The star of Wednesday's hearing was, of course, Rep. Elijah Cummings of Inner Baltimore. I have been calling him "The Prophet" since I observed him during some steroid hearings, oh, back a few years. He was always righteous with smarmy ballplayers and he remains righteous with smarmy politicians trying to smear an already-smarmy enforcer.
In his emotional wrap-up speech, The Prophet addressed our better selves. May people listen to him.
Michael Cohen managed more dignity than most members of the Republican minority, admitting his crimes and often displaying a lawyer's wits we did not know he possessed.
Most of the Republicans, most notably Jim Jordan, were a collection of Paulie Walnuts of "Sopranos" fame -- that is, menacing without even a hint of some attractive or interesting trait.
I did love Rep. Clay Higgins of southern Louisiana, thick and balding, addressing Cohen as "Good Sir" in his lush accent. Higgins was formerly a member of the Military Police and also an officer in Louisiana; he seemed a character made for a series of Cajun noir novels, followed by gritty films. If Clay Higgins did not exist, a writer would lust to invent him.
The real object of the hearing was 12 time zones away, not far enough. Fortunately, most Democrats on the committee, however wordy, wasting chunks of their five minutes with stream of consciousness, gave Cohen a forum for his damning details about Trump. Thank you "Good Sir."
(This is what I wrote earlier about Robert Kraft of the Super Bowl champs, another Trumpite in the News:)
Robert Kraft wanted to see me at halftime of a Patriots playoff game.
It was important enough that he enrolled an NFL official to escort me from the press box to his luxury box, halfway around a stadium bulging with tanked-up fans.
I was taken through a crowded reception, full of hoi-polloi millionaires and power brokers, where I was introduced to Myra Kraft, his wife, philanthropist and social conscience. She would pass in the summer of 2011; people in Boston speak glowingly of her.
I was taken to an inner-inner sanctum, where Kraft wanted me to see the Super Bowl trophy as well as three special guests.
“These are my best friends,” Kraft told me. “I think you know them.”
I knew one of them.
“My Queens home boy,” I said, nodding to a guy who had grown up a very crucial half mile from me, whom I knew from the old United States Football League.
Donald Trump nodded, vaguely. He is not good at normal interpersonal relations, but I already knew that. Small talk, politeness, makes him fidget. So we sort of acknowledged each other. (I knew he was a germaphobe so we did not shake hands.)
Another “best friend” was Alan Dershowitz who, as I recall, shook my hand politely.
The third “best friend” was a network biggie (no, you have not seen his name in sordid headlines lately) who kind of glowered at me and grunted and stayed away.
Kraft ushered me over to the Super Bowl trophy and we had our photo taken. The New York Times was clearly important to him, yet another trophy, yet another accomplishment.
I can’t remember what year it was, whether we knew that Kraft had taken off his Super Bowl ring to show to a former KGB thug named Vladimir Putin, who walked away with it.
I was thinking about Kraft’s inner sanctum this week as he got in a bit of trouble for having his chauffeur take him to a low-scale mall in Florida. Right now he is charged with two felonies for patronizing the sexual favors available from Chinese immigrants/captives in a nail salon.
This follows hearings about the gratuitous plea bargain for a sordid Florida guy named Jeffrey Epstein, who apparently preferred very young women. His name has been linked to Alan Dershowitz, Bill Clinton and Donald Trump. Epstein’s light treatment was facilitated by R. Alexander Acosta, now Trump’s secretary of labor.
Quite a crowd.
The current thinking is that Bob Kraft will get off with a fine and community service.
(Sorry. I don’t have time to type any more right now. Got to watch the Cohen hearing and see what else Our Leader has been up to.)
Much has been made – deservedly – about what Don Newcombe accomplished on the field but much less has been written about how he saved lives.
Newcombe, who died this week at 92, put himself out there, as the rugged face of beating back addiction, day by day. He was one of the first public figures to talk about addiction – before Betty Ford, before other prominent people.
Newk was at his most formidable around the Los Angeles Dodgers, his old team. He was the Dodgers’ “director of community relations,” which meant he spoke about race and addiction and good citizenship, offering himself as a prime example, how he had wrecked his career as a pitcher (and pinch-hitter deluxe), by drinking. He gave testimony of how he had gone sober, on his knees, promising his wife he would never drink again.
The amazing thing about this tough guy is that he did it by himself – just stopped. Most alcoholics rely on daily reinforcement, the meetings, the written word, the prayer to a higher power. Newk just stopped. This guy was so tough, he would not take gas or injections at the dentist, to deaden the pain.
He never went to a rehab center, never went to AA meetings for himself, but he did not recommend that path for anybody else. He told other people that rehab worked, and that they should seek it, and sometimes he accompanied them right into the center.
He also stalked players, or at least they thought he did. My friend Bob Welch was having blackouts at 23, destroying a promising pitching career, and his life, during the 1979 season. When I helped him write his book about rehab – “Five O’Clock Comes Early: A Young Man’s Battle With Alcoholism,” Bob told me how he hated Newcombe, was sure Newk was stalking him.
And maybe Newk was. A big man, 6-foot-4, 220 pounds, with a prominent jaw and nose making him even more formidable, Newk had the run of the ball park. He wore elegant suits and snappy straw fedoras and would wander through the clubhouse, chatting with people. He was hearing how Bob had passed out in public, how the Dodgers had sent somebody to get him into his hotel room.
At the end of the 1979 season, the Dodgers had a program with a major sponsor, and staged an intervention with Bob, and got him to The Meadows in Arizona.
Bob came back and pitched for more than a decade and won the Cy Young Award with Oakland; he was sober when he passed suddenly in 2014.
Newk was also there for Maury Wills when his life was crumbling and for Lou Johnson, the heart of the 1965-6 team, who came to the Dodgers for help. Newk said: “We’ve been waiting for you.”
Newk made public speeches, represented the National Institute on Alcohol Abuse and Alcoholism and other outfits dealing with addiction.
In between, he spoke about Jackie Robinson and Roy Campanella, his teammates and would-be mentors in Brooklyn. He told of the night that Robinson got weary of the black hotel in St. Louis with no air conditioning, and said, that’s it, I’m checking in at the Chase, with the white Dodgers, and did just that.
Jackie and Campy died young; Newk carried their flames; he did it his way, as the song goes.
In 1987, just before the 40th anniversary of Robinson’s debut, Al Campanis, the Dodger general manager (who was my friend), made some foolish and meandering statements about how black players lacked the “necessities” to be managers.
This was a chance to say, well, racism is everywhere, you never know about people, but Newk knew Al Campanis, knew how Al had taught Robinson to play second base in the minors in 1946, knew that Al hung out with Latino scouts at the ballpark.
During the uproar, Mike Francesa and Christopher Russo interviewed Newk on WFAN radio. and Newk said Campanis was no racist, he just bumbled a bit, and he labelled the end of Al’s career a “tragedy.” Newk was loyal to the truth as he knew it.
In recent years, whenever I thought of the Los Angeles Dodgers, my last link to Brooklyn was the big man in the elegant suits who had the run of Dodger Stadium. Newk was a staple on old-timers’ day and other days of remembrance but he was as courant as the latest celebrity caught abusing one thing or the other.
We have lost a good one.
* * *
Richard Goldstein’s obituary on Newk:
Newk and Lou Johnson:
Newk and Maury Wills and others:
Newk’s stats: check out the batting average and the home runs. The Dodgers usually have good hitting pitchers – the real baseball, none of this DH foolishness:
Another view of Newk’s work with the Dodgers:
The hissy fit by Amazon reminds me of one of the best things that has happened to my home town -- not getting the 2012 Summer Olympics.
This happened in 2005, when the City Council voted down a stadium that would have been plopped down on the far west side of Manhattan to accommodate the Typhoid Mary of sports events.
Since the Games were given to London, the Hudson Yards area of Manhattan has grown, without having to work around a neighborhood killer of a stadium.
I say that as a sports columnist who was a very early critic of the proposal.
My memory was just jogged by the rising up of people who resented the $3-billion tax benefits to be given Amazon, which wanted to build a “campus” in the Long Island City section of Queens.
Rather than negotiate with critics – show some respect for the locals -- Amazon turned tail and ran. The political aspects have been well reported in the Times and elsewhere. Experts and business people say Amazon really would have meant 25,000 new jobs in the city, but I say they would have been jobs for new people, out-of-towners, with technological skills, eager to pay the gouge prices in new high rises in formerly lumpen Queens.
As David Leonhardt points out, Queens already has jobs:
As a native of Queens (who lives just to the east these days), I love the boom all over my home borough -- the languages and energy and skills and food: Oaxaca restaurant in Corona; Korean restaurants along Northern Blvd.
I’m not sure Queens needs the great favor Amazon was going to bestow. Many people living near the proposed “campus” would have been displaced by the land rush and the rent-grubbing and the price-raising. (See: “Brooklyn, hipsters.”)
To Jeff Bezos, I would say a few things:
1. Thank you for the Prime delivery of a 64-ounce container of kitchen-drain cleaner rather than my having to run to the store during the deep freeze this month.
2. Please, keep reporting on that disturbed person in Washington with your wonderful paper, The Washington Post.
3. When local activists express their concerns, please, learn to negotiate. This is Noo Yawk, for goodness’ sakes. (“If I can make it there, I’ll make it anywhere.” Guess you didn’t.)
4. And while I think of it, please read your own paper’s electronic files about the stupidity of people who take intimate selfies.
This uprising by “progressives” – whatever that means – seems to have come as a shock to Gov. Cuomo and Mayor DiBlasio (who keeps changing his story, as in his 180-degree swerve in the Times on Monday.)
I would give some advice to these illustrious public servants. (The same would apply to former mayors Bloomberg and Giuliani.)
1. Fix the damn subways first. Help working people get to work.
2. Pay attention to the rising seas, because the disturbed President has no clue.
3. Pay attention to those dreaded “progressives.”
These guys are always running for President rather than fixing New York. They need to know that New Yorkers don’t like out-of-towners telling us what the deal is.
Jeff Bezos, say hello to the New York Echo:
New York Echo: Shut the f--k u-u-u-u-p!
*-Homage to the greatest headline any of us will ever see, written by William J. Brink, managing editor of the New York Daily News, when President Ford did not help the city during the 1975 financial crisis:
FORD TO CITY: DROP DEAD.
Now the Mets have Jacob DeGrom's former agent working as a general manager, negotiating DeGrom's contract -- with an imposed deadline of opening day. What could go wrong, in a franchise that let Tom Seaver get away?
But at least many of the Mets were in Florida on Monday, stretching and throwing, scratching and spitting, doing what ball players do. We survive vicariously.
Here comes the sun
Here comes the sun, and I say
It's all right
---"Here Comes the Sun," lyrics by George Harrison, from "Abbey Road," 1969.
Say, what happened that year?
Mets, 1962-63: Ralph Kiner, a star slugger in my youth, was now an amiable broadcaster with the horrid new team in New York. One time in a press room or team bus, Kiner was asked about the great players in the National League in that time – Aaron, Banks, Clemente, Mays, Frank Robinson. He was positive about them all, but added that in the clutch, Robinson could find more intensity, more extra bits of talent, to beat you.
Orioles, 1966: Robinson, traded by the Reds because he was “an old 30,” sparked the Orioles in their first World Series to a four-game sweep of the Los Angeles Dodgers. But that wasn’t the most impressive thing. In the Orioles’ clubhouse, the fringe players swigged Champagne and careened around the clubhouse, dousing anybody and everybody – except: In a dry corner, Frank Robinson was talking to the press. He spotted the lead sprayer, a big and boisterous pitcher, who had not appeared in the Series, and held up one index finger – and the reserve skidded to a halt like a cartoon character. Robinson waved the index finger as if to say, “Good boy,” and remained dry, very dry.
Cleveland, 1977: The first black manager became the first black manager to get fired, as Joe Jares wrote in Sports Illustrated. The job was offered to Jeff Torborg, the former catcher and now a coach, but out of loyalty Jeff did not want to replace Robinson. As I have heard it, Robinson told Torborg, and I paraphrase, “Are you out of your freaking mind? That’s the way baseball works. It’s your job. Take it.” And Torborg did.
San Francisco, 1981-84: Robinson got another managing job with the Giants, and I caught up with him at some point, maybe in the visiting dugout at Shea Stadium. Managers still sat around the dugout, pre-game, and talked baseball with reporters. (Few electronics; no instant social-media madness. I call them the good old days.) Musing about great baseball accomplishments, Robinson said that the statistic that floored him most was Joe DiMaggio’s career ratio of home runs (361) to strikeouts (369). I just looked it up: Robinson’s career ratio was 586 homers to 1532 strikeouts, so he was speaking with huge respect and humility. Of course, nowadays, our launch-arc lads are flailing away with total permission from the analytics types in the front office. I would have liked to hear him on that.
New York, 2019: I have a baseball-savvy lawyer friend in a major baseball town, who grew up in Dayton, just up the road from Cincinnati. He remembers the day the Reds traded Robinson, and, to this day, blames the DeWitt family, which owned the Reds back then. The DeWitt family (admirable baseball people, take it from me) now owns the Cardinals, and my friend, true to his Reds boyhood, roots against any DeWitt team, because they traded Frank Robinson because – oh, you remember – he was “an old 30.”
After covering the Tour de France years ago, while wandering around Paris, we discovered a Starbucks. We were not drawn in by the coffee, but by other attractions – air conditioning, a clean restroom for patrons, and the very visible signs: Défense de Fumer.
Not only was the sign posted, the rule was enforced.
The male barista also spoke English – not that we needed it – but it was the lingua franca, you might say, for communicating with visitors who spoke Italian, Spanish, Arabic, Japanese. Tout le monde parle Starbucks.
Starbucks had previously made good (if expensive) coffee available in the deprived United States, and more recently it has made comfort available to people walking the streets of great cities in the world. It’s good business: in a chaotic and messy world, Starbucks offers comfort.
Since our first trip, a couple of kids in our 20s, we have delighted in all corners of France – the food, the language, the antiquities, the art, the people. We have also had hundreds of meals ruined by strong Gallic cigarettes.
Long ago, I learned to ask the proprietor, in French, if there was some little corner where there would be no smoking. The response was generally a Gallic shrug, to go with the Gallic cigarettes. At a nearby table, gallant men would hold their Gauloises far away from their own lady, thereby putting the smoke a foot from my lady.
However, in Starbucks, owned and operated by Howard Schultz, American, you could go to the bathroom, you could breathe, you could sip your coffee. Half the patrons of that Parisian Starbucks were French. They, too, loved the ambiance, the comfort.
I bring up my little epiphany about Starbucks because Howard Schultz is now making rounds of every television studio in the United States, exploring a run for president in 2020. He is not considering the hurly-burly of the Democrat stampede but is considering running as an independent.
With the same rigidity that causes Starbucks to employ nonsense words for “small, medium or large,” Schultz is seeking voters who are sick of the two political parties – well, who isn’t?
What is there about extremely rich people that makes them think they know how to govern the clumsy entity called a democracy? I pick up the same arrogance from Michael Bloomberg, who at least has condescended to be a Democrat for the moment.
How does Bloomberg govern? The city where he was mayor for three terms currently has mass transit and public housing falling apart. Extremely rich people generally hate to see money distributed differently; they are not exactly Elizabeth Warren or Bernie Sanders.
Schultz made his name in Seattle but sold his basketball team to rich people in Oklahoma City. That fact is not lost on the inhabitants of Coffee City, who might prefer to vote for the current governor, Jay Inslee.
As for third parties, Americans remember that in 2016 somebody named Jill Stein attracted enough gadflies to help sink Hillary Clinton and elect a fraudulent and illiterate sociopath who claimed to be fabulously rich.
Ross Perot. Ralph Nader. John Anderson. George Wallace -- enough to give “independent” a bad name.
While Howard Schultz is “exploring,” I just want to tell him: “Pour l'air frais, les toilettes, et moins important, le café: Merci, mec.”
I’ve seen her, wheeling her child in the caverns of my home town, going shopping, going to the doctor, who knows.
She was Latina, or maybe Asian, or dark-skinned from the States or Haiti or Africa, or white, but I have seen her, trying to navigate the stairways of hell-on-earth, our subway system.
Every so often, I stop and hold out my arm and gesture: I’ll take the front end.
I mean, what else are we men for, but to lug and lift and load?
They see a grandfather type, offering to help, and they make the decision that I mean no mischief, and they nod in assent, and we improvise a step-by-step ballet on the murderous stairs.
(Update: my friend James Barron in the NYT has reported that the medical examiner can find no major trauma from a fall, so the cause of death may be medical reasons. But as Barron points out, the dialogue continues about the brutal conditions in the subways, under Albany and City Hall. All I can say is, lend a hand once in a while.)
(Recently, at my old stop, 179th St. in Queens, I carried two shopping bags up the stairs, to a bus stop, which gave me the opportunity to drop a few words of Spanish on the lady – “muy pesadas,” very heavy – which got me a smile that lit up my afternoon. No medals; I only do it once in a while, when I have time, and am of a mood.)
They are up against it, these mothers with their infants, these abuelas with their groceries, and most of the time they have no alternative. The subways are primitive, and falling apart, despite the elected public officials who posture and prance but put critical offices in a building in the terrorists’ playbook, who ignore climate warnings and put fancy new stations to collect the coming floods, but ignore the infrastructure and the lack of elevators for those who need them.
The Times says: “Only about a quarter of the subway system’s 472 stations have elevators, and the ones that exist are often out of order.”
Malaysia Goodson, 22, was living in Stamford, Conn., but had come back to the city of her childhood on some errand. Somehow, she tumbled down a flight of stairs while maneuvering a stroller holding her 1-year-old. The daughter is reported to be all right but her mother died.
I’ll try to remember her next time I am in the subway.
For Malaysia Goodson: Ravel’s “Pavane for a Dead Princess:”
I watched a film Sunday that had me muttering “Mengele! Mengele!” -- after the infamous Nazi doctor who conducted ghastly procedures on Jews.
In fact, Manohla Dargis of the Times used the same reviled name in her recent review of “Three Identical Strangers,” a documentary about adoption gone way wrong.
The film was on CNN, after a quick theater run last year, reviving the 1980 discovery by three young men that identical versions of themselves lived in the New York area.
Their ecstatic smiles lit up the talk shows – the sensation of the year! -- Boys born on the same date – from the same (unwed) mother – and within six months placed in three separate (Jewish) homes—now reunited.
The boys danced in unison and partied in unison and smiled for the camera in unison. Only slowly and tentatively did anybody ask: why were these three identical boys placed in three non-identical homes, all within driving distance of “researchers” who had somehow acquired permission to take videos of the boys, separately, going through psychological tests? Was it an accident they were placed in what could be judged as three different socio-economic levels? Was that part of this experiment, this playing with lives?
Only slowly does the documentary allow the victims – for victims they were – to disclose there was a dark side, behind the glowing smiles that seem ever more forced and ominous.
The most sane outsider in this documentary is a journalist, Lawrence Wright, who investigated the scandal for the New Yorker. Wright appears frustrated that he never really cracked the heart of darkness of this vile plot by Dr. Peter Neubauer, who had been trained by Anna Freud, and become a “prominent psychiatrist” in New York.
In Wright’s subsequent book about female twins, also separated for Neubauer’s nature-vs-nurture experiment, he describes “an extensive team of psychologists, psychiatrists, pediatricians, observers, and testers.”
A New York foundation that facilitated Jewish adoptions, and a doctor, born in Austria, who escaped the Holocaust in Switzerland, perpetrated this experiment on three families.
These boys, who had once slept in the same crib, nestled against identical bodies, had suffered the double loss of mother (at birth) and brothers (at six months). Only slowly do we understand the gaping holes at the centers of their psyches.
Adoption is tricky enough. Allow me to go personal here: both sides of our families have been enlarged and enriched by adoption, but the process may leave serious gaps.
My father was in orphanages and foster homes before being adopted by a Christian family of Hungarian background, when he was 5. When he was 15, his adoptive father skipped, leaving a wife and their natural daughter. My father, later in life, tried to learn more, knowing only the name he had been given at birth. Alas, the agency told him, all records have been lost. Or sealed. So sorry. Friends often told him he looked Jewish.
A few years ago, my DNA test revealed that my heritage is half English/Irish and half Ashkenazy Jewish. As a Christian, with many Jewish friends, I was thrilled with the discovery. There was no dancing, no partying, no talk shows, just the melancholy wish my father could have known the truth that was withheld from him by a system that victimizes adopted children who grow up with serious questions, or don't even know.
The three boys in the documentary discovered they had company in this world through the most bizarre circumstances: a young man arrived at a community college in the Catskills and students rushed up to greet him, hug him, kiss him and call him Eddy, which was strange, since his name is Bobby. A mutual friend united the two boys, who stared at each other as if in a mirror. And then the photos in the papers turned up another lookalike – all born on the same day.
Years later, after bonding, and then moving apart, the three young men in the documentary came to realize they were victims of an experiment – but for what?
The Louise Wise Services seemed to have encouraged unethical tactics by the doctor – hardly out of racial hatred, like Jews in the Holocaust, but out of greed, or hubris, or curiosity gone amok. Nazi stuff. Mengele stuff. The agency went out of business in 2004, laying down legal blockades for people who wanted information on their adoptions.
As somebody with half Jewish DNA, I feel contempt for the smug wealthy board members of that now-defunct foundation, who, get this, poured Champagne for each other after fending off the six adoptive parents, who, with such idealism, had adopted these boys.
The documentary touched our souls. Spoiler alert: there are flaws – passing over the implication of one of the men in a serious crime, ignoring the fact that a fourth identical child died at birth, and obscuring some family dynamics, undoubtedly for legal reasons. Only last fall, a legal challenge forced the sealed records to be opened now, rather than in 2065.
My heart aches for those three young men, who were treated like captives during a pogrom in a European shtetl. This happened in my home town, New York.
As the saying goes: Never Again.
* * *
Here's an interesting link critiquing the Jewish angle of the documentary:
The NYT review of the documentary:
An excerpt from Lawrence Wright’s book on the female twins who were reunited:
The psychiatrist at the core of the scandal:
The decision to unseal the records:
An article by Lawrence Wright:
More from CNN:
When I was a little kid, my father used to bring home baseball record books from the newspaper office, including photos of the first class of five players elected to the Hall of Fame.
How stodgy and old-fashioned they looked in old photos – faces and bodies and uniforms that seemed clunky by “modern” standards of 1946 and 1947.
Yet there they were, the first “immortals” – chosen in 1936 for the emerging Hall of Fame: Walter Johnson, Christy Mathewson, Honus Wagner, Ty Cobb and Babe Ruth.
I saw Cobb and Ruth at the first Old-Timers Game in Yankee Stadium at the end of 1947; Ruth was dying, in his camel’s-hair coat, his voice crackling on the primitive public-address system.
He was an immortal, but he was most surely mortal.
In 1947, we were also living in a time of Ted Williams, Joe DiMaggio and Stan Musial – and Jackie Robinson. More immortals. When I saw them play, did I stop to study them carefully, so I would have an engraved memory of their swing, their mannerisms? Nah. Not smart enough.
We live in the moment, but I was minimally wise enough, as a young sportswriter in the ‘60s, to know I was in the presence of immortals -- Koufax and Gibson, as good as it gets; Mays and Clemente and Aaron and Frank Robinson.
And when I was around the New York Yankees from 1995 to 2013, it was a privilege to watch Mariano Rivera break off that cutter that was equal-opportunity unhittable. He dominated in a modest way, no gestures, no celebrating, because, as he often says, he “respects the game.”
I must add, it was also a privilege to watch Jeter and Williams and Posada and Pettitte, year after year; they soothed the ancient sting of my Yankee-tormented childhood as a Brooklyn Dodger fan. How could I hate a team that had those guys?
I recently met a rabbi on Long Island who raved about a trip he had taken to Israel in the company of the evangelical Christian Mariano Rivera.
I am sure Rivera’s rabbinical admirer is celebrating today, as Rivera has become the first baseball immortal to be elected unanimously. Considerating the cranks and crackpots and purists in my colleagues, this is huge.
I did not have the same surety about Roy Halladay and Mike Mussina (NYT writers are not allowed to vote for awards, and I follow those rules in retirement.) The voters have confirmed Halladay and Mussina as Hall of Fame pitchers, so congratulations.
And did you see Tyler Kepner’s absorbing insider explanation of what Rivera taught Halladay about the cutter? It would cost Rivera a few bucks in a clubhouse kangaroo courthouse.
In Rivera’s first season, 1995, I got to watch one of the best post-season series ever played, a best-of-five division thriller between the emerging Yankees and what seemed to be the emerging Seattle Mariners.
The difference in that series was Edgar Martinez, a designated hitter at the peak of his game. He was unspectacular in demeanor but dominant in hitting a ball.
Just before the fifth and final game, I wrote an “early” column – for the first national edition – quoting Reginald Martinez Jackson, Yankee star and by then Yankee advisor, raving about Edgar Martinez, no relation. Reggie’s raves are best read in context of my revised column, after Martinez had clubbed the Mariners into the next round:
Do I think of Edgar Martinez the way I think of Ruth, or Mays, or Koufax, or Rivera? No, but there are four or five levels of Hall of Fame players. I hate the designated-hitter rule; it has led to the current plague of launch-arc/strikeout flailers. But Edgar was not a launch-arc guy. Read how Reggie dissected his professional swings in that marvelous 1995 division series.
I cannot hold being a designated hitter against Martinez; he played where they told him to play. Designated hitters gotta live, too.
I remember Edgar dominating an epic series, sending Junior Griffey sliding home with a joyous cat-in-the-hat smile,
(Think Buck Showalter ever wonders why the Yanks did not activate young Derek Jeter for the post-season….or why Buck did not keep young Mariano Rivera on the mound after getting two outs?)
That epic coastal series was the time of Edgar Martinez, not Mariano Rivera. Now they go into the Hall together.
Like Johnson, like Mathewson, like Wagner, like Cobb, like the Babe himself – by definition, tightly monitored by baseball fans and players and officials and voters: immortals, all.
My birth-date pal, John McDermott, ex-difensore del club Italo-Americano di San Francisco, is better known as master photographer of subjects moving and still.
Not to stereotype him, but he is at his best covering the world sport of soccer. (Yes, that is Roby Baggio's voice on his cellphone.)
John is now living in Italy, making art out of the Dolomites and the streets of Napoli. He recently put together the video above for a sports seminar he was giving in Verona. You will recognize Maradona, Baggio, Beckham, Klinsmann, Ronaldo, plus Olympic sports. Click it on, above.
* * *
Lonnie Shalton is a financial-services lawyer in Kansas City who issues occasional sports blogs that never fail to entertain and stimulate me. (I know him through Bill Wakefield, the Kansas City kid who had a very nice 1964 season for the NY Mets.)
Lonnie's latest, in honor of the birthday of the Rev. Martin Luther King, Jr, is about Negro League Baseball, a passion of his. On this blog, he presents the history,with photographs, of the only woman selected for the National Baseball Hall of Fame:
Hot Stove #90 - Martin Luther King Jr. Day (2019) - Effa Manley and the Newark Eagles
[When my law firm added Martin Luther King Jr. Day as a holiday in 2002, I began an annual message within the firm about why we celebrate the holiday. The distribution was later expanded outside the firm, and since 2016 the message has been circulated as a Hot Stove post. Below, my 18th annual MLK message.]
One of the best ways to appreciate Martin Luther King Jr. Day is to visit the Negro Leagues Baseball Museum in Kansas City. Not just for the memorabilia collection – although that is well worth the trip. There is also a compelling civil rights lesson. As one walks through the baseball exhibits, there is a parallel timeline along the lower edge that places Negro Leagues history in context with civil rights milestones.
In a new exhibit added last year – “Beauty of the Game” – the museum honors the contribution of women both on and off the field. The exhibit features three women who played in the Negro Leagues (Mamie “Peanuts” Johnson, Toni Stone and Connie Morgan), plus one executive, Effa Manley.
Effa Manley is also featured in another well-known museum. She is the only woman ever inducted into the National Baseball Hall of Fame. There are 324 men. Below is her plaque at Cooperstown:
Abe and Effa: Effa Louise Brooks grew up in Philadelphia and moved to Harlem after graduating from high school in 1916. She met Abe Manley in the early 1930’s and they married in 1933. They were both baseball fans. Effa went to games at Yankee Stadium (“I was crazy about Babe Ruth”). Abe went to Negro League games when he lived in Pennsylvania and became friends with many of the players. He also once owned a semipro team. Legend has it that Abe and Effa met at Yankee Stadium during the 1932 World Series.
Effa and Abe each brought an interesting backstory. Effa’s maternal grandparents were German and Native American. Her father might have been her mother’s black husband or white boss. Whatever the correct story, Effa lived her life as a black woman married to a black man (actually four, the marriage to Abe plus three short-termers). Abe was in the numbers racket and some of his excess funds would come in handy to own a baseball team. At least two other Negro League teams were similarly capitalized – it’s not like there was a lot spare capital in the black community.
Negro National League (NNL): The original Negro National League was formed in 1920 at the Paseo YMCA in Kansas City. The KC Monarchs joined the league and became one of its premier teams. The league was forced to disband during the Depression, but it was revived in 1933. However, the Monarchs did not rejoin, but instead became a member of the new Negro American League (NAL) formed in 1937.
In 1935, Abe Manley formed the Brooklyn Eagles as a franchise in the NNL. He moved the team to Newark the following year, and the team played as the Newark Eagles from 1936 to 1948. Effa became Abe’s partner in the business and soon took over the day-to-day operations. Abe liked the social side – traveling with the players and swapping stories – the team was his “hobby” according to Effa. She did almost everything else: setting playing schedules, booking travel, managing payroll, buying equipment, negotiating contracts, dealing with the press and handling publicity. She was a trailblazer on creative promotions to draw fans. She was also very active in the community and counselled her players to do the same. She became the public face of the Eagles.
Effa was also an active participant in league matters. There, not to the pleasure of some owners, she was outspoken and demanding. Gus Greenlee, owner of the Pittsburgh Crawfords (and, like Abe, a numbers runner), was president of the league in the early years. His initial take on Effa: “The proper place for women is by the fireside, not functioning in positions to which their husbands have been elected.” Sportswriter Dan Burly wrote that Effa was a “sore spot” with other owners “who have complained often and loudly that ‘baseball ain’t no place for no woman. We can’t even cuss her out.’”
Greenlee learned to deal with Effa, and this leads to a Satchel Paige story. In Larry Tye’s biography of Satchel, the author writes that “[Effa] also was renowned across blackball for her willingness to battle on behalf of both the Newark Eagles and civil rights, her pioneering role as the sole woman of consequence in the fraternity of the Negro Leagues, and her flirtations and more with her husband’s ballplayers.” It is that last item that lends some context to the Satchel story.
Paige had played for Greenlee’s Pittsburgh Crawfords in 1936 and then jumped to a Dominican Republic team for 1937. He was potentially returning to the states in 1938, but Greenlee was tired of chasing him and sold his contract to the Eagles. As Effa told the story in a 1977 interview, “Satchel wrote me and told me he’d come to the team if I’d be his girlfriend…I was kind of cute then too…I didn’t even answer his letter.” Satchel’s letter was a little ambiguous: “I am yours for the asking if it can be possible for me to get there…I am a man tell me just what you want to know, and please answer the things I ask you.” Satchel instead pitched in Mexico in 1938 and never joined the Eagles. But Effa’s role was memorialized in the press:
Effa became a force in the league. She pushed for a more businesslike operation and rules to deter players from jumping teams. She argued for an outside commissioner. Her hard work and perseverance brought a grudging respect. In the end, as shown in the photo below, she was “in the room where it happens.”
Effa as Civil Rights and Community Activist: Rosa Parks and Martin Luther King, Jr. came to national attention in 1955 in the bus boycott in Montgomery. That was 21 years after Effa Manley led a civil rights boycott.
Effa was an influential member of the local chapter of the NAACP and the Citizens League for Fair Play. In 1934, she spearheaded the “Don’t Buy Where You Can’t Work” campaign that called for a boycott of Harlem retail stores that would not hire black clerks. One of the key moments was a pivotal meeting between Citizens League leaders, including Effa, and the owner of Blumstein’s, a major department store. The result was a big success.
In April of 1939, Billie Holiday (below) released “Strange Fruit” – the protest song that reenergized the fight for anti-lynching laws. Effa took up the cause that summer with the first of her “Anti-Lynching” days at the ballpark. The ushers wore “Stop Lynching” sashes and collected money from the crowd for anti-lynching causes. [Anti-Lynching Law Update: Since 1901, some 240 attempts have been made in Congress to pass an anti-lynching law. All have failed. In 2005, the Senate issued an apology for its past legislative failures. Lynching is no longer the common form of racist killing, but symbolically, it has remained a blemish. Last month, the Senate unanimously passed an anti-lynching bill – ironically, the presiding officer during the Senate vote was Cindy Hyde-Smith who recently used the term “public hanging” as an “exaggerated expression of regard” for a campaign supporter. The bill was not brought up in the House before the session ended, so the process will need to start again in 2019.]
Other civil rights and charitable causes were regularly given fund raising nights at Eagles games. During the war, funds were raised for bonds and relief efforts. Effa recruited or shamed other teams into participating to raise funds for the NAACP, the Red Cross and community hospitals, among others. As a local paper wrote, “She was one of the few blacks who had a little money, and she put some back into the community.”
And by her actions if not her words, Effa fought for the equality of women in management long before it was fashionable.
The Eagles Players: Abe and Effa’s Eagles had three future Hall of Famers in the infield in the late 1930’s. They were referred to as the “Million Dollar Infield” although this was hyperbole – most players (black or white, stars or not) were not making big money in those days. The first baseman was Mule Suttles, one of the great power hitters in the Negro Leagues. [That’s Mule with Effa below. Effa always dressed fashionably, usually with a fine hat, even at the games. But a photographer talked her into wearing a team cap for this photo op.]
The third baseman was Ray Dandridge. It was said that a train could go through his bowlegs, but that a baseball never did. Shortstop Willie Wells was so good that he was touted as a replacement for the Dodgers’ Pee Wee Reese who had been drafted for the war in 1942. It was the right major league team, but the wrong year – the Dodgers would break the color line with Jackie Robinson five years later.
Newark continued to add good players who helped the Eagles to mostly winning seasons in the 1940’s. The Million Dollar Infield was joined by four more future Hall of Famers: Leon Day, Biz Mackey, Monte Irvin and Larry Doby. The team won the NNL pennant in 1946 and then beat the NAL Kansas City Monarchs in the Negro League World Series.
The World Series glory was short lived. The good young ballplayers were being recruited by the majors and the Negro Leagues began to decline.
Effa Manley v. Branch Rickey: Even before the successful 1946 season, Effa felt the sting of losing a star to “organized” baseball. After Brooklyn’s Branch Rickey signed the Monarchs’ Jackie Robinson in 1945, his next two big signings were in April of 1946: Roy Campanella of the Baltimore Elite Giants and Don Newcombe of Effa’s Newark Eagles. Robinson made it to the majors in 1947, and the other two soon followed.
Effa of course did not like losing good players, but she realized that integration of baseball was a victory for the community. But what rankled her was that Rickey was poaching players without any recognition that Negro League teams had developed the players. She thought compensation was justified, but Rickey refused. Despite some bad press for interfering with the integration of baseball, Effa would not be silenced. And her perseverance paid off. Her stars Larry Doby and Monte Irvin both had feelers from Branch Rickey, but ended up with teams who were willing to compensate the Eagles.
Branch Rickey was set to sign Doby, but backed off when Cleveland owner Bill Veeck entered the picture. Rickey knew it would be good to have a second team integrate, especially one in the American League. So Doby signed with the Indians in July of 1947. Veeck knew that Effa had no leverage to get compensation for Doby. But Veeck was no Branch Rickey. The Indians paid $15,000 to the Eagles. More importantly, Effa had established a precedent that ultimately benefitted all of the Negro League teams (as so noted on her Cooperstown plaque).
The Manleys sold the Eagles after the 1948 season, but Effa still had a connection to her star Monte Irvin: the terms of the sale provided that the Manleys and the new owners would share any money received if a major league team paid for one of the players. This was potentially a moot point when Branch Rickey signed Irvin with no intent to pay the Eagles. Effa fought back claiming that the Irvin had a contract and that she would contest the signing. Rickey backed off and Effa made a deal with Horace Stoneham of the Giants for $5,000. After paying lawyer fees and giving a share to the new owners, Effa got $1,250. She used the money to buy a mink stole.
Some Major League Highlights of Former Eagles: Larry Doby broke the color line in the American League in July of 1947. The next year, he became the first black player to hit a home run in a World Series, helping the Indians win their second title (they have not won since). Newcombe was the NL Rookie of the Year in 1949 and was both the MVP and Cy Young winner in 1956.
In 1951, Monte Irvin led the NL in RBI’s and was instrumental in the famed comeback by the Giants to catch the Dodgers to force a three-game playoff for the pennant. Irvin got a hit in each playoff game, including a homer to help win the first game. In Game 3, Newcombe started the game, but was relieved in the ninth by Ralph Branca who gave up the famous 3-run homer to Bobby Thomson. The Giants then met the Yankees in the World Series where Irvin became part of history by playing in the first all-black Series outfield alongside two fellow former Negro Leaguers (Willie Mays of the Birmingham Black Barons and Hank Johnson of the Kansas City Monarchs). Irvin ignited a Game 1 victory for the Giants by stealing home in the first inning on Yogi Berra. Irvin went on to hit .458 in the Series, but the Yankees won in six games. Irvin was on a Series winner in 1954 when the Giants beat the Indians.
After the Eagles: After the Eagles were sold, Effa continued her work in community and civil rights organizations. But her true cause was keeping alive the history of the Negro Leagues and pushing for the induction of Negro League players into the National Baseball Hall of Fame. She finally saw some movement in the early 1970’s as Satchel Paige was inducted in 1971, followed by five other players through 1975.
To emphasize that many more should be inducted, Effa self-published a book with sportswriter Leon Hardwick in 1976 titledNegro Baseball – Before Integration. Included are 73 biographies of players she felt should be considered for enshrinement. Progress remained slow with only three more players being added before the special committee to add Negro Leaguers was disbanded in 1977. The 80-year-old Effa Manley still had her voice, “Why in the hell did the Hall of Fame set that committee up, if they were going to do the lousy job they did?”
She fired off letters to the Hall of Fame, Commissioner Bowie Kuhn and C. C. Johnson Spink, publisher of The Sporting News: “I would settle for 30 players, but I could name 100.” Spink’s column of June 20, 1977, seemed receptive to this crusade by a “furious woman.” She liked that description and saved the clipping.
In 1978, Effa was the special honoree at the Second Annual Negro Baseball League Reunion. Monte Irvin was there and saw Effa wearing her mink stole. He asked if it was the one she got from her sale of Irvin’s contract to the Giants. “Yes, it still looks good and keeps me warm.”
It would take another quarter century, but some 35 Negro Leaguers now have plaques alongside Babe Ruth, Ty Cobb and other greats in Cooperstown. Effa’s Newark Eagles are well represented. The team played from 1936 to 1948, just 13 years. But that was enough time for seven Hall of Famers to play a good part of their career in Newark. [To put this in perspective, the Royals have played 50 seasons and produced one Hall of Fame player, George Brett.]
The Eagles of course have another representative in the Hall of Fame – the team’s top executive, Effa Manley. She was inducted in 2006.
Effa’s Hall of Fame induction was a posthumous award. She died in 1981 at age 84. Inscribed on her gravestone: “She Loved Baseball.”
Lonnie’s Jukebox: Three selections today. For those of a certain age (teenagers in the 50’s/60’s), you may remember that you paid a quarter for three plays on the jukebox. These are free.
First, the Negro Leagues Baseball Museum. I urge everyone to attend and buy a membership. When you walk through the Field of Legends, you will see two of Effa’s players, Ray Dandridge at third base and Leon Day in right field. The player she could not sign, the elusive Satchel Paige, is on the mound. This clipshows NLBM President Bob Kendrick describing the “Beauty of the Game” exhibit (2:30).
Second, the 1992 movie A League of Their Own. This is on my mind because director Penny Marshall died last month, and scenes from the movie have been popping up on social media. I have always been a fan of the movie. From Geena Davis to Tom Hanks to Madonna, the acting is superb, although I single out as my personal favorite Jon Lovitz as the hilarious baseball scout.
Joe Posnanski did a column on his 10 favorite things about the movie, and one of his points reminded me of the subtle civil rights message. The real-life “league of their own” was segregated just like its male counterpart. In a mere 15 seconds, the movie tells a very big story of the times. A black woman has left her seat – from what is obviously the segregated seating area down the right field line – to retrieve and throw back an errant ball. She does so with obvious talent, and the message is that she is not racially eligible to play in the game. See the cliphere.
In 2014, Penny Marshall announced that she planned to direct another baseball movie, this one about the life of Effa Manley. The screenplay is by writer Byron Motley, the son of Bob Motley, the Negro League umpire who this past year was honored with his own statue on the Field of Legends (behind the catcher at home plate in the NLBM photo above). I checked in with Byron, and he tells me that the project is still moving forward and to “stay tuned.” Byron’s tribute to Penny is here.
And third, the classic protest song “What’s Going On” by Marvin Gaye. As the turbulent 1960’s were coming to an end, Gaye was reevaluating his concept of music. He was “very much affected by letters my brother was sending me from Vietnam, as well as the social situation here at home.” So Marvin was receptive when Renaldo “Obie” Benson of the Four Tops brought him an untitled song that he was working on after seeing war protestors beaten by the police. Benson did not classify his piece as a protest song, “No man, it’s a love song, about love and understanding. I’m not protesting, I want to know what is going on.”
Gaye added some of his own lyrics and gave the song its title. He went to Barry Gordy at Motown, but Gordy said that it was really a protest song and would be bad for business. When Gaye persisted, Gordy relented because he did not want to offend his star. The single was released in 1971, and it turned out fine for business – the song went to #2 on the pop charts and topped the R&B charts for weeks.
The song is a soulful anthem about war abroad and socio-economic problems at home. Some 48 years later, the lyrics of the song continue to resonate:
We don’t need to escalate
You see, war is not the answer
For only love can conquer hate
Don’t punish me with brutality
C’mon talk to me
So you can see me
What’s going on
Preview YouTube video Billie Holiday Strange Fruit 1939
Billie Holiday Strange Fruit 1939
Preview YouTube video Women of the Negro Leagues
Women of the Negro Leagues
Preview YouTube video A League Of Their Own Black Woman Scene
A League Of Their Own Black Woman Scene
Preview YouTube video Marvin Gaye - What's Going On
Marvin Gaye - What's Going On
In the fall of 1988, our son and I went to Lincoln Center to see a revival of "Waiting for Godot."
Robin Williams and Steve Martin were quite fine in the two lead roles, and F. Murray Abraham was properly domineering as Pozzo, leading his abject slave, Lucky, played by the master kinetic actor, Bill Irwin.
I was thinking of that master-slave relationship Friday night when The New York Times broke the story that the FBI had begun an investigation in early 2017 of the apparent master-slave relationship between Putin and Trump.
In the real-life version, Lucky snarls and yaps at just about everybody else, but when Pozzo fixes his Lubyanka-basement glare at him, Lucky rolls on the floor and whimpers.
How did poor Lucky come to be led around on a leash? Beckett does not say. I am hoping this will soon be explained to us by Robert S. Mueller, III.
Hal Boyle’s columns were big wherever the Associated Press was used. He was Everyman, from Kansas City, writing for Middle America, with no political bias and plenty of heart.
I knew Boyle, from bowling in the Associated Press league when I was a 16-year-old copyboy. He was a jovial man whom I recall with cigar and perhaps a beer, laughing easily with everybody.
He had won a Pulitzer Prize in 1945 – for his coverage of the European war -- but you would never know it.
Now, as a recovering columnist, I am reading Hal Boyle’s columns. In 1954, he visited my Irish-born grandaunt in Brussels and wrote about the atomization of her family from World War II. (I recently came upon my mother’s cache of photos and clippings of her lost Belgian-Irish relatives.)
Decades later, Hal Boyle holds up in hard-cover form; very few columnists do -- Mike Royko, Jimmy Breslin, a few story-tellers, writing about the human condition.
Like the best journalists, Boyle has a fine eye for details – the bullet hole in Madame Duchene’s front doorway -- from the day a Scottish soldier she had been hiding bolted from the Gestapo, and was gunned down in the street. (He lived to old age but Madame Duchene’s daughter, Florence, and her son, Leopold, did not.)
I cannot access Boyle’s column on line, but I wrote about that family in 2006: https://www.nytimes.com/2006/06/09/sports/soccer/09vecsey.html
Boyle paints a portrait of the grandaunt I never met. On the 10th anniversary of following the Allies into Europe, he spent a few hours at her home – get this -- 7, rue Sans-Souci. (Street Without Care)
Again, like the best journalists, Boyle is there to observe, to ask questions. His compassion for the old lady with her memories and her medals, surely has roots in his mother’s childhood in poverty-ridden Ireland.
I never finished his collection – the aptly-named “Help, Help! Another Day!” – from a poem by Emily Dickinson – but now I am enjoying his changes of pace: communing with the graves of men who died on the Normandy killing beach, or staying in a camp deep in the Catskills, listening to the sounds of night.
Perhaps his most poignant column came from defying the third or fourth rule of journalism – never succumb to the cheap device of quoting taxi drivers. But Boyle happened to ride in the cab of a philosopher who was mourning a beloved wife who had died years earlier. The man advised Boyle to cherish his own wife, and life itself, and Boyle was wise and talented enough to make a column out of his encounter. (Boyle’s own wife would die young, and he would follow, from a heart attack, at only 63.)
Many great journalists are full of themselves, to the point of grimness, but Boyle was jolly, in a melancholy Irish way.
He was as much at home in the camaraderie of a beer frame as he had been with the sights and sounds of combat.
One thing I just learned from skimming his columns: his own meter was always running.
I am convinced: what I am about to tell you is no coincidence:
At that bowling alley – Beacon Lanes, 76th and Amsterdam, second floor – the coat-check was run by a highly loquacious and secure black man, who seemed to have the word “autodidact” glowing proudly like theater lights on his forehead.
The man liked to chat about the books and poems he had read – most notably “Thanatopsis,” by William Cullen Bryant, using the Greek word for “consideration of death.” At 16, I looked forward to my weekly chat with the brother.
Now, 63 years later, I pick up Hal Boyle’s collection. His latest column is from Jan. 9, 1964, called “Nostalgia Is a Medicine to Cure the Blues,” with one-line observations about things you don’t see much anymore. One of them was:
“Anybody with a claim to culture could prove it by reciting aloud the concluding lines of William Cullen Bryant’s “Thanatopsis.”
This means, to me, without a doubt, that Hal Boyle, Pulitzer-Prize winning columnist of the Associated Press, had been chatting with the same vibrant coat-check man at the Beacon Lanes in the season of 1955-56.
With that discovery, I feel a great kinship with the man who visited my grandaunt in war-ravaged Brussels. I wish I had read more of Hal Boyle, had asked more questions, back in the day. But I did bowl with him.
In the final hours of an ugly year, I stuck with the tried and true.
Our local classical station, WQXR-FM, was playing the top 100, as chosen by listeners. It was reassuring to hear music that stirred people and soothed people in other dark times, with other crackpots and despots flailing around, and the music survived.
Then again, we have seen votes go wacko in a democracy. When the Gilbert and Sullivan spectacle, “Pirates of Penzance,” popped up in 10th place, my reaction was, “Wait, WTF, how did that get in there?”
The WQXR–FM web site had the same reaction:
Was it was the work of Gilbert and Sullivan superfan sleeper agents? Or is everyone just really excited about the end-of-year New York Gilbert and Sullivan Players production of Pirates at the Kaye Playhouse. (It turns out that it very well might be both, as the New York Gilbert and Sullivan Players staged a campaign to launch the opera into the countdown — and it clearly worked.
Trolls. Bots. Hacking. Malware. Whatever they are. Sounds like a job for Super-Mueller, but Our Civic Protector is said to be otherwise occupied with his investigation into more serious shenanigans.
Other than the jolt of Gilbert and Sullivan coming in 10th in any classical music ranking, it was a joy to hear oldies soothe the dark days and nights as 2018 slunk off into history.
Beethoven had four symphonies in the top 10, including his Ninth, with the rousing “Ode to Joy,” now becoming a staple ‘round midnight on Dec. 31.
Some of the most familiar music can be considered chestnuts, but I was happy to hear them, knowing that new and adventuresome and inventive music will be presented by John Schaefer on “New Sounds” and by Terrance McKnight on his weeknight show.
Plus, as 2018 ebbed, I heard some of my favorites, Dvorak and Copland and Vaughn Williams and Smetana and Bartok and Barber and Ravel and Satie and Lenny Himself, conducting his “West Side Story: Symphonic Dances,” which always makes me feel 16 again, walking the streets of my home town, feeling, “could be, who knows?”
In the symphonic version, I could hear the lyrics of Stephen Sondheim:
Could it be? Yes, it could
Something's coming, something good
If I can wait
Something's coming, I don't know what it is
But it is gonna be great.
Happy New Year.
It is beginning to dawn on me that President Trump is not merely some bloated orange spectacle from a reality show.
He is consciously presiding over the demolition of health in the country.
The New York Times ran one of those special public-interest sections on Thursday, the kind they seem to produce regularly – a Pulitzer-worthy section of the week.
This one was on the environment – in many of the corners where I used to work as a news reporter, including the Kanawha River in Almost Heaven, West Virginia.
The lead article is by Eric Lipton and John Branch, a great reporter with whom I had the privilege of working for a few years. John is based in his home state of California, and he already won a Pulitzer for his work on the science of a murderous avalanche.
Branch is a member of the sports department but they rarely send him out to cover games; he’s part of the direction the Times is going – important journalism being committed on a daily basis. (Yes, I miss baseball box scores and daily Mets coverage, but would choose the vital journalism being produced by the Times these days.)
Branch and Lipton write about the farmlands of Kern County, Calif., one of the major agriculture centers in the country.
Since Trump was inaugurated in January of 2017, in front of those yooge crowds in Washington, he has facilitated dozens of downgrades of environmental practice. The Times documents them in this section.
The presidential approval of pesticides in the vegetable garden of America could be poisoning you, wherever you are, but it is certainly sickening the workers – many of them brown and Spanish-speaking – the braceros, the obreros, who pick your lettuce, when they are not fainting and vomiting from the poisons Trump has let loose. The children's day-care center is downwind from the sprays.
The pesticide, named Chlorpyrifos -- why, look here, it’s from our old friend Dow Chemical -- belongs to a class of chemicals developed as a nerve gas made by Nazi Germany, as Nicholas Kristof wrote in a Times column in 2017:
Kristof added that the nerve gas is “now found in food, air and drinking water. Human and animal studies show that it damages the brain and reduces I.Q.s while causing tremors among children. It has also been linked to lung cancer and Parkinson’s disease in adults.”
This poison is now being sprayed all over Kern County, killing insects and sickening humans and also enriching the companies and the politicians that enable this toxic man.
Congratulations to the newspaper and web site that grow more serious and more invaluable all the time.
Here’s the on-line version of the article by John Branch and Eric Lipton:
Our granddaughter Anjali came over Sunday to pick up some cookie utensils.
She's driving now. Having a very good year.
Marianne took out her assortment of cookie-decorator tools from holidays past. The two of them huddled over a kitchen table, trying to put together one gadget for spreading icing.
There was Christmas music on WQXR-FM. I stood and watched this very sweet moment as.two artistic and orderly minds collaborated to get it together.
I thought about our holidays when our children were young; I thought about the way my parents managed to have a clutter of presents for five children. How did they do that?
What a blessing to have two of our three children in town with us -- one grandchild in a school concert the other night, another popping over since she earned her driver's license,
Grandmother and granddaughter smiled and agreed. All systems go. Anjali tootled home to work with her parents on their cookies.
A few hours later this photo came pinging onto the smartphone.
Tomorrow we get to sample.
From our family to all our friends, including those who glance at this little therapy web site:
Be Well. Happy Holidays.
Outside, the storms – political and meteorological – were raging. Inside there was a winter concert, by students and, later, enthusiastic alums.
How sweet it was, to find shelter from all storms, to hear young people play and sing, with considerable skill.
Our youngest grandchild was in one of the ensembles, but honestly the quality of the music and the spirit of the young people would have been an attraction by itself.
This was Thursday evening at Schreiber High School in Port Washington, Long Island, which, as much as it changes, retains its home-town feel, on a peninsula, with a train line terminating there, and a real downtown -- 45 minutes by rail from Penn Station.
The superb arts department produced one concert Wednesday and another on Thursday – an orchestra, a band, a choir, and then an ensemble for the Hallelujah Chorus from Handel’s “Messiah.”
A young woman gave a haunting flute solo; a young man led one section with a strong first violin; a young man played a specialty instrument that evoked the swirling of the sea.
I was particularly captivated by the choir, having had the privilege of singing in Mrs. Gollobin’s chorus at Jamaica High School in the mid-‘50’s and admiring the choir members.
I watched the faces of these young people as they put their hearts into “Rock of Ages,” and, I will confess, I remembered our chorus harmony from 1954-56, and I softly hummed to myself.
I thought of the choir stars from Jamaica High – an alto who taught music at a university in Texas for many decades, and our two lead sopranos who came back for reunions, still beautiful and active well into their 70s.
And then there was Eddie Lewin, star soccer halfback and lead in our musicals. (Lotte Lenya came to our performance of her late husband Kurt Weill’s operetta, “Down in the Valley,” with Lewin playing the lead role.) In later years, Eddie took a pause in his medical career to fulfill his dream of touring with “Fiddler on the Roof.”
I thought about our choir and chorus while watching the young people of Port Washington as they performed so brilliantly in their own time.
At the end, the leaders honored the tradition by calling all alumni of the music department to join them in Beethoven’s “Ode to Joy.” Dozens of recent graduates filled up the sides of the auditorium.
They were asked to call out their graduation classes – 2018, 2017, 2016, 2015 – and somebody said, “1976!” That was Jonathan Pickow, a well-known musician from our town, the son of Jean Ritchie, one of the great traditional folk singers and historians from her native Eastern Kentucky. (Ritchie
Jean and her husband George Pickow – now both passed – lived high on a hillside in our town. First time I heard Ritchie was at Ballard High in Louisville, when we lived there, around 1971-2. She reassured Kentuckians that the steep hill on glacial Long Island made her feel she was still in Viper, Perry County.
Jon has toured with Harry Belafonte, the Norman Luboff Choir and other choirs, has performed with Oscar Brand, Judy Collins, Theo Bikel, Odetta, Josh White, Jr., Tovah Feldsuh and my pal, Christine Lavin.
And there he was, amidst musicians more than 40 years younger than him, talking respectfully of having been part of music programs at Schreiber High in Port Washington, back in the day. Music is classical; it provides shelter in all storms.
* * *
PS: Jean Ritchie wrote the classic protest song, "Black Waters," about strip-mining, which obviously the tone-deaf Mitch McConnell from Louisville has never heard.
I had forgotten that I once scored on a header in the ancient amphitheater at Caerleon, Wales.
I was reminded of my stirring athletic feat – sending the ball spinning into the corner of an admittedly spectral goal – when I recently read a terrific book: “The Edge of the Empire: A Journey to Britannia; From the Heart of Rome to Hadrian’s Wall,” by Bronwen Riley.
I read about the book in a review in the Times by Jan Morris, which was good enough for me.
People don’t know enough about the Roman Empire. Or, rather, I don’t. I’ve encountered Roman ruins in Ephesus, Turkey, and southern France and silver mines in Wales, and I speak just enough French, Spanish and Italian to realize the debt to Mother Latin. But somehow I got through college without ever taking a course in the Roman Empire. Quid pudor est (What a shame, courtesy of Google Translate)
So, about the header. My epic goal took place while we were touring Wales, oh, a few decades ago, with our former Long Island neighbor, Alastair, who had retired to his home in Wales, with a view of the Brecon Beacons, the hills to the south.
Alastair had a Scottish surname but was a true Welsh patriot who loved driving us around to chorus recitals and old ruins and vacated railroad lines from his youth.
(Whenever Alastair crossed the Severn River bridge from England back home to Wales, he would mutter something about “them” – the country in the rear-view mirror.)
On this lovely summer day, Alastair drove south from Brecon, telling us about the great rugby teams of his youth in these old coal-valley towns. We reached flatter ground where the Usk River widened, and Alastair found the old Roman amphitheater, now just vestigial green mounds and a few outcroppings of stone, surrounding a lush green lawn. In Roman times, the outpost was known as Isca Augusta.
Riley’s book taught me that the Roman amphitheaters all over the empire conformed to style: outbuildings for entertaining Roman dignitaries on inspection tours. I did not know that the same spectacles in Rome were repeated in the colonies – animals fighting animals, gladiators fighting animals, gladiators fighting gladiators. This primal gory spectacle was the National Football League of its time.
The old arena was empty, as far as I could see, as we entered through one of the passageways. The ground underneath felt firm. Once we were inside, the grassy mounds surrounding the arena were higher than my head. I felt as if I were in Wembley or Olimpico or Bernabeu, some of the modern stadiums in outposts of the Roman Empire.
Still fit, in my 40s or 50s, I felt the urge to jog…to open it up, to let it go. Down at the other end, I imagined a rectangular goal and some pigeon of a keeper, just ripe to be juked out of position. Just like CR7 or Ibra these days, I closed in, leaped in the air and connected with a gorgeous service from my wing, and I flicked the ball into the nets, as thousands roared.
Well, not thousands. Nobody cheered. Right about then, I noticed a little knot of children with an escort, in one of the runways, against the rocky sideline, staring at this daft old bloke. I decided not to tear off my shirt to celebrate – bad form with a dozen tykes staring at me.
That was my goal. We continued our drive through Alastair’s homeland. A few years later, he inconsiderately dropped dead while shopping for food for his border collie, which put an end to our annual post-Wimbledon visits to idyllic Welsh summer – flower-festooned pubs (with good food!) alongside the Usk canal, plus his occasional glider sorties from the nearby Black Mountains.
Wales all came roaring back to me after the Times book review for Bronwen Riley’s book. She describes how Julius Severus, the newly-appointed governor of Britannia, traveled the 1486.9 miles from the bustling Rome docks in the year 130 to supervise the building of Hadrian’s Wall. (One thing I learned was that the famed Roman galleys did not, repeat not, rely on slave labor, but instead were powered by well-trained military men, many earning their citizenship through 20 years of expert labor.)
The book describes the over-land portion of the journey in Britannia, stopping briefly at the growing town of Londinium (London) and then heading west to Isca Augusta (Caerleon), and then north to Deva (Chester) and on to the growing wall.
That is right: Hadrian managed to get his wall built, thereby separating neighbors and relatives, brutally and cruelly. Omnia mutantur magis ... (The more things change… in Latin.)
Those Roman emperors could really build things, back in the day. They built an arena in Isca Augusta that I visited one green summer day, thinking not of Romans but of a dashing header, smack, into a make-believe net.
* * *
Jan Morris’s recent review in the NYT:
Michael Cohen emerged into a phalanx of 20-inch necks and watchful eyes.
The NYPD had its best people out in front of the courthouse.
My first response was delight that Cohen had to walk the perp walk, the felon walk, in front of the cameras, in front of the world.
This is, after all, the same chap who once rang up a reporter working on a story and threatened to do something “f------ disgusting” to him. The same fixer who zestfully helped Trump become Grifter-in-Chief.
The threats and payoffs seemed to come naturally to both of them.
I noted Cohen’s well-clad family, now shaken by a three-year sentence, and I felt no sympathy. They must have known the line of work he was in.
My glee at the downfall of this enabler was tempered a bit on Wednesday by Chuck Rosenberg, a former federal prosecutor, now a valuable contributor on MSNBC.
Rosenberg is a knowledgeable and stable presence – speaks softly, rarely even smiles, has no need to be cute, a pitfall for some regulars on the cable. He just knows stuff. And on Wednesday he made me feel (albeit temporarily) a bit guilty at my runaway case of schadenfreude.
MSNBC does not seem to have posted Rosenberg’s comment, and I was not taking notes, but the rationality of his impromptu comments stayed with me, after the moment.
Rosenberg said, not bragging, that he had loved being a prosecutor, finding the misdeeds, righting the wrongs. In words to this effect, he said he loved presenting evidence, convincing judge and jury, seeking justice.
But, he added soberly, the part he enjoyed least was the sentencing. He did not enjoy being in a courtroom and hearing most of the suspects being sentenced to….something.
These are real people, Rosenberg said. They have families. They have private lives. They may deserve their sentences, but they are….people.
Rosenberg’s decency calmed me down, well, for a few minutes. But as the day went on, and front-page news came of that slimy gossip paper having flipped, with a safe full of salacious clips on Trump, and my ongoing awareness that Trump is tossing very dangerous toys around his playpen, I felt no empathy for Michael Cohen.
Let him sell his apartment to pay his fines and legal bills. I don’t buy the line by his lawyers and apologists that he is a changed man. He is a caught man. Sorry.
I give thanks to MSNBC for, during this terrible time, having brought in their own phalanx of qualified “contributors” – people who worked in government and the law, people who have expertise, and share it.
People I mostly never heard of until Trump strutted into the White House: Rosenberg, Joyce Vance, Barbara McQuade, Paul Butler, Mimi Rocah, Frank Figliuzzi, Maya Wiley, Daniel Goldman, my fellow Jamaica High School grad Jelani Cobb, and many others, plus two grand oldie-but-goodie Watergate lawyers, Nick Akerman and (drum roll, please) my second favorite septuagenarian lady, dressed and coiffed perfectly, a legal guru, smiling like a blonde Buddha from Chicago, Jill Wine-Banks.
I learn so much from these contributors. Now I am looking forward to a lot of people named Trump being frog-marched into the pokey for their grifting from here to Riyadh or Moscow and back again.
While we’re on the subject, I apologize for my lowball estimate that Trump would self-destruct within 18 months. I was relying on my having known about him from back in Queens, but I vastly overestimated the vestigial patriotism and integrity and common sense of Paul Ryan, Lindsey Graham and that White Citizens Council that stands mutely behind Mitch McConnell.
I once spent a day with Sen. Howard Baker on his campaign around Tennessee in 1972. None of these ciphers is Howard Baker, the Republican hero of Watergate.
So that’s where we stand. Michael Cohen got three years and had to walk the felon walk. It’s going down.
There are web sites with the 10 worst Mets trades, the 15 worst Mets trades.
Plenty of space for new ones in the vast reaches of the Web.
We think of the talent this franchise has let get away – Nolan Ryan. Amos Otis. Roger McDowell and Lenny Dykstra.
In their sketchy past, the Mets have gotten expensive and over-the-hill talent like George Foster, Jason Bay and Bobby Bonilla, to say nothing of Juan Samuel for McDowell and Dykstra.
We won’t know where this trade fits until the Mets, maybe, who knows, happen to have a lead in the ninth inning and Edwin Diaz remains the excellent save guy he was in Seattle.
I don’t expect much from Robinson Canó. He is 36 years old, comes with a five-year contract for $100-million.
“And I’ll give you one guess who Canó’s agent is, or was,” a Mets fan in my neighborhood texted me. (Same guy who, in 1989, called home from college and all he could rasp was, “It stinks. It just stinks.” I didn’t have to ask, “Who is this?” or what it was about – the Samuel trade, of course.)
Cano’s previous agent, Brodie Van Wagenen is now the general manager of the Mets. What ever happened to the great Jeff Sessions move of recusing himself?
As for Canó, he was an engaging young guy with the Yankees – named for Jackie Robinson by his dad, alert eyes, nice personality. But he missed 80 games with the Mariners last year after testing positive, which throws his power numbers under huge suspicion.
“But Cano might have something left,” wrote Tyler Kepner in the Times on Monday, adding: “He batted .317 in 41 games after returning from his suspension, and hitting is just what he does.”
Tyler is not a pushover, and neither is he overly droll. This is his judgment, and I am noting it, with great respect.
Plus, it’s nice to know the Mets have $100-million to spend on a 36-year-old post-suspension hitter. Maybe the Madoff Years are over.
But there is something else about acquiring Canó. Last year the Mets brought up Jeff McNeil, a late-blooming second baseman who had learned traditional baseball skills in the minors and proceeded to hit .329 in 225 at-bats with the Mets – with seven steals and three homers.
“And he’s a good defensive second baseman,” says a friend of mine who played two years at that position in the minors.
McNeil will be 27 next April. Oh, he is making around the major-league minimum salary. Did I mention that?
By making these moves, the Mets are showing they are mired in the generation of the launch arc – the identical swing in the same damn groove that sends most hitters back to the dugout regularly, with blank looks that say, Well, I did what they want. I took my hacks.
Right. Jacob DeGrom merely won a Cy Young Award by tricking the launch-arc pigeons, pitching up, up, up, inning after inning.
* * *
The Mets roster will continue to change. Jay Bruce was a mensch, a gamer, in his two stints with the Mets. Thanks, man.
As for the young talent, think Nolan Ryan.
Meanwhile, Wilmer Flores has been released. That is baseball, defensible. Wilmer does not have enough power to make up for defensive mediocrity, nor does he have what the broadcasters like to call “foot speed.” Who didn’t cringe when that indecisive third-base coach meditated in real time over whether to send Wilmer? Don’t Do It! we screamed.
Wilmer is a sweet guy, you can see that from the top row. He cried the first time they tried to trade him, now part of Mets lore.
Let’s pause for a chorus of: Don’t Cry for Me, Wilmer Flores.
The moral to the release of Wilmer is: don’t get too attached to charismatic Mets icons wearing No. 4.
Forget about old Dodgers Charlie Neal and Duke Snider in the first two years. Later icons, Ron Swoboda and Rusty Staub and Lenny Dykstra, all beloved, all wearing No. 4, were sent away.
The Mets would have traded Mel Ott (No. 4) of the New York Giants.
The Mets would have traded Lou Gehrig (No. 4) of the New York Yankees.
Wilmer should look at it that way.
Now they are spending $100-million for Robinson Canó, age 36.
As we say in New York, Oy!
We were watching MSNBC Friday evening, when they segued into quickie telephone tributes for George H.W. Bush, followed by Lester Holt narrating the prepared tribute.
One of the film clips was of a little boy in a back-yard rundown, lovingly getting tagged out by the right, gloved hand of an elder, presumably the Bushes we now know as 43 and 41.
It was so sweet, people playing the American game with great big smiles and sweeping tags.
Mister, I’m a baseball man--Ry Cooder.
My conduit to President Bush, the baseball man, came via Curt Smith, a speechwriter during the Reagan-Bush years, who in 1989 invited a gaggle of sportswriters and broadcasters to the White House for a baseball schmooze-fest. I wrote about the President’s glove in his desk drawer.
When I heard about President Bush’s passing, I immediately thought of Curt Smith, and his admiration for his former boss.
It is well known that President George H.W. Walker was a crier. Wept easily. Smith once told how he was assigned to write a speech for the visit to Pearl Harbor on the 50th anniversary of the attack that kicked off the Pacific war on Dec. 7, 1941.
On Saturday I asked Curt for his recollections of No. 41 – and the speech. This is what Curt Smith wrote back:
Bush truly loved the game: played, coached it in Texas, mentored players, captained his team at Yale. He made the first two College World Series in 1947-48. He accepted Babe Ruth’s copy of the Babe’s memoir in 1948 as Yale’s captain as Ruth was dying of cancer. He coached all four of his sons in Little League. He took Queen Elizabeth to a baseball game, staged a great event at the White House to honor Williams and DiMaggio on the 50th anniversary of their magical 1941, invited Musial and Yastrzemski to the White House as he prepared to go to Poland to, among other things, christen Little League Baseball there, on and on and on. He and I talked baseball, he had my Voices of The Game at Camp David. Our first meeting he told me, “I’d rather quote Yogi Berra than Thomas Jefferson,” and meant it. He knew more Berraisms than I did!
Pearl Harbor evolved from the fact that I generally did “values, inspiration, patriotic” speeches for Bush. I had always read a lot about World War II and was very conversant with Bush’s role in the War. I knew of his great modesty. As I kid he hit a couple homers once. His mother Dorothy eyed him and, referencing the grand Protestant hymn, said, “Now, George, none of this ‘How Great Thou Art’ business.”
Bush was naturally self-effacing and deferential, two of the reasons he drew people toward him. He hated to use the word I in speeches. Try writing speeches that way! In any event, our speech staff was constantly frustrated at how the country didn’t know the Bush we did—because of Bush’s dignity, innate reserve, feeling that the President should set an example. (What a concept!)
I wanted the country to see the man that we did. In talking with the President, I tried to subtly make this point. Bush, on the other hand, had been 17 when the Japanese attacked Pearl Harbor, a Sunday. He had friends who had died. He had gone next day, a Monday, and tried to enlist. The draft board said, in essence. “Sonny, you’re too young. Come back when you’re 18.” He did, enlisting the day he turned 18.
Bush, at heart a very sentimental, emotional man—a softie, as he and we knew: again, a reason so many of us loved him — was concerned he would not get through the speech. “I don’t want to break down,” he said. I didn’t tell him I wanted him to break down: that would have been unseemly. I did say that “This will be a chance for you to talk about an event that will show the Nation the kind of person you are.”
As things turned out, he didn’t break down, but did choke up; his voice faltered; he was clearly moved. In retrospect, Bush, who almost to the end was unsure whether he could give the speech, was very glad that he did. And in the next 25 years, as a former President, the country came to see almost precisely Bush as we had—sentimental, giving, kind, funny, patriotic—one terrific person.
(With great thanks to Curt Smith)
Curt did not include this Pearl Harbor story in his terrific recent book, “The Presidents and the Pastime: The History of Baseball & the White House,” published by the University of Nebraska Press. Bush, a .251 hitter at Yale, was surely the best player and biggest fan of all presidents who have tossed out ceremonial baseballs on opening day.
They were baseball people, the Bushes, part of the carriage trade that made the New York Giants the elite team of the big city. George Herbert Walker, Jr., uncle of the future No. 41, owned a piece of the Mets, starting in 1962 – a clubby gent who, as I recall, was fine with sportswriters calling him “Herbie.” They were easy to be around, the Bushes.
I was lucky enough to meet No. 41 twice, both in baseball settings. I wrote about my second meeting when Barbara Bush passed last May:
However, I did not get as close to No. 41 as my boyhood pal, Angus Phillips, did for the Washington Post. Invited to a dawn fishing trip on the Potomac, Angus reported to the White House a few minutes early and somehow was ushered into the living quarters where he discovered the leader of the free world padding around a hallway, clearly just out of bed. Angus’s classic tale of the visit…and the fishing….is included here:
George H.W. Bush was the last World War Two veteran to serve as president.
He kept his old George McQuinn mitt in his desk drawer in the White House.
Whatever else he was, he was a softie. And a baseball man.
* * *
The New York Times also prepared a magnificent spread on No. 41:
“Bertolucci died,” my wife said, checking the pinging on her smartphone.
Immediately, we were transformed to the Baths of Caracalla, where the grand director was making “La Luna” in the Roman summer of 1978 – with two broken arms.
There was a lot going on in a month when Romans normally head for the countryside during the annual shutdown known as “Ferragosto” – taking one major Roman Catholic holy day and turning it into a one-month holiday.
Pope Paul VI had died on Aug. 6 in the summer retreat of Castel Gandolfo and the Vatican took an ungodly time getting the Pope to St. Peter’s for the funeral.
I was sent there by the Times, as a learn-on-the-spot religion reporter. Pretending I knew something, I speculated on who would be the next Pope. (All wrong, of course.)
Then the Times went on strike, leaving me in Rome with a borrowed friend’s apartment near the Piazza Navona. How sad. I sent for my wife, and we wandered the city.
A friend of ours had a connection to another major event in Rome that summer – the making of a movie by Bernardo Bertolucci, in the Baths of Caracalla – a film called “La Luna” with a theme of incest, starring Jill Clayburgh.
Our friend sent a limo to take us to Caracalla for the day, where Bertolucci was directing with casts on his arms. He had been carrying a camera, peering down into it, and had fallen off a step or a platform, and had broken both arms, but he persevered admirably.
Now he bravely balanced the camera on the two casts, still framing scenes as they would appear through the lens, as directors do. A cadre of assistants hovered around him as he tottered on the steps to the stage, lest he fall again. The whole project was in his broken arms.
My wife and I hung at the edge of the proceedings with our friend, whispering, perhaps even giggling a bit. Nobody seemed to mind except for Jill Clayburgh, who was gearing up for the tangled emotions of the film, wearing elegant high heels on the uneven ancient stones of Caracalla.
She shot us a look or two, and we piped down.
That’s all I remember, except for lurid jokes and set gossip we culled here and there. It was, of course, Rome. Matthew Barry, the young New Yorker who was playing Clayburgh’s son, had to preserve his pasty-white coloration for uniformity during the shooting, so they enticed him indoors, day after day -- no beach, no outdoor trattorias. I wondered how they kept him indoors.
* * *
Our friend called for the limo and a stalwart Roman driver took us toward Centro Storico.
I forgot to say, it was also a dangerous time in Italy, threatened by the Red Brigade.
The former Prime Minister, Aldo Moro, had been kidnapped and murdered in May and more violence was feared.
“Aren’t you afraid of the Red Brigade?” I asked the driver in my minimal Italian.
He tapped the solid dashboard of his limo, to signify protection of some sort, and he said, “The Red Brigade should be afraid of us.”
I took his word for it.
* * *
Several years later, my wife was walking on Madison Ave., looking in shop windows, and she spotted the reflection of an elegant woman a few feet away, looking at her, as if to say, “Who is that?”
Jill Clayburgh could not place her, and kept walking.
I never saw “La Luna,” which did not get great reviews, apparently.
That’s my only memory of Bertolucci – carrying on, with all the force of a great Italian director, in the August heat, in Caracalla.
There I was on the F train, creeping (and I do mean creeping) through my home borough of Queens on Tuesday.
My friend Jerry Rosenthal was in his first spring training in 1961, being switched from shortstop to second base.
The coaches were swatting grounders during infield practice, concentrating on the double play with a bunch of strangers, trying to claw their way up the Milwaukee Braves’ farm system.
“I was figuring out the steps on my own,” Rosenthal recalls. Get to the base. Turn. Throw to first.
The stranger on line behind Jerry offered his critique: Jerry did not know jack about making the double play, and was going to get killed.
“You’ve got to cheat toward the base,” Ron Hunt told him, while executing his own double-play pivot. “Plant your foot and throw the ball.”
Jerry remembers the stranger as “very acerbic, but not mean spirited.”
It should be noted that the year before at Cedar Rapids, Hunt had batted .191 and committed 37 errors in 121 games. However, he offered advice -- even to a rival.
Hunt also delighted in patrolling the sparse training clubhouse, pulling adhesive tape off the bodies of teammates, but not in a mean way, Jerry Rosenthal adds. (An all-conference shortstop at Hofstra who came back from being hit by a pitch near the eye, Jerry played two years in the minors, admiring teammates like Rico Carty and Bill Robinson and opponents like Lou Brock, and later taught school in Brooklyn, and is great company for his love of the game.)
Ron Hunt became the Mets’ first young star – scrappy and opinionated, the epitome of The Youth of America that Casey Stengel swore was in the pipeline.
Hunt was in the news the other day, in a lovely article and video from Ken Davidoff in the New York Post, detailing how Hunt, now 77, is suffering from Parkinson’s disease, quite possibly the toll from being hit by 243 pitches in a 12-year major-league career, and throwing his body around in the field and sliding into bases.
Right here, you could switch over to Davidoff’s depiction of a grouchy but idealistic baseball lifer, now suffering:
I first met Ron Hunt in spring training of 1963 He had inched forward in the Braves’ system and the Mets had drafted him out of AA ball.
In those days, rookies were discouraged from being brash. Show us something, kid. Based in funky St. Petersburg – long before the move to eternally desolate Port St. Lucie -- the Mets played exhibitions on the Gulf Coast and inland Florida. Rookies got to ride the bus, so Hunt was designated for a game in Sarasota. I had already discovered that he was a blunt and willing talker, with opinions on anything.
Pitching for the White Sox was Herb Score, whose career had been disrupted by a line drive that hit him alongside the eye in 1957. Score was trying to hang on. After the game, I asked Hunt how Score looked to him.
“He don’t have shit,” Hunt told me. “He’s just cunny-thumbing the ball up there” – an old baseball expression for a junkballer.
The rook surely did not hold anything back. And he was right. Herb Score never pitched in the majors again. Three weeks later, Hunt jumped ahead of five or six other second baseman to open the season for the Mets, and he became a fixture, first with the Mets, later with four other teams. The Mets enjoyed him, called him “Bad Body” for the way he slouched and slumped his way around, infuriating rivals by getting hit by pitches, sliding hard into bases, bunting with two strikes, and other anti-social acts.
In the age of the Launch Angle, I must add that Hunt was the antithesis of today’s model player, who swings from his butt, every pitch, trying to propel a home run. Hunt hit only 39 homers in 12 seasons and today would surely be scorned by the analytics experts hunched in front of their computers. The Mets have a second baseman named Jeff McNeil who batted .329 in 63 games as a late-blooming rookie last season, and the last I heard the Mets don’t sound convinced he should be a major-league regular. I’d like to hear Ron Hunt’s take on that.
Hunt has opinions on everything. For a decade or two, he ran a baseball program in the St. Louis area, his own funds, his own rules, trying to make tough kids even tougher, while he also ran his farm.
Ken Davidoff catches him perfectly. Ron Hunt, with a nasty condition, sounds just like the opinionated teammate Jerry Rosenthal met in 1961 and I met in 1963. May he have a testy opinion about his illness, and tell it where to go.
One of the great joys of reading the New York Times these days is the occasional and highly literate essay by Margaret Renkl, an Op-Ed contributor based in Nashville.
Renkl writes about life out there in the Real World -- if upbeat and evolving Nashville (say I, an old Nashville hand) -- can truly be called the Real World.
In Monday's Times, Renkl suggests a technique for countering the discordant blares and roars and whines of -- no, she does not say that! -- the mechanical lawn-blasters who have invaded our otherwise serene lives.
She talks about the garden crews that most of us employ to blow leaves around for hours at a time. (Disclosure: I recently hired a very nice crew that not only collects leaves but also seems to have produced new green grass on my ugly patch of crab-grass.)
The crews in our neighborhood seem to intentionally vary their attacks so that, from March into December, there is always a group of hard-working guys whose decibel output reminds me of my freshman year at Hofstra College, when its direct neighbor across the turnpike was Mitchel Air Force, with planes warming up 100 yards away. Good for concentration on philosophy or history.
To make a statement about the ugly noise in our leaves, Renkl proposes digging out prehistoric tools employed by our fellow homo sapiens back in other centuries -- an implement with a long handle and slender tines. She describes, rather lasciviously I might add, the joys of slow, careful interplay with leaves. At least, that's how I read it.
In fact, it sounded like so much fun that I went out and practiced my raking, putting some leaves in bags but saving some for the little things she says inhabit the earth. I will take Renkl's word on that part; she does, after all, live out there in the Real World. (For those of us who do not have a lawn, I might suggest paring raw vegetables or cleaning a few windows. Therapy is therapy.)
Try it! And look up the work of Renkl in the Times and elsewhere. She is right up there with Dan Barry and Sarah Lyall and Corey Kilgannon, whose every article I read avidly, for choice of content as well as for style. Renkl is what the great editor Gene Roberts calls, in his eastern North Carolina accent, "a rahter."
And not only a rahter but a therapist. After reading her essay, I felt relaxed enough to tackle the front page.
* * *
Here is Renkl's gem of an Op-Ed piece:
And recent works:
He looked like a garden gnome with an accent out of "Mayberry RFD," but when the subject veered to immigrants or demonstrators, Jeff Sessions would tighten up.
He wasn’t funny, then.
Then he was less of a Mayberry character than the town storekeeper who kept his Kleagle robe on a peg in the back room, more out of “To Kill a Mockingbird” or “In the Heat of the Night.”
He had a mission, seemed to me – to restore the good old days of the ‘50s – the 20th Century or maybe even the 19th.
Somehow he got in the way of Trump’s Ultimate Solution, and he had to go.
Then he got lucky. Compared to Trump, he became Fightin’ Jeff, the People’s Choice, remembering his lawyer past, respecting legal niceties like “recusal.”
The version I will miss most was created by the captivating Kate McKinnon on “Saturday Night Live,” who presented Sessions as a cuddly little elf who could fit in small spaces and flash a Howdy Doody smile to the world.
Lucky is the public figure mimicked by McKinnon, even with her glint of deviltry behind the entertainment as she portrays Sessions, Rudy Giuliani or the sewer-dwelling leer of Kellyanne Conway. She is a gem.
There are plenty of ghouls and monsters left to portray. I will still tailor Saturdays to be in front of the tube at 11:29 PM just in case Kate McKinnon is up first.
But I will miss the kewpie-doll grin of Jeff Sessions, so much better on Saturday night than any other time.
* * *
I am not the only one. The Huffington Post reports on a great national angst:
has filed an interview with, of all people, me.
It's on his blog. (Just past photo of rat!) My thanks for his interest. GV
David Vecsey's sweet tale of distant love before the Web, now NYT Podcast, narrated by Griffin Dunne. Please see: