of Effa’s players, Ray Dandridge at third base and Leon Day in right field. The player she could not sign, the elusive Satchel Paige, is on the mound. This clipshows NLBM President Bob Kendrick describing the “Beauty of the Game” exhibit (2:30).
Second, the 1992 movie A League of Their Own. This is on my mind because director Penny Marshall died last month, and scenes from the movie have been popping up on social media. I have always been a fan of the movie. From Geena Davis to Tom Hanks to Madonna, the acting is superb, although I single out as my personal favorite Jon Lovitz as the hilarious baseball scout.
Joe Posnanski did a column on his 10 favorite things about the movie, and one of his points reminded me of the subtle civil rights message. The real-life “league of their own” was segregated just like its male counterpart. In a mere 15 seconds, the movie tells a very big story of the times. A black woman has left her seat – from what is obviously the segregated seating area down the right field line – to retrieve and throw back an errant ball. She does so with obvious talent, and the message is that she is not racially eligible to play in the game. See the cliphere.
In 2014, Penny Marshall announced that she planned to direct another baseball movie, this one about the life of Effa Manley. The screenplay is by writer Byron Motley, the son of Bob Motley, the Negro League umpire who this past year was honored with his own statue on the Field of Legends (behind the catcher at home plate in the NLBM photo above). I checked in with Byron, and he tells me that the project is still moving forward and to “stay tuned.” Byron’s tribute to Penny is here.
And third, the classic protest song “What’s Going On” by Marvin Gaye. As the turbulent 1960’s were coming to an end, Gaye was reevaluating his concept of music. He was “very much affected by letters my brother was sending me from Vietnam, as well as the social situation here at home.” So Marvin was receptive when Renaldo “Obie” Benson of the Four Tops brought him an untitled song that he was working on after seeing war protestors beaten by the police. Benson did not classify his piece as a protest song, “No man, it’s a love song, about love and understanding. I’m not protesting, I want to know what is going on.”
Gaye added some of his own lyrics and gave the song its title. He went to Barry Gordy at Motown, but Gordy said that it was really a protest song and would be bad for business. When Gaye persisted, Gordy relented because he did not want to offend his star. The single was released in 1971, and it turned out fine for business – the song went to #2 on the pop charts and topped the R&B charts for weeks.
The song is a soulful anthem about war abroad and socio-economic problems at home. Some 48 years later, the lyrics of the song continue to resonate:
We don’t need to escalate
You see, war is not the answer
For only love can conquer hate
Don’t punish me with brutality
C’mon talk to me
So you can see me
What’s going on
Preview YouTube video Billie Holiday Strange Fruit 1939
Billie Holiday Strange Fruit 1939
Preview YouTube video Women of the Negro Leagues
Women of the Negro Leagues
Preview YouTube video A League Of Their Own Black Woman Scene
A League Of Their Own Black Woman Scene
Preview YouTube video Marvin Gaye - What's Going On
Marvin Gaye - What's Going On
In the fall of 1988, our son and I went to Lincoln Center to see a revival of "Waiting for Godot."
Robin Williams and Steve Martin were quite fine in the two lead roles, and F. Murray Abraham was properly domineering as Pozzo, leading his abject slave, Lucky, played by the master kinetic actor, Bill Irwin.
I was thinking of that master-slave relationship Friday night when The New York Times broke the story that the FBI had begun an investigation in early 2017 of the apparent master-slave relationship between Putin and Trump.
In the real-life version, Lucky snarls and yaps at just about everybody else, but when Pozzo fixes his Lubyanka-basement glare at him, Lucky rolls on the floor and whimpers.
How did poor Lucky come to be led around on a leash? Beckett does not say. I am hoping this will soon be explained to us by Robert S. Mueller, III.
Hal Boyle’s columns were big wherever the Associated Press was used. He was Everyman, from Kansas City, writing for Middle America, with no political bias and plenty of heart.
I knew Boyle, from bowling in the Associated Press league when I was a 16-year-old copyboy. He was a jovial man whom I recall with cigar and perhaps a beer, laughing easily with everybody.
He had won a Pulitzer Prize in 1945 – for his coverage of the European war -- but you would never know it.
Now, as a recovering columnist, I am reading Hal Boyle’s columns. In 1954, he visited my Irish-born grandaunt in Brussels and wrote about the atomization of her family from World War II. (I recently came upon my mother’s cache of photos and clippings of her lost Belgian-Irish relatives.)
Decades later, Hal Boyle holds up in hard-cover form; very few columnists do -- Mike Royko, Jimmy Breslin, a few story-tellers, writing about the human condition.
Like the best journalists, Boyle has a fine eye for details – the bullet hole in Madame Duchene’s front doorway -- from the day a Scottish soldier she had been hiding bolted from the Gestapo, and was gunned down in the street. (He lived to old age but Madame Duchene’s daughter, Florence, and her son, Leopold, did not.)
I cannot access Boyle’s column on line, but I wrote about that family in 2006: https://www.nytimes.com/2006/06/09/sports/soccer/09vecsey.html
Boyle paints a portrait of the grandaunt I never met. On the 10th anniversary of following the Allies into Europe, he spent a few hours at her home – get this -- 7, rue Sans-Souci. (Street Without Care)
Again, like the best journalists, Boyle is there to observe, to ask questions. His compassion for the old lady with her memories and her medals, surely has roots in his mother’s childhood in poverty-ridden Ireland.
I never finished his collection – the aptly-named “Help, Help! Another Day!” – from a poem by Emily Dickinson – but now I am enjoying his changes of pace: communing with the graves of men who died on the Normandy killing beach, or staying in a camp deep in the Catskills, listening to the sounds of night.
Perhaps his most poignant column came from defying the third or fourth rule of journalism – never succumb to the cheap device of quoting taxi drivers. But Boyle happened to ride in the cab of a philosopher who was mourning a beloved wife who had died years earlier. The man advised Boyle to cherish his own wife, and life itself, and Boyle was wise and talented enough to make a column out of his encounter. (Boyle’s own wife would die young, and he would follow, from a heart attack, at only 63.)
Many great journalists are full of themselves, to the point of grimness, but Boyle was jolly, in a melancholy Irish way.
He was as much at home in the camaraderie of a beer frame as he had been with the sights and sounds of combat.
One thing I just learned from skimming his columns: his own meter was always running.
I am convinced: what I am about to tell you is no coincidence:
At that bowling alley – Beacon Lanes, 76th and Amsterdam, second floor – the coat-check was run by a highly loquacious and secure black man, who seemed to have the word “autodidact” glowing proudly like theater lights on his forehead.
The man liked to chat about the books and poems he had read – most notably “Thanatopsis,” by William Cullen Bryant, using the Greek word for “consideration of death.” At 16, I looked forward to my weekly chat with the brother.
Now, 63 years later, I pick up Hal Boyle’s collection. His latest column is from Jan. 9, 1964, called “Nostalgia Is a Medicine to Cure the Blues,” with one-line observations about things you don’t see much anymore. One of them was:
“Anybody with a claim to culture could prove it by reciting aloud the concluding lines of William Cullen Bryant’s “Thanatopsis.”
This means, to me, without a doubt, that Hal Boyle, Pulitzer-Prize winning columnist of the Associated Press, had been chatting with the same vibrant coat-check man at the Beacon Lanes in the season of 1955-56.
With that discovery, I feel a great kinship with the man who visited my grandaunt in war-ravaged Brussels. I wish I had read more of Hal Boyle, had asked more questions, back in the day. But I did bowl with him.
In the final hours of an ugly year, I stuck with the tried and true.
Our local classical station, WQXR-FM, was playing the top 100, as chosen by listeners. It was reassuring to hear music that stirred people and soothed people in other dark times, with other crackpots and despots flailing around, and the music survived.
Then again, we have seen votes go wacko in a democracy. When the Gilbert and Sullivan spectacle, “Pirates of Penzance,” popped up in 10th place, my reaction was, “Wait, WTF, how did that get in there?”
The WQXR–FM web site had the same reaction:
Was it was the work of Gilbert and Sullivan superfan sleeper agents? Or is everyone just really excited about the end-of-year New York Gilbert and Sullivan Players production of Pirates at the Kaye Playhouse. (It turns out that it very well might be both, as the New York Gilbert and Sullivan Players staged a campaign to launch the opera into the countdown — and it clearly worked.
Trolls. Bots. Hacking. Malware. Whatever they are. Sounds like a job for Super-Mueller, but Our Civic Protector is said to be otherwise occupied with his investigation into more serious shenanigans.
Other than the jolt of Gilbert and Sullivan coming in 10th in any classical music ranking, it was a joy to hear oldies soothe the dark days and nights as 2018 slunk off into history.
Beethoven had four symphonies in the top 10, including his Ninth, with the rousing “Ode to Joy,” now becoming a staple ‘round midnight on Dec. 31.
Some of the most familiar music can be considered chestnuts, but I was happy to hear them, knowing that new and adventuresome and inventive music will be presented by John Schaefer on “New Sounds” and by Terrance McKnight on his weeknight show.
Plus, as 2018 ebbed, I heard some of my favorites, Dvorak and Copland and Vaughn Williams and Smetana and Bartok and Barber and Ravel and Satie and Lenny Himself, conducting his “West Side Story: Symphonic Dances,” which always makes me feel 16 again, walking the streets of my home town, feeling, “could be, who knows?”
In the symphonic version, I could hear the lyrics of Stephen Sondheim:
Could it be? Yes, it could
Something's coming, something good
If I can wait
Something's coming, I don't know what it is
But it is gonna be great.
Happy New Year.
It is beginning to dawn on me that President Trump is not merely some bloated orange spectacle from a reality show.
He is consciously presiding over the demolition of health in the country.
The New York Times ran one of those special public-interest sections on Thursday, the kind they seem to produce regularly – a Pulitzer-worthy section of the week.
This one was on the environment – in many of the corners where I used to work as a news reporter, including the Kanawha River in Almost Heaven, West Virginia.
The lead article is by Eric Lipton and John Branch, a great reporter with whom I had the privilege of working for a few years. John is based in his home state of California, and he already won a Pulitzer for his work on the science of a murderous avalanche.
Branch is a member of the sports department but they rarely send him out to cover games; he’s part of the direction the Times is going – important journalism being committed on a daily basis. (Yes, I miss baseball box scores and daily Mets coverage, but would choose the vital journalism being produced by the Times these days.)
Branch and Lipton write about the farmlands of Kern County, Calif., one of the major agriculture centers in the country.
Since Trump was inaugurated in January of 2017, in front of those yooge crowds in Washington, he has facilitated dozens of downgrades of environmental practice. The Times documents them in this section.
The presidential approval of pesticides in the vegetable garden of America could be poisoning you, wherever you are, but it is certainly sickening the workers – many of them brown and Spanish-speaking – the braceros, the obreros, who pick your lettuce, when they are not fainting and vomiting from the poisons Trump has let loose. The children's day-care center is downwind from the sprays.
The pesticide, named Chlorpyrifos -- why, look here, it’s from our old friend Dow Chemical -- belongs to a class of chemicals developed as a nerve gas made by Nazi Germany, as Nicholas Kristof wrote in a Times column in 2017:
Kristof added that the nerve gas is “now found in food, air and drinking water. Human and animal studies show that it damages the brain and reduces I.Q.s while causing tremors among children. It has also been linked to lung cancer and Parkinson’s disease in adults.”
This poison is now being sprayed all over Kern County, killing insects and sickening humans and also enriching the companies and the politicians that enable this toxic man.
Congratulations to the newspaper and web site that grow more serious and more invaluable all the time.
Here’s the on-line version of the article by John Branch and Eric Lipton:
Our granddaughter Anjali came over Sunday to pick up some cookie utensils.
She's driving now. Having a very good year.
Marianne took out her assortment of cookie-decorator tools from holidays past. The two of them huddled over a kitchen table, trying to put together one gadget for spreading icing.
There was Christmas music on WQXR-FM. I stood and watched this very sweet moment as.two artistic and orderly minds collaborated to get it together.
I thought about our holidays when our children were young; I thought about the way my parents managed to have a clutter of presents for five children. How did they do that?
What a blessing to have two of our three children in town with us -- one grandchild in a school concert the other night, another popping over since she earned her driver's license,
Grandmother and granddaughter smiled and agreed. All systems go. Anjali tootled home to work with her parents on their cookies.
A few hours later this photo came pinging onto the smartphone.
Tomorrow we get to sample.
From our family to all our friends, including those who glance at this little therapy web site:
Be Well. Happy Holidays.
Outside, the storms – political and meteorological – were raging. Inside there was a winter concert, by students and, later, enthusiastic alums.
How sweet it was, to find shelter from all storms, to hear young people play and sing, with considerable skill.
Our youngest grandchild was in one of the ensembles, but honestly the quality of the music and the spirit of the young people would have been an attraction by itself.
This was Thursday evening at Schreiber High School in Port Washington, Long Island, which, as much as it changes, retains its home-town feel, on a peninsula, with a train line terminating there, and a real downtown -- 45 minutes by rail from Penn Station.
The superb arts department produced one concert Wednesday and another on Thursday – an orchestra, a band, a choir, and then an ensemble for the Hallelujah Chorus from Handel’s “Messiah.”
A young woman gave a haunting flute solo; a young man led one section with a strong first violin; a young man played a specialty instrument that evoked the swirling of the sea.
I was particularly captivated by the choir, having had the privilege of singing in Mrs. Gollobin’s chorus at Jamaica High School in the mid-‘50’s and admiring the choir members.
I watched the faces of these young people as they put their hearts into “Rock of Ages,” and, I will confess, I remembered our chorus harmony from 1954-56, and I softly hummed to myself.
I thought of the choir stars from Jamaica High – an alto who taught music at a university in Texas for many decades, and our two lead sopranos who came back for reunions, still beautiful and active well into their 70s.
And then there was Eddie Lewin, star soccer halfback and lead in our musicals. (Lotte Lenya came to our performance of her late husband Kurt Weill’s operetta, “Down in the Valley,” with Lewin playing the lead role.) In later years, Eddie took a pause in his medical career to fulfill his dream of touring with “Fiddler on the Roof.”
I thought about our choir and chorus while watching the young people of Port Washington as they performed so brilliantly in their own time.
At the end, the leaders honored the tradition by calling all alumni of the music department to join them in Beethoven’s “Ode to Joy.” Dozens of recent graduates filled up the sides of the auditorium.
They were asked to call out their graduation classes – 2018, 2017, 2016, 2015 – and somebody said, “1976!” That was Jonathan Pickow, a well-known musician from our town, the son of Jean Ritchie, one of the great traditional folk singers and historians from her native Eastern Kentucky. (Ritchie
Jean and her husband George Pickow – now both passed – lived high on a hillside in our town. First time I heard Ritchie was at Ballard High in Louisville, when we lived there, around 1971-2. She reassured Kentuckians that the steep hill on glacial Long Island made her feel she was still in Viper, Perry County.
Jon has toured with Harry Belafonte, the Norman Luboff Choir and other choirs, has performed with Oscar Brand, Judy Collins, Theo Bikel, Odetta, Josh White, Jr., Tovah Feldsuh and my pal, Christine Lavin.
And there he was, amidst musicians more than 40 years younger than him, talking respectfully of having been part of music programs at Schreiber High in Port Washington, back in the day. Music is classical; it provides shelter in all storms.
* * *
PS: Jean Ritchie wrote the classic protest song, "Black Waters," about strip-mining, which obviously the tone-deaf Mitch McConnell from Louisville has never heard.
I had forgotten that I once scored on a header in the ancient amphitheater at Caerleon, Wales.
I was reminded of my stirring athletic feat – sending the ball spinning into the corner of an admittedly spectral goal – when I recently read a terrific book: “The Edge of the Empire: A Journey to Britannia; From the Heart of Rome to Hadrian’s Wall,” by Bronwen Riley.
I read about the book in a review in the Times by Jan Morris, which was good enough for me.
People don’t know enough about the Roman Empire. Or, rather, I don’t. I’ve encountered Roman ruins in Ephesus, Turkey, and southern France and silver mines in Wales, and I speak just enough French, Spanish and Italian to realize the debt to Mother Latin. But somehow I got through college without ever taking a course in the Roman Empire. Quid pudor est (What a shame, courtesy of Google Translate)
So, about the header. My epic goal took place while we were touring Wales, oh, a few decades ago, with our former Long Island neighbor, Alastair, who had retired to his home in Wales, with a view of the Brecon Beacons, the hills to the south.
Alastair had a Scottish surname but was a true Welsh patriot who loved driving us around to chorus recitals and old ruins and vacated railroad lines from his youth.
(Whenever Alastair crossed the Severn River bridge from England back home to Wales, he would mutter something about “them” – the country in the rear-view mirror.)
On this lovely summer day, Alastair drove south from Brecon, telling us about the great rugby teams of his youth in these old coal-valley towns. We reached flatter ground where the Usk River widened, and Alastair found the old Roman amphitheater, now just vestigial green mounds and a few outcroppings of stone, surrounding a lush green lawn. In Roman times, the outpost was known as Isca Augusta.
Riley’s book taught me that the Roman amphitheaters all over the empire conformed to style: outbuildings for entertaining Roman dignitaries on inspection tours. I did not know that the same spectacles in Rome were repeated in the colonies – animals fighting animals, gladiators fighting animals, gladiators fighting gladiators. This primal gory spectacle was the National Football League of its time.
The old arena was empty, as far as I could see, as we entered through one of the passageways. The ground underneath felt firm. Once we were inside, the grassy mounds surrounding the arena were higher than my head. I felt as if I were in Wembley or Olimpico or Bernabeu, some of the modern stadiums in outposts of the Roman Empire.
Still fit, in my 40s or 50s, I felt the urge to jog…to open it up, to let it go. Down at the other end, I imagined a rectangular goal and some pigeon of a keeper, just ripe to be juked out of position. Just like CR7 or Ibra these days, I closed in, leaped in the air and connected with a gorgeous service from my wing, and I flicked the ball into the nets, as thousands roared.
Well, not thousands. Nobody cheered. Right about then, I noticed a little knot of children with an escort, in one of the runways, against the rocky sideline, staring at this daft old bloke. I decided not to tear off my shirt to celebrate – bad form with a dozen tykes staring at me.
That was my goal. We continued our drive through Alastair’s homeland. A few years later, he inconsiderately dropped dead while shopping for food for his border collie, which put an end to our annual post-Wimbledon visits to idyllic Welsh summer – flower-festooned pubs (with good food!) alongside the Usk canal, plus his occasional glider sorties from the nearby Black Mountains.
Wales all came roaring back to me after the Times book review for Bronwen Riley’s book. She describes how Julius Severus, the newly-appointed governor of Britannia, traveled the 1486.9 miles from the bustling Rome docks in the year 130 to supervise the building of Hadrian’s Wall. (One thing I learned was that the famed Roman galleys did not, repeat not, rely on slave labor, but instead were powered by well-trained military men, many earning their citizenship through 20 years of expert labor.)
The book describes the over-land portion of the journey in Britannia, stopping briefly at the growing town of Londinium (London) and then heading west to Isca Augusta (Caerleon), and then north to Deva (Chester) and on to the growing wall.
That is right: Hadrian managed to get his wall built, thereby separating neighbors and relatives, brutally and cruelly. Omnia mutantur magis ... (The more things change… in Latin.)
Those Roman emperors could really build things, back in the day. They built an arena in Isca Augusta that I visited one green summer day, thinking not of Romans but of a dashing header, smack, into a make-believe net.
* * *
Jan Morris’s recent review in the NYT:
Michael Cohen emerged into a phalanx of 20-inch necks and watchful eyes.
The NYPD had its best people out in front of the courthouse.
My first response was delight that Cohen had to walk the perp walk, the felon walk, in front of the cameras, in front of the world.
This is, after all, the same chap who once rang up a reporter working on a story and threatened to do something “f------ disgusting” to him. The same fixer who zestfully helped Trump become Grifter-in-Chief.
The threats and payoffs seemed to come naturally to both of them.
I noted Cohen’s well-clad family, now shaken by a three-year sentence, and I felt no sympathy. They must have known the line of work he was in.
My glee at the downfall of this enabler was tempered a bit on Wednesday by Chuck Rosenberg, a former federal prosecutor, now a valuable contributor on MSNBC.
Rosenberg is a knowledgeable and stable presence – speaks softly, rarely even smiles, has no need to be cute, a pitfall for some regulars on the cable. He just knows stuff. And on Wednesday he made me feel (albeit temporarily) a bit guilty at my runaway case of schadenfreude.
MSNBC does not seem to have posted Rosenberg’s comment, and I was not taking notes, but the rationality of his impromptu comments stayed with me, after the moment.
Rosenberg said, not bragging, that he had loved being a prosecutor, finding the misdeeds, righting the wrongs. In words to this effect, he said he loved presenting evidence, convincing judge and jury, seeking justice.
But, he added soberly, the part he enjoyed least was the sentencing. He did not enjoy being in a courtroom and hearing most of the suspects being sentenced to….something.
These are real people, Rosenberg said. They have families. They have private lives. They may deserve their sentences, but they are….people.
Rosenberg’s decency calmed me down, well, for a few minutes. But as the day went on, and front-page news came of that slimy gossip paper having flipped, with a safe full of salacious clips on Trump, and my ongoing awareness that Trump is tossing very dangerous toys around his playpen, I felt no empathy for Michael Cohen.
Let him sell his apartment to pay his fines and legal bills. I don’t buy the line by his lawyers and apologists that he is a changed man. He is a caught man. Sorry.
I give thanks to MSNBC for, during this terrible time, having brought in their own phalanx of qualified “contributors” – people who worked in government and the law, people who have expertise, and share it.
People I mostly never heard of until Trump strutted into the White House: Rosenberg, Joyce Vance, Barbara McQuade, Paul Butler, Mimi Rocah, Frank Figliuzzi, Maya Wiley, Daniel Goldman, my fellow Jamaica High School grad Jelani Cobb, and many others, plus two grand oldie-but-goodie Watergate lawyers, Nick Akerman and (drum roll, please) my second favorite septuagenarian lady, dressed and coiffed perfectly, a legal guru, smiling like a blonde Buddha from Chicago, Jill Wine-Banks.
I learn so much from these contributors. Now I am looking forward to a lot of people named Trump being frog-marched into the pokey for their grifting from here to Riyadh or Moscow and back again.
While we’re on the subject, I apologize for my lowball estimate that Trump would self-destruct within 18 months. I was relying on my having known about him from back in Queens, but I vastly overestimated the vestigial patriotism and integrity and common sense of Paul Ryan, Lindsey Graham and that White Citizens Council that stands mutely behind Mitch McConnell.
I once spent a day with Sen. Howard Baker on his campaign around Tennessee in 1972. None of these ciphers is Howard Baker, the Republican hero of Watergate.
So that’s where we stand. Michael Cohen got three years and had to walk the felon walk. It’s going down.
There are web sites with the 10 worst Mets trades, the 15 worst Mets trades.
Plenty of space for new ones in the vast reaches of the Web.
We think of the talent this franchise has let get away – Nolan Ryan. Amos Otis. Roger McDowell and Lenny Dykstra.
In their sketchy past, the Mets have gotten expensive and over-the-hill talent like George Foster, Jason Bay and Bobby Bonilla, to say nothing of Juan Samuel for McDowell and Dykstra.
We won’t know where this trade fits until the Mets, maybe, who knows, happen to have a lead in the ninth inning and Edwin Diaz remains the excellent save guy he was in Seattle.
I don’t expect much from Robinson Canó. He is 36 years old, comes with a five-year contract for $100-million.
“And I’ll give you one guess who Canó’s agent is, or was,” a Mets fan in my neighborhood texted me. (Same guy who, in 1989, called home from college and all he could rasp was, “It stinks. It just stinks.” I didn’t have to ask, “Who is this?” or what it was about – the Samuel trade, of course.)
Cano’s previous agent, Brodie Van Wagenen is now the general manager of the Mets. What ever happened to the great Jeff Sessions move of recusing himself?
As for Canó, he was an engaging young guy with the Yankees – named for Jackie Robinson by his dad, alert eyes, nice personality. But he missed 80 games with the Mariners last year after testing positive, which throws his power numbers under huge suspicion.
“But Cano might have something left,” wrote Tyler Kepner in the Times on Monday, adding: “He batted .317 in 41 games after returning from his suspension, and hitting is just what he does.”
Tyler is not a pushover, and neither is he overly droll. This is his judgment, and I am noting it, with great respect.
Plus, it’s nice to know the Mets have $100-million to spend on a 36-year-old post-suspension hitter. Maybe the Madoff Years are over.
But there is something else about acquiring Canó. Last year the Mets brought up Jeff McNeil, a late-blooming second baseman who had learned traditional baseball skills in the minors and proceeded to hit .329 in 225 at-bats with the Mets – with seven steals and three homers.
“And he’s a good defensive second baseman,” says a friend of mine who played two years at that position in the minors.
McNeil will be 27 next April. Oh, he is making around the major-league minimum salary. Did I mention that?
By making these moves, the Mets are showing they are mired in the generation of the launch arc – the identical swing in the same damn groove that sends most hitters back to the dugout regularly, with blank looks that say, Well, I did what they want. I took my hacks.
Right. Jacob DeGrom merely won a Cy Young Award by tricking the launch-arc pigeons, pitching up, up, up, inning after inning.
* * *
The Mets roster will continue to change. Jay Bruce was a mensch, a gamer, in his two stints with the Mets. Thanks, man.
As for the young talent, think Nolan Ryan.
Meanwhile, Wilmer Flores has been released. That is baseball, defensible. Wilmer does not have enough power to make up for defensive mediocrity, nor does he have what the broadcasters like to call “foot speed.” Who didn’t cringe when that indecisive third-base coach meditated in real time over whether to send Wilmer? Don’t Do It! we screamed.
Wilmer is a sweet guy, you can see that from the top row. He cried the first time they tried to trade him, now part of Mets lore.
Let’s pause for a chorus of: Don’t Cry for Me, Wilmer Flores.
The moral to the release of Wilmer is: don’t get too attached to charismatic Mets icons wearing No. 4.
Forget about old Dodgers Charlie Neal and Duke Snider in the first two years. Later icons, Ron Swoboda and Rusty Staub and Lenny Dykstra, all beloved, all wearing No. 4, were sent away.
The Mets would have traded Mel Ott (No. 4) of the New York Giants.
The Mets would have traded Lou Gehrig (No. 4) of the New York Yankees.
Wilmer should look at it that way.
Now they are spending $100-million for Robinson Canó, age 36.
As we say in New York, Oy!
We were watching MSNBC Friday evening, when they segued into quickie telephone tributes for George H.W. Bush, followed by Lester Holt narrating the prepared tribute.
One of the film clips was of a little boy in a back-yard rundown, lovingly getting tagged out by the right, gloved hand of an elder, presumably the Bushes we now know as 43 and 41.
It was so sweet, people playing the American game with great big smiles and sweeping tags.
Mister, I’m a baseball man--Ry Cooder.
My conduit to President Bush, the baseball man, came via Curt Smith, a speechwriter during the Reagan-Bush years, who in 1989 invited a gaggle of sportswriters and broadcasters to the White House for a baseball schmooze-fest. I wrote about the President’s glove in his desk drawer.
When I heard about President Bush’s passing, I immediately thought of Curt Smith, and his admiration for his former boss.
It is well known that President George H.W. Walker was a crier. Wept easily. Smith once told how he was assigned to write a speech for the visit to Pearl Harbor on the 50th anniversary of the attack that kicked off the Pacific war on Dec. 7, 1941.
On Saturday I asked Curt for his recollections of No. 41 – and the speech. This is what Curt Smith wrote back:
Bush truly loved the game: played, coached it in Texas, mentored players, captained his team at Yale. He made the first two College World Series in 1947-48. He accepted Babe Ruth’s copy of the Babe’s memoir in 1948 as Yale’s captain as Ruth was dying of cancer. He coached all four of his sons in Little League. He took Queen Elizabeth to a baseball game, staged a great event at the White House to honor Williams and DiMaggio on the 50th anniversary of their magical 1941, invited Musial and Yastrzemski to the White House as he prepared to go to Poland to, among other things, christen Little League Baseball there, on and on and on. He and I talked baseball, he had my Voices of The Game at Camp David. Our first meeting he told me, “I’d rather quote Yogi Berra than Thomas Jefferson,” and meant it. He knew more Berraisms than I did!
Pearl Harbor evolved from the fact that I generally did “values, inspiration, patriotic” speeches for Bush. I had always read a lot about World War II and was very conversant with Bush’s role in the War. I knew of his great modesty. As I kid he hit a couple homers once. His mother Dorothy eyed him and, referencing the grand Protestant hymn, said, “Now, George, none of this ‘How Great Thou Art’ business.”
Bush was naturally self-effacing and deferential, two of the reasons he drew people toward him. He hated to use the word I in speeches. Try writing speeches that way! In any event, our speech staff was constantly frustrated at how the country didn’t know the Bush we did—because of Bush’s dignity, innate reserve, feeling that the President should set an example. (What a concept!)
I wanted the country to see the man that we did. In talking with the President, I tried to subtly make this point. Bush, on the other hand, had been 17 when the Japanese attacked Pearl Harbor, a Sunday. He had friends who had died. He had gone next day, a Monday, and tried to enlist. The draft board said, in essence. “Sonny, you’re too young. Come back when you’re 18.” He did, enlisting the day he turned 18.
Bush, at heart a very sentimental, emotional man—a softie, as he and we knew: again, a reason so many of us loved him — was concerned he would not get through the speech. “I don’t want to break down,” he said. I didn’t tell him I wanted him to break down: that would have been unseemly. I did say that “This will be a chance for you to talk about an event that will show the Nation the kind of person you are.”
As things turned out, he didn’t break down, but did choke up; his voice faltered; he was clearly moved. In retrospect, Bush, who almost to the end was unsure whether he could give the speech, was very glad that he did. And in the next 25 years, as a former President, the country came to see almost precisely Bush as we had—sentimental, giving, kind, funny, patriotic—one terrific person.
(With great thanks to Curt Smith)
Curt did not include this Pearl Harbor story in his terrific recent book, “The Presidents and the Pastime: The History of Baseball & the White House,” published by the University of Nebraska Press. Bush, a .251 hitter at Yale, was surely the best player and biggest fan of all presidents who have tossed out ceremonial baseballs on opening day.
They were baseball people, the Bushes, part of the carriage trade that made the New York Giants the elite team of the big city. George Herbert Walker, Jr., uncle of the future No. 41, owned a piece of the Mets, starting in 1962 – a clubby gent who, as I recall, was fine with sportswriters calling him “Herbie.” They were easy to be around, the Bushes.
I was lucky enough to meet No. 41 twice, both in baseball settings. I wrote about my second meeting when Barbara Bush passed last May:
However, I did not get as close to No. 41 as my boyhood pal, Angus Phillips, did for the Washington Post. Invited to a dawn fishing trip on the Potomac, Angus reported to the White House a few minutes early and somehow was ushered into the living quarters where he discovered the leader of the free world padding around a hallway, clearly just out of bed. Angus’s classic tale of the visit…and the fishing….is included here:
George H.W. Bush was the last World War Two veteran to serve as president.
He kept his old George McQuinn mitt in his desk drawer in the White House.
Whatever else he was, he was a softie. And a baseball man.
* * *
The New York Times also prepared a magnificent spread on No. 41:
“Bertolucci died,” my wife said, checking the pinging on her smartphone.
Immediately, we were transformed to the Baths of Caracalla, where the grand director was making “La Luna” in the Roman summer of 1978 – with two broken arms.
There was a lot going on in a month when Romans normally head for the countryside during the annual shutdown known as “Ferragosto” – taking one major Roman Catholic holy day and turning it into a one-month holiday.
Pope Paul VI had died on Aug. 6 in the summer retreat of Castel Gandolfo and the Vatican took an ungodly time getting the Pope to St. Peter’s for the funeral.
I was sent there by the Times, as a learn-on-the-spot religion reporter. Pretending I knew something, I speculated on who would be the next Pope. (All wrong, of course.)
Then the Times went on strike, leaving me in Rome with a borrowed friend’s apartment near the Piazza Navona. How sad. I sent for my wife, and we wandered the city.
A friend of ours had a connection to another major event in Rome that summer – the making of a movie by Bernardo Bertolucci, in the Baths of Caracalla – a film called “La Luna” with a theme of incest, starring Jill Clayburgh.
Our friend sent a limo to take us to Caracalla for the day, where Bertolucci was directing with casts on his arms. He had been carrying a camera, peering down into it, and had fallen off a step or a platform, and had broken both arms, but he persevered admirably.
Now he bravely balanced the camera on the two casts, still framing scenes as they would appear through the lens, as directors do. A cadre of assistants hovered around him as he tottered on the steps to the stage, lest he fall again. The whole project was in his broken arms.
My wife and I hung at the edge of the proceedings with our friend, whispering, perhaps even giggling a bit. Nobody seemed to mind except for Jill Clayburgh, who was gearing up for the tangled emotions of the film, wearing elegant high heels on the uneven ancient stones of Caracalla.
She shot us a look or two, and we piped down.
That’s all I remember, except for lurid jokes and set gossip we culled here and there. It was, of course, Rome. Matthew Barry, the young New Yorker who was playing Clayburgh’s son, had to preserve his pasty-white coloration for uniformity during the shooting, so they enticed him indoors, day after day -- no beach, no outdoor trattorias. I wondered how they kept him indoors.
* * *
Our friend called for the limo and a stalwart Roman driver took us toward Centro Storico.
I forgot to say, it was also a dangerous time in Italy, threatened by the Red Brigade.
The former Prime Minister, Aldo Moro, had been kidnapped and murdered in May and more violence was feared.
“Aren’t you afraid of the Red Brigade?” I asked the driver in my minimal Italian.
He tapped the solid dashboard of his limo, to signify protection of some sort, and he said, “The Red Brigade should be afraid of us.”
I took his word for it.
* * *
Several years later, my wife was walking on Madison Ave., looking in shop windows, and she spotted the reflection of an elegant woman a few feet away, looking at her, as if to say, “Who is that?”
Jill Clayburgh could not place her, and kept walking.
I never saw “La Luna,” which did not get great reviews, apparently.
That’s my only memory of Bertolucci – carrying on, with all the force of a great Italian director, in the August heat, in Caracalla.
There I was on the F train, creeping (and I do mean creeping) through my home borough of Queens on Tuesday.
My friend Jerry Rosenthal was in his first spring training in 1961, being switched from shortstop to second base.
The coaches were swatting grounders during infield practice, concentrating on the double play with a bunch of strangers, trying to claw their way up the Milwaukee Braves’ farm system.
“I was figuring out the steps on my own,” Rosenthal recalls. Get to the base. Turn. Throw to first.
The stranger on line behind Jerry offered his critique: Jerry did not know jack about making the double play, and was going to get killed.
“You’ve got to cheat toward the base,” Ron Hunt told him, while executing his own double-play pivot. “Plant your foot and throw the ball.”
Jerry remembers the stranger as “very acerbic, but not mean spirited.”
It should be noted that the year before at Cedar Rapids, Hunt had batted .191 and committed 37 errors in 121 games. However, he offered advice -- even to a rival.
Hunt also delighted in patrolling the sparse training clubhouse, pulling adhesive tape off the bodies of teammates, but not in a mean way, Jerry Rosenthal adds. (An all-conference shortstop at Hofstra who came back from being hit by a pitch near the eye, Jerry played two years in the minors, admiring teammates like Rico Carty and Bill Robinson and opponents like Lou Brock, and later taught school in Brooklyn, and is great company for his love of the game.)
Ron Hunt became the Mets’ first young star – scrappy and opinionated, the epitome of The Youth of America that Casey Stengel swore was in the pipeline.
Hunt was in the news the other day, in a lovely article and video from Ken Davidoff in the New York Post, detailing how Hunt, now 77, is suffering from Parkinson’s disease, quite possibly the toll from being hit by 243 pitches in a 12-year major-league career, and throwing his body around in the field and sliding into bases.
Right here, you could switch over to Davidoff’s depiction of a grouchy but idealistic baseball lifer, now suffering:
I first met Ron Hunt in spring training of 1963 He had inched forward in the Braves’ system and the Mets had drafted him out of AA ball.
In those days, rookies were discouraged from being brash. Show us something, kid. Based in funky St. Petersburg – long before the move to eternally desolate Port St. Lucie -- the Mets played exhibitions on the Gulf Coast and inland Florida. Rookies got to ride the bus, so Hunt was designated for a game in Sarasota. I had already discovered that he was a blunt and willing talker, with opinions on anything.
Pitching for the White Sox was Herb Score, whose career had been disrupted by a line drive that hit him alongside the eye in 1957. Score was trying to hang on. After the game, I asked Hunt how Score looked to him.
“He don’t have shit,” Hunt told me. “He’s just cunny-thumbing the ball up there” – an old baseball expression for a junkballer.
The rook surely did not hold anything back. And he was right. Herb Score never pitched in the majors again. Three weeks later, Hunt jumped ahead of five or six other second baseman to open the season for the Mets, and he became a fixture, first with the Mets, later with four other teams. The Mets enjoyed him, called him “Bad Body” for the way he slouched and slumped his way around, infuriating rivals by getting hit by pitches, sliding hard into bases, bunting with two strikes, and other anti-social acts.
In the age of the Launch Angle, I must add that Hunt was the antithesis of today’s model player, who swings from his butt, every pitch, trying to propel a home run. Hunt hit only 39 homers in 12 seasons and today would surely be scorned by the analytics experts hunched in front of their computers. The Mets have a second baseman named Jeff McNeil who batted .329 in 63 games as a late-blooming rookie last season, and the last I heard the Mets don’t sound convinced he should be a major-league regular. I’d like to hear Ron Hunt’s take on that.
Hunt has opinions on everything. For a decade or two, he ran a baseball program in the St. Louis area, his own funds, his own rules, trying to make tough kids even tougher, while he also ran his farm.
Ken Davidoff catches him perfectly. Ron Hunt, with a nasty condition, sounds just like the opinionated teammate Jerry Rosenthal met in 1961 and I met in 1963. May he have a testy opinion about his illness, and tell it where to go.
One of the great joys of reading the New York Times these days is the occasional and highly literate essay by Margaret Renkl, an Op-Ed contributor based in Nashville.
Renkl writes about life out there in the Real World -- if upbeat and evolving Nashville (say I, an old Nashville hand) -- can truly be called the Real World.
In Monday's Times, Renkl suggests a technique for countering the discordant blares and roars and whines of -- no, she does not say that! -- the mechanical lawn-blasters who have invaded our otherwise serene lives.
She talks about the garden crews that most of us employ to blow leaves around for hours at a time. (Disclosure: I recently hired a very nice crew that not only collects leaves but also seems to have produced new green grass on my ugly patch of crab-grass.)
The crews in our neighborhood seem to intentionally vary their attacks so that, from March into December, there is always a group of hard-working guys whose decibel output reminds me of my freshman year at Hofstra College, when its direct neighbor across the turnpike was Mitchel Air Force, with planes warming up 100 yards away. Good for concentration on philosophy or history.
To make a statement about the ugly noise in our leaves, Renkl proposes digging out prehistoric tools employed by our fellow homo sapiens back in other centuries -- an implement with a long handle and slender tines. She describes, rather lasciviously I might add, the joys of slow, careful interplay with leaves. At least, that's how I read it.
In fact, it sounded like so much fun that I went out and practiced my raking, putting some leaves in bags but saving some for the little things she says inhabit the earth. I will take Renkl's word on that part; she does, after all, live out there in the Real World. (For those of us who do not have a lawn, I might suggest paring raw vegetables or cleaning a few windows. Therapy is therapy.)
Try it! And look up the work of Renkl in the Times and elsewhere. She is right up there with Dan Barry and Sarah Lyall and Corey Kilgannon, whose every article I read avidly, for choice of content as well as for style. Renkl is what the great editor Gene Roberts calls, in his eastern North Carolina accent, "a rahter."
And not only a rahter but a therapist. After reading her essay, I felt relaxed enough to tackle the front page.
* * *
Here is Renkl's gem of an Op-Ed piece:
And recent works:
He looked like a garden gnome with an accent out of "Mayberry RFD," but when the subject veered to immigrants or demonstrators, Jeff Sessions would tighten up.
He wasn’t funny, then.
Then he was less of a Mayberry character than the town storekeeper who kept his Kleagle robe on a peg in the back room, more out of “To Kill a Mockingbird” or “In the Heat of the Night.”
He had a mission, seemed to me – to restore the good old days of the ‘50s – the 20th Century or maybe even the 19th.
Somehow he got in the way of Trump’s Ultimate Solution, and he had to go.
Then he got lucky. Compared to Trump, he became Fightin’ Jeff, the People’s Choice, remembering his lawyer past, respecting legal niceties like “recusal.”
The version I will miss most was created by the captivating Kate McKinnon on “Saturday Night Live,” who presented Sessions as a cuddly little elf who could fit in small spaces and flash a Howdy Doody smile to the world.
Lucky is the public figure mimicked by McKinnon, even with her glint of deviltry behind the entertainment as she portrays Sessions, Rudy Giuliani or the sewer-dwelling leer of Kellyanne Conway. She is a gem.
There are plenty of ghouls and monsters left to portray. I will still tailor Saturdays to be in front of the tube at 11:29 PM just in case Kate McKinnon is up first.
But I will miss the kewpie-doll grin of Jeff Sessions, so much better on Saturday night than any other time.
* * *
I am not the only one. The Huffington Post reports on a great national angst:
When friends in Jerusalem and the Upper West Side send the same link, it makes sense to read it -- and pass it on. Roger Angell, 98, has some thoughts on election day and citizenship.
What could be more American than an essay on voting by a hallowed member of the writers' wing of the Baseball Hall of Fame?
(The art was a bonus. I found it on line, and consider my posting it here as an endorsement for any artist who can put these three dudes in the same work.)
The following is a contemporary version of the classic warning of the Holocaust, by the Rev. Martin Niemoeller. This was written by my friend, Arthur Dobrin, the Leader Emeritus, Ethical Humanist Society of Long Island, and professor emeritus, Hofstra University.)
First they mocked the handicapped and then they boasted about assaulting women.
And I did nothing.
Then they called black people stupid and Muslims terrorists.
And I did nothing.
Then they called Mexicans rapists and the press the enemy of the people.
And I did nothing.
Then they called political opponents traitors and those who body-slam critics “my kind of people.”
And I did nothing.
Then they posted pictures of dollar bills over Stars of David and said transgendered people couldn’t serve in the military any longer.
And I did nothing.
Then two African Americans were shot dead in a supermarket, pipe bombs were sent to critics of the administration and eleven Jews were murdered in a synagogue.
And now the president laments the hate in the country and then tweets about baseball.
* * *
(The incident in the video has played out dozens of times, and the message continues: take matters into your own hands. Trump’s behavior, as he foists himself upon a grieving Pittsburgh, reminds me of George Orwell’s immortal warning in the novel, “1984:”
If you want a picture of the future, imagine a boot stamping on a human face, forever.
Trump’s impact on the U.S.A. and the world is more and more apparent.
Nearly half this country voted for this man.
At the same time, the pastor’s daughter, Angela Kasner Merkel, has announced she will leave the chancellor’s post of Germany in 2021. She witnessed two totalitarian regimes – Nazi and Communist – and became a beacon of humanity in a world growing darker by the day.
My thanks to Arthur Dobrin.
World Series Is Over: Redemption; Regional Sweets; Chavez Ravine; Third-Game Marathon. Now What Do I Do?
Monday Morning: My wife asked, “Well, what are you going to do now?”
La guerre est finie.
Well, I said, family, friends, chores, read a book, get to sleep earlier.
The better team won, of course. That is what experts seemed to be saying about the Red Sox weeks ago, and it was obvious throughout.
Who doesn’t like redemption? I’ve witnessed two great Dodger pitchers, Don Newcombe and Bob Welch, both of whom I got to know, not win a World Series game, and that is no fun.
It wasn’t fun trying to pick between Clayton Kershaw and David Price, two left-handers in search of redemption, but I have never met Kershaw and I did encounter Price during the 2008 post-season when he was a thoughtful kid out of Vanderbilt, coming on for the Rays. So, in a way, I was rooting. His redemption was magnificent, on the tube, Sunday night.
So was post-season baseball because it allowed me to purge more of the Mets out of my tormented system. Better baseball. One play exemplifies: In the third desperate game, the Dodgers’ versatile Cody Bellinger, son of a former Yankee, wearing my good friend Bob Welch’s old No. 35, and wearing it well, was in center field, trying to avert what would be a devastating run.
Fly ball to medium center field. Bellinger backed up with those long legs of his and took a running start inward toward the descending ball, caught it and heaved it on a fly near home, just in time to cut off a runner trying to score from third.
Just the way the game ought to be taught. But after watching the Mets (except when the brittle Juan Lagares could play center) I forgot how people like Bradley, Jr., and Betts and Bellinger and Hernández and all the rest could play center field.
So a dose of much better baseball sends us off to the winter.
Early Monday morning, I had time and brain width to read two stirring obituaries, one on the playwright Ntozake Shange and one on the contemplative monk, the Rev. Thomas Keating, both exquisitely written. (My Appalachian pal, Randolph, now occasionally commenting on this little therapy web site, had sent me the link with a comment:
“I feel a sadness. He was such a good man. He really understood that religion was secondary and he tried to bridge the gap between Christianity, Buddhism and all religions: we are all humans....” Randy
The two obits: what a start to the off-season.
And don’t forget to vote next week.
EARLIER WORLD SERIES ARTICLES:
Date shake -- or Necco wafers?
This was the cryptic note from my older daughter, a recovering newspaper columnist, just like her dad.
Knowing that she is also a poet (a good one), I knew this was a simile or allegory or symbol, one of those things.
I got it. Southern California vs. Boston. The World Series matchup. Sweet tooth and clashing baseball instincts.
This was before the first two games in chilly, quivering Fenway Park.
On a clean slate, this Met fan pondered the two delicacies -- the sweet, freeze-your-brain specialty of Southern California or the traditional New England circular treat that fits right on your tongue. (The chocolate one!)
I flashed upon the great post-season games that Laura Vecsey and I covered.
Laura would place a fresh Necco package on my press-box table -- straight from the New England factory. (The company has since gone down, but an Ohio company seems to have rescued it.)
But then I thought about being a young baseball reporter in the mid-60s, night games in Anaheim, mornings driving out to Laguna Beach, swimming with the seals, (ruining my skin for decades later) and then searching the coastal highway for a utilitarian shack producing that thick substance laced with bits of chewy dates.
The Beach Boys on the car radio.
A date shake in my hand.
No brainer. I vote for date shakes.
The World Series is a different flavor altogether. The Mets are a distant horrible memory. I watch the three Boston outfielders and the Dodger center fielders, changing by the inning, all running down shots into the alleys. Good baseball, so rich, so filling, making the masochistic Mets fillings in my teeth ache.
I have to choose? Normally, I'd be partial to the team of my childhood, Brooklyn Dodgers, and even in the 80s I was doing a book with Bob Welch and became friendly with Al Campanis and renewed my admiration for Don Newcombe, still with them.
But it's a different age. I don't like rent-a-star Manny Machado, even with that magnificent arm and all the other skills. As a guy with a formerly red beard, now trimmed tight, I think Justin Turner's beard is, well, over the top. All I'm saying is, not my team.
I have never rooted for the Red Sox (well, maybe when they played the Yankees in the 70s), and I still do not, but I love Fenway Park and I love Boston, deeply love visiting there. And David Price was such a nice young guy in 2008 with Tampa Bay, not long from Vanderbilt, smart, open. I have been happy that he finally won a post-season game and now has won a World Series game.
That isn't rooting. It's just appreciation. None of this fits my Mets, need-to-suffer, pathology.
Plus, my agent is a fervent Red Sox fan. I always want her to be happy.
But in the scenario posted by my older daughter, I would choose a date shake -- Beach Boys on the radio -- coastal highway -- anytime.
Enjoy the rest of the series.
THEN THERE'S THIS:
It took a health walk on Friday with my head-set – listening to one of my all-time top-ten CDs, Ry Cooder’s epic “Chavez Ravine” -- to make me question my knee-jerk feelings about this World Series.
The album is a highly pointed look at the “acquisition” of the land for the Dodgers’ home park since 1962. As a Brooklyn fan, I hated the Dodgers’ move (and Walter O’Malley.) But the first time I saw the transplanted Dodgers in their pastel playpen, 1964, on a gorgeous spring evening, I shook my head and thought, “Hmmm.”
As a Queens-Brooklyn guy, I could understand, if not forgive.
Ry Cooder’s masterpiece talks about the people who lived in the ravine, and the establishment’s “UFO” that warned them to evacuate their homes. He wrote songs about the campesinos who lived there, but also the truck drivers and urban planners and red-scare politicians who were part of it.
And after all the disruption, Cooder presents a sweet song about the ghosts who inhabit the ball park:
2nd base, right over there. I see grandma in her rocking chair
Watching linens flapping in the breeze,
And all the fellows choosing up their teams….
The man parks cars outside the ball park and he concludes, “Yes, I’m a baseball man myself.”
I love that album. Play it all the time. (check out the beautiful Costa Rican poem, “Soy Luz y Sombra” at the end.)
So my question for the day, after my health walk: is, isn’t that beautiful and enduring place, even with its brutal beginnings, a worthy bookend to Boston and Fenway?
Friday Night's Marathon: Yes, I Went the Distance
Well, with a brief excursion to watch Burt Reynolds flirt with a blonde and out-drive Ned Beatty in "White Lightning." It had to be done. These post-season games, with their commercial breaks, make me crave a moonshiner in a car chase. Action.
Plus, I find the network broadcast to be hopelessly saccharine after a season of Gary, Ron, Keith, Howie and Josh on Mets broadcasts. I'm sorry. I am reminded of Mario Cuomo's description of Walter Mondale's candidacy in 1984: "Polenta." (Look it up.) Mario laid the observation off on his mom. Nice going.
The Fox crew deserves credit for stamina, as does the umpiring crew.
The game got better and better as the hours went on, and any fan had to wonder when position players would start pitching. All the front-office-driven analytics mandating pitching changes (and locked-in power arc swings) run through entire pitching staffs in extra innings.
Then Nate Eovaldi performed one of the great World Series relief performances -- 6 innings, 3 hits, 5 strikeouts, one game-ending home run by Max Muncy. His work should be a wakeup call to managers and general managers and analytics geeks everywhere that pitchers can still go multiple innings, getting into a routine, learning as much about the hitters as the hitters are learning about them.
The game lasted 7 hours and 20 minutes, took 18 innings, and became an instant classic.
I am wondering if some of our friends in far-flung time zones like Israel, Italy, Rio, Japan, etc. were watching or following on the web.
That game will blend right into Saturday's game, with the depletion of pitching staffs -- and stresses and strains on players' bodies -- having a major impact.
Rest up, you all.
The only time I ever interviewed Jackie Robinson, he bawled me out.
This is true. I was a 20-something reporter for Newsday and my boss assigned me to write an article about why there were no African-American managers in baseball.
Naturally, I needed to talk to Jackie Robinson, long out of baseball and doing community work for Chock Full o' Nuts.
I arranged to call him, I believe at home, and at the appointed hour I rang and began to ask him why, two decades after his debut with the Brooklyn Dodgers, there had never been a black manager. (Buck O’Neil and Gene Baker had been the first two black coaches earlier in the 60s.)
Robinson turned the conversation around.
“Let me ask you something,” he said, as I recall it from long ago. “How many blacks are there in the sports department?”
Uh…..none, Mr. Robinson.
“That’s what I’m talking about,” he said, or something like that, insisting that opportunity was a far greater issue than just for baseball managers.
Robinson’s tone was cranky, but it sounded like a hymn to me. I knew the man, from reading Dick Young and Milton Gross and Jimmy Cannon as a kid. This was why Robinson was a hero to me and my family, in Queens.
(I told that story to Rachel Robinson a few years back and she flashed that gorgeous smile and said, “That sounds like Jack.”)
Robinson died in Oct. 24, 1972, just after the World Series. He was 53 years old, broken by diabetes and the car-crash death of his son and namesake a year before. (Don Newcombe and others believe Robinson’s system suffered from the stress of being The First.)
(Please see Dave Anderson's article from 1972.)
Frank Robinson, a kindred soul and now a fellow Hall of Fame member, no relation, would become the first African-American manager two years later.
Now so-called minority managers are hired and fired just like anybody. Dusty Baker, one of the great people, has moved all over the place. (Hey, Washington Nationals, how did sacking Dusty work out?)
And now, 2018. The World Series will commence on Tuesday with Alex Cora from Puerto Rico and Dave Roberts, half African-American, half Japanese, managing Robinson’s transplanted team, the Los Angeles Dodgers – the first minority manager of the Dodgers, in fact.
(My friend Al Campanis, who taught Jackie Robinson to play second base in the minors, always grieved that Roy Campanella was disabled and Jim Gilliam died young. Both would have managed the Dodgers, Al said.)
The Boston sports sections, so deliciously local and vital in their passion and memory, have been heralding this reunion of two friends who embraced in 2017 when Cora was a coach with the champion Houston Astros.
Both Dave Roberts and Alex Cora are lifers in the major leagues – useful players who had their moments. In 2004, Roberts made one of the great plays in Boston Red Sox history – stealing second base in the ninth inning of the fourth game of the league series. The Red Sox had lost the first three and were behind in the fourth, against one of the great batteries, ever – Mariano Rivera and Jorge Posada.
Having learned from the great Maury Wills, Roberts was safe. The Red Sox went on to win their first World Series since 1918.
Now Roberts will be in the dugout for the Dodgers and Cora will be in the dugout for the Red Sox – a franchise still remembered for giving a bogus “tryout” to Jackie Robinson in 1945.
Baseball wrings its hands at the drop in African-American players in the last generation, but baseball has players of Asian and Latino ancestry – and so does the World Series. I salute the contribution Jackie Robinson made to this week’s milestone.
Oscar Arnulfo Romero carried the aura of a man propelled to do what he knew he must do – speak out for the poor with no voice in El Salvador.
He knew what was waiting – a death squad, sanctioned by the powerful, and it got him less than a year later.
This humble man was canonized by Pope Francis in St. Peter’s Square on Sunday. A large contingent of Salvadorians, some wearing peasant garb in honor, was there.
The Pope was wearing the bloodied vestment the archbishop was wearing in March of 1980, when the death squad got him – while he was saying Mass.
I met him twice in Mexico in 1979 when I was covering religion. I have written about those meetings on this site:
In recent weeks, my friend Gene Palumbo, whom I also met that month in Mexico, wrote a piece about the ongoing analysis of Archbishop Romero's journey from a cautious priest serving the church into a committed bishop serving the people as well. There are different versions of how he changed -- including a film with apparent "creativity" on serious issues. Gene explores some of the differences in his article in the National Catholic Reporter.
It is clear that Romero understood what had changed in his life. In a documentary, he is heard saying:
"I don't think there has been a substantial change," he said in the interview. "It is more of an evolution in accordance with the circumstances. My goal as a priest has always been to be faithful to the vocation, to the service of the church and the people."
As the years go on, I feel more connected to Archbishop Romero.
I also feel that I met the four American women, three nuns and a lay worker, who were murdered in December of 1980 in Salvador. I know I met four very dedicated American women based in Salvador during that same Catholic conference in Mexico in March of 1979, but I cannot verify their identities.
Archbishop Romero is being honored by his church for doing work that was suspect in his time – empowering the poor and underprivileged. During that conference in 1979, I heard top American prelates scorning the Liberation Theology behind community-building among the poor. The death squads in Salvador could not have missed the contempt from the hierarchy.
It never ends.
The other day, an expatriated Saudi dissident walked into the Saudi consulate in Turkey to update his passport and never left, at least in one piece, in an episode out of “The Sopranos,” undoubtedly ordered at the top of the command chain.
It never ends.
With great respect for the life, and death, of Archbishop Oscar Arnulfo Romero.
It is a pleasure to watch post-season baseball -- if only to observe a better brand of ball than the wretched grade I have been following during the season.
I am referring to my twisted loyalty to the Mets. (Long retired, I can openly admit this sick little tendency.)
In the post-season, outfielders can track a ball and get in position to throw home. Infielders don’t always double clutch before throwing to first. First basemen scoop up bad throws. Catchers block errant pitches.
And throwback of all throwbacks, the occasional hitter can make the occasional adjustment and swat an outside pitch to the opposite field.
I love watching Houston play (Altuve!) and I love watching the Red Sox play (Betts!) – the ultimate truism; what’s not to love? – and I am only sorry one of them must go down in the American League series.
Even the Yankees were admitting the better team won in their concluded series, which is gracious but also blatantly evident.
The Yankees were built for their latter-day Ruthville and Marisville in right field. They also seemed totally committed to the Cult of the Launch Angle, which has taken over baseball in recent years like killer algae on the seashore.
Take-a-hack has informed the formation of teams. Sluggers slug with permission from the analytics bunch in the Bat Cave of baseball. No shame in striking out.
However, the Red Sox also have retro skills in making contact and stealing bases successfully, when strategically needed.
The smart ones adjust. Jacob DeGrom of the now mercifully hibernating Mets had an epic season because he figured out that hitters were swinging from their butts in arcs approved by the new breed of baseball – Pak Man baseball.
Hitters were hacking at pitches from ankles to waist to produce that beloved launch arc. DeGrom fooled them by pitching strikes up near the letters.
Imagine if DeGrom had a team behind him.
Sorry, it’s been a long season.
The Yankees went out and acquired Giancarlo Stanton, from their good pal Cap’n Jeter in Miami, and Stanton had a rocky Red Sox series.
This is quite enough to earn the nickname Mister December from a Yankee-fan friend of mine. (Stanton came to the Yankees last December.) The fans were booing Stanton as he struck out in the final failed rally Tuesday evening, and it may carry over.
(Imagine what the Boss would do about the snafu involving Luis Severino's rushed warmup on Monday or the whiffing of Stanton. You know which Boss.)
Now I get to watch George Springer of the Astros and some of those spirited, interchangeable Red Sox.
Plus, I confess, I still get a charge out of seeing “Dodgers” on a baseball jerseyI plan to enjoy good baseball the next couple of weeks.
Mets fans deserve it.
The Kavanaugh hearings have reminded me of two milestones in my own life.
One milestone came in my last few years of full-court basketball, in my late 30s, with players ranging from recent high-school varsity players to elders in their 40s.
From fall to winter to spring, every Monday in the late ‘70s, the players in “adult rec” changed in one wing of the locker room while the boys on the varsity changed in the other wing.
Over a row of lockers, I could hear the current jocks talking about life and times, but mostly girls – that is, who did what, and how often, and with whom. It was graphic and it was personal. This was before social media.
Whether it was true or not, it was out there. This did not sound like my high school jock experience in the 1954 and 1955 soccer seasons. I am told that teen-age sex had been discovered back then, but boys did not talk about it in open locker rooms.
I went home and told our two daughters, both coming along in the schools, “Boys will talk.” And some girls would be treated as prey.
My second milestone came up the other day when the nominee for the Supreme Court – the Supreme Freaking Court – was recalling his idyllic days as student-athlete in a prep school (a Jesuit school, at that.) He seemed to retain the impression that some girls were from their crowd while others were outside their “social circle.” (The Jesuit magazine, America, has withdrawn its support for Kavanaugh's candidacy.)
What happened to the dignified lady who testified is now up to the FBI. What a wonderful idea -- calling in professionals instead of relying on dotty senators.
The hearing reminded me of my week in a rehab center early in 1981, when I was 41.
I was working on a book with Bob Welch, the young pitcher for the Los Angeles Dodgers, who had gone into rehab after blanking out in alleys and hotel corridors on the road. Bob was now sober – had pitched well for the Dodgers in 1980 – and I wanted to know what rehab had been like for him.
The center – The Meadows, in Wickenburg, Ariz., said I could attend for a week, but I would have to participate in group sessions, not merely observe.
One of the first things I noticed at The Meadows was that some people started off accepting that they were powerless. They were sad, and tried to deal with the feelings that made them drink or take drugs or abuse sex.
But others were adamant that they had no problem. Why were people saying these things about them? Why were they making up stuff?
And most of all – with volume rising and face distended and arms flailing – why the f--- didn’t people believe them? Why was everybody against them?
Bluster seemed to be their stock in trade. Ward off the accusations with a swat at the air, a sneer, a bellow.
I learned a lot at The Meadows. The sessions shook off a few memories of shame when I drank too much, smarted off too much. I learned I did not have to drink when I didn’t feel like it, which is now almost all the time.
I had a great teacher. My friend Bob Welch stayed sober (as far as I know), day by day, for the rest of his too-short life. He knew himself. He knew the nature of the beast.
One time he and my teen-age son Dave and I were in a restaurant in Montreal, and Bob was doing the play-by-play of the dining room.
“Look at that guy,” Bob would say. “He wants to pour for everybody. That’s so he can drink more. Watch.” Sure enough, the stranger would cajole his companions to top off their glasses, so he could refill his.
I learned from dear friends like Bob Welch and my recent pal (he knows who he is) who fight off the beast, day by day, and acknowledge it, and share the struggle.
The book, "Five O'Clock Comes Early." is still out there. C.C. Sabathia of the Yankees relied on it when he checked into rehab.
I thought about Bob the other day when I was watching a candidate for the Supreme Court who, when confronted with touching testimony (if murky external details), resorted to baiting senators: What do you drink, Senator? Did you ever black out, Senator?
Maybe that is the combative reaction of a former high-school jock who (as he reminded us a time or two) lifted weights and played hoops back then, all summer long. Doesn't seem very judicial to me.
Channeling my late friend Bob Welch, I reacted to the visceral bluster on the screen.
“Whoa,” I said. “Whoa.”
What you see in the left corner above is a captain, a real captain -- an old-fashioned concept, but then again, David Wright is an old-fashioned guy.
He learned his lessons well from Capt. Rhon Wright of the Norfolk police department, and for the past generation he has been one of the great leaders, one of the great players, in New York, or anywhere. Now he will play his last game on Saturday.
Summer of ’15. The Mets were upgrading for a stretch run (remember those days?) and had a trade in the works involving Wilmer Flores, sweet kid from Venezuela. During the game, Flores heard trade rumors from the fans in the box seats – classic Mets screwup – and he played on, with tears in his eyes.
Finally, Terry Collins removed Flores from the game and the young man, already a fan favorite, bolted from the dugout.
David Wright was directly behind him down the stairs, accompanied by Michael Cuddyer, a gray-haired gent finishing out his career with dignity. They stayed with Flores in the clubhouse and told him things wise old players tell younger players who are traded – it means somebody wants you, you will get a chance, blah-blah-blah. Then it turned out the trade had collapsed for other reasons, and Flores remains a beloved Met to this day.
Captains get involved. Forget about David Wright’s statistics, now moderated by his long series of back troubles that are ending his career at 35. He has been a presence in this town, a kind and polite leader who set a tone.
Ron Swoboda, an eternal Met, was recently asked about David Wright.
Swoboda wrote that he knows nothing about Wright except: “what most fans sense without ever having met him. Straightest shooter to lace up a pair of spikes.”
Swoboda added: “I first met David W when the Mets invited me to minor league spring training before Wright made the big club and what I saw was the most talented, decently mannered, hard-working prospect....all of which was substantiated in his all-star career.”
David Wright had role models in Elisa and Rhon Wright, who raised four boys (David is the oldest) with high expectations. Capt. Wright did not talk shop at home – how he was out in the city, working in some hard places. David was free to play baseball with his neighbor and pal B.J. Upton and other prospects in Norfolk.
Somehow the lesson was learned. Be vigilant. Set an example. Early in spring training of 2015, the Mets’ captain popped into the clubhouse during an intra-squad game and saw Noah Syndergaard, the huge young pitcher with the huge fastball, leisurely enjoying lunch while the rest of the team worked on the field.
Wright told him this was not done, and apparently reliever Bobby Parnell dumped the pitcher’s lunch in a refuse basket, just to make the point, and Syndergaard scampered -- a big dude, scampering -- out to the field.
Later, some media people heard about it, and Wright apologized to Syndergaard – not for the lesson but for the public exposure. This is the same Noah Syndergaard who currently has a 12-4 record with a 3.36 ERA for a really lousy team.
Leadership is different today from the time of players bound to one team as long as it wanted them. Stars come and go. Leaders come and go. But David Wright stayed.
New York has been lucky in its heritage of captains. Lou Gehrig was a captain, more for the honor than the activism.
Pee Wee Reese of the Brooklyn Dodgers, from Kentucky, treated Jackie Robinson with respect, and ran a good clubhouse. In the mid-'50s, Reese spotted a young player showering, dressing and rushing toward the door shortly after the final out. The captain told him, “If you’re in a hurry to get out of the clubhouse, you’re in a hurry to get out of baseball.”
Mark Messier came to the Rangers, pounded his chest, and helped win the 1994 Stanley Cup, ending the jeers of “1940! 1940! 1940!”
The great Knicks teams (remember those days, anybody?) had great stars, great egos, but only one acknowledged leader, Willis Reed, the huge and gentle center. When I used to see him around town, I would call him “Cap’n,” just because. Never called another athlete that.
The great Yankee teams of the past generation were led by Captain Derek Jeter, who would dive into the stands for a pop foul or lead off a late inning with a double and clap his hands at second base – rarely uttering words that could be gummed over by the press. (For posture exercises of hard cases, there was Jorge Posada. What a team they made.)
I’m sure there have been other great New York captains, other teams, other eras. One era is ending Saturday in a farewell game, coincidentally against the Marlins, managed by Don Mattingly, another lovely guy from out there in America, who had Hall of Fame potential with the Yankees until his back went out.
Somebody, get a photo of them together.
I don’t know what is in the future for David Wright, a class act, and now a husband and father. Let me put this politely about the New York Mets: I would not wish managing on him.
With any luck at all, David Wright’s example lingers.
* * *
David Wright's stats:
A couple of international articles about sports captains and leadership:
As of Monday morning, the Brett Kavanaugh hearing is still on for Thursday.
I find myself viscerally repulsed by the prospect of Dr. Christine Blasey Ford being verbally pawed over by part of the Senate committee.
I recently watched a documentary of the Anita Hill questioning in 1991.
Clarence Thomas was right, it was a high-tech lynching, only it was Anita Hill who was assaulted by (white) (male) senators.
With deadpan zest, they made her enunciate every vulgar detail about her encounters with Thomas – her straight-laced, old-fashioned religious decency being poked and prodded.
There in the clips is Joe Biden, good old Uncle Joe, (white) (male) (Democrat), blandly patronizing Anita Hill, oozing neutrality, handing off the ball to the big boys. (So much for Uncle Joe in 2020. Toastville.)
I get the willies when I see two senators, blasts from the past, still doing their thing – Chuck Grassley from Iowa and Orrin Hatch from the great state of Ephedra. (Look it up.)
Other senators are waiting to take their shot – Lindsey Graham, all the helium out of his psychic balloon since the death of John McCain, now just another (white) (male) Republican.
Graham’s mind is already made up. He said so this past weekend.
Then there is Mitch McConnell, probably the most outwardly vicious powerful senator I can remember, maybe going back to Joe McCarthy, supporting a cause I bet he doesn’t believe in, for the good of his party.
They are all waiting to have a go at Dr. Blasey, knowing their window is closing to get Kavanaugh voted onto the Supreme Court to appease their base.
Dr. Blasey’s allegation is tricky enough; we have all read and heard about the complications of memory, women recalling ugly things that happened, or that they now think happened. We also know many ugly things have happened. (See: Cosby, Bill.)
Kavanaugh deserves a fair hearing, the presumption of innocence. What he also deserves is a detailed investigation by the FBI, now badly maligned by President Trump, who has his own legal troubles, shall we say.
The New Yorker has published another article alleging harassment; a woman named Deborah Ramirez is claiming an ugly episode involving Brett Kavanaugh when they were both undergraduates at Yale. (The Times says it could not corroborate her claims in recent days, to the satisfaction of its own judgment.)
In the New Yorker’s layered article, another woman is alleging misconduct by a young, entitled prep-school frat boy named Brett Kavanaugh with a reputation for drunkenness, at that time.
None of this is easy. Reputations – lives – families – careers – are at stake.
Twenty-seven years have gone by since Grassley and Hatch ran up the score against Anita Hill in the service of their party. Twenty-seven years. Where did the time go?
I already had the creeps. They are getting worse.
has filed an interview with, of all people, me.
It's on his blog. (Just past photo of rat!) My thanks for his interest. GV
David Vecsey's sweet tale of distant love before the Web, now NYT Podcast, narrated by Griffin Dunne. Please see: