The first of December was covered with snow
So was the turnpike from Stockbridge to Boston
The Berkshires seemed dream-like on account of that frosting
With ten miles behind me and ten thousand more to go
---James Taylor, “Sweet Baby James”
Snowing again, this first of December.
This typist has little to say on this left-over Sunday. Over the holiday, I’ve been reading “Poems of New York,” selected by Elizabeth Schmidt, while my wife is reading “Underland,” by a philosopher-explorer, Robert MacFarland.
Thank goodness for writers.
Pete Hamill is writing a book from his home borough of Brooklyn. Pete is among the three great print troubadours of my home town – along with Murray Kempton and Jimmy Breslin. (Dan Barry would make a quartet, when he is in print.)
Hamill is not well, as documented by Alex Williams in the Sunday Times, but he is going to get his Brooklyn book done, he says.
Also gutting it out is the great film director, Michael Apted, who has just issued his latest documentary – and, he says, his last – in the seven-year cycle about English youths who grew older, the ones who were lucky.
I have a great debt to Michael Apted for putting Loretta Lynn’s story on the screen, after I helped her write her book, and Tom Rickman wrote a magnificent film script. I was afraid Hollywood would turn Loretta’s world into a segment of “Beverly Hillbillies,” but as Rickman told me about Hollywood: “Sometimes the good guys win.”
I got to thank Apted when the movie had its premiere in Nashville and then in Louisville. Invited along for the chartered bus ride up I-65, I asked Apted how he got the feel for Eastern Kentucky and he talked about his roots in England – not just London – and he said, “I am no stranger to the coal mines.”
Good luck with your new movie, sir.
Today belongs to talented people like James Taylor and Pete Hamill and Michael Apted. A friend recently gave me a couple of poetry books, one by Seamus Heaney, the other a collection about my home town.
I include a segment from Nikki Giovanni, about the sudden flashes of humanity you encounter just about anywhere in the city. This is about a blind woman, uptown.
You that Eyetalian poet ain’t you? I know yo voice.
I seen you on television
I peered closely into her eyes
You didn’t see me or you’d know I’m black.
Let me feel yo hair if you Black Hold down yo head
I did and she did
Got something for me, she laughed
You felt my hair that’s good luck
Good luck is money chile she said
Good luck is money.
-- From “The New Yorkers”
I’ll leave it there. Keep writing, Pete Hamill. I’m waiting on your Brooklyn book.
"Among the things that have long fascinated people about Jesus and explain his enduring appeal is his method of dialogue and teaching. "He asked a lot of questions and told a lot of stories in the form of parables. In fact, parables form about a third of Jesus’ recorded teachings. The Gospels were written decades after he died, so his questions and parables clearly left a deep impression on those who bore testimony to him....
"Some of Jesus’ questions were rhetorical; others were meant to challenge or even provoke. In some cases, Jesus used questions to parry attacks by religious authorities who set traps for him. In others, he used questions to enter more fully into the lives of others and to help people look at the state of their hearts. He asked people about their fears and their faith. Jesus used questions to free a woman caught in adultery from condemnation and to inquire whether people considered him to be the Messiah. He probed deeply into questions not many had asked before him, like “For what is a man profited, if he shall gain the whole world, and lose his own soul?”
---(Peter Wehner, long-time White House consultant and writer, in the NYT last week about Jesus Christ’s method of teaching by asking questions.)
"Would that I could mention all the illuminating details in this biography, for example, why Wells praised Black Americans so highly, saying, 'I took a mighty liking to these gentle, human, dark-skinned people,' and 'Whatever America has to show in heroic living today, I doubt if she can show anything finer than the quality of the resolve, the steadfast efforts hundreds of black and colored men are making today to live blamelessly, honorably and patiently, getting by themselves what scraps of refinement, beauty and learning they may, keeping their hold on a civilization they are grudged and denied.''
-- "How H.G. Wells Predicted the 20th Century," Charles Johnson, NYT Book Review, Nov. 19, 2021. ***".
...the monsters arrive."
"They come in a deafening, surging swarm, blasting from lawn to lawn and filling the air with the stench of gasoline and death. I would call them mechanical locusts, descending upon every patch of gold in the neighborhood the way the grasshoppers of old would arrive, in numbers so great they darkened the sky, to lay bare a cornfield in minutes. But that comparison is unfair to locusts.
"Grasshoppers belong here. Gasoline-powered leaf blowers are invaders, the most maddening of all the maddening, environment-destroying tools of the American lawn-care industry."
---The great Margaret Renkl, from Nashville, one of my favorite NYT bylines, Oct. 26, 2021.
(She describes our Long Island enclave to every decibel, every stink.)