How could we have waited so long to visit Turkey?
My overall impression of Istanbul was of overlapping cultures and tastes, centuries of civilizations.
We were touched by amplified prayers wafting through this huge city, summoning worshippers to the mosques at mid-day.The windowsill in our hotel had a tiny sticker with an arrow pointing toward Mecca, making it easier for travelers to pray.
At the same time, life went on, with people dressing and apparently living their varied fashions.
We love cities. We took trams and ferries the way we take the subway or commuter train in New York. We found succulent small plates of appetizers -- mezze -- everywhere, but I have to say, our best meal was at the Istanbul Museum of Modern Art, a great airy space alongside the Bosphorus, with stimulating contemporary exhibitions. And I found a great bookstore near the ferry in Kadikoy, with soccer books by Franklin Foer and Simon Kuper, translated into Turkish.
One thing I did not do was take an anotated walk around the neighborhood featured in My Name Is Red, the compelling novel by Orhan Pamuk (please enjoy the Updike review from 2001), which takes place near the Galata Tower. Next time.
For sheer reading pleasure, please enjoy the current essay by Pamuk on the drying-up of the Bosphorus.
We went to the Istanbul Archaeological Museum, expecting history and we encountered something close to literature.
One stele, or marker, contained a tribute to a Roman captain, Iulius Callineicos, from the third century, C.E.
“Greetings passerby! Callineicos, you have set sail to the limits of Lethe (the mythical river of forgetfulness), having survived many fierce tempests. Still the sea did not swallow you in its depths, [but] the earth has wiped you from the face of the earth, you who wanted to take after your brother Calligonos, who left long ago from the face of the earth. The decision of the Fates (Moirae) was thus: Here lies Iulius Callineicos, captain.”
Callineicos was sent by one great civilization; his service is still noted in the heart of another great civilization.
Measuring Covid Deaths, by David Leonhardt. July 17, 2023. NYT online.
The United States has reached a milestone in the long struggle against Covid: The total number of Americans dying each day — from any cause — is no longer historically abnormal….
After three horrific years, in which Covid has killed more than one million Americans and transformed parts of daily life, the virus has turned into an ordinary illness.
The progress stems mostly from three factors:
First, about three-quarters of U.S. adults have received at least one vaccine shot.
Second, more than three-quarters of Americans have been infected with Covid, providing natural immunity from future symptoms. (About 97 percent of adults fall into at least one of those first two categories.)
Third, post-infection treatments like Paxlovid, which can reduce the severity of symptoms, became widely available last year.
“Nearly every death is preventable,” Dr. Ashish Jha, who was until recently President Biden’s top Covid adviser, told me. “We are at a point where almost everybody who’s up to date on their vaccines and gets treated if they have Covid, they rarely end up in the hospital, they almost never die.”
That is also true for most high-risk people, Jha pointed out, including older adults — like his parents, who are in their 80s — and people whose immune systems are compromised. “Even for most — not all but most —immuno-compromised people, vaccines are actually still quite effective at preventing against serious illness,” he said. “There has been a lot of bad information out there that somehow if you’re immuno-compromised that vaccines don’t work.”
That excess deaths have fallen close to zero helps make this point: If Covid were still a dire threat to large numbers of people, that would show up in the data.
One point of confusion, I think, has been the way that many Americans — including we in the media — have talked about the immuno-compromised. They are a more diverse group than casual discussion often imagines.
Most immuno-compromised people are at little additional risk from Covid — even people with serious conditions, such as multiple sclerosis or a history of many cancers. A much smaller group, such as people who have received kidney transplants or are undergoing active chemotherapy, face higher risks.
Covid’s toll, to be clear, has not fallen to zero. The C.D.C.’s main Covid webpage estimates that about 80 people per day have been dying from the virus in recent weeks, which is equal to about 1 percent of overall daily deaths.
The official number is probably an exaggeration because it includes some people who had virus when they died even though it was not the underlying cause of death. Other C.D.C. data suggests that almost one-third of official recent Covid deaths have fallen into this category. A study published in the journal Clinical Infectious Diseases came to similar conclusions.
Dr. Shira Doron, the chief infection control officer at Tufts Medicine in Massachusetts, told me that “age is clearly the most substantial risk factor.” Covid’s victims are both older and disproportionately unvaccinated. Given the politics of vaccination, the recent victims are also disproportionately
Republican and white.
Each of these deaths is a tragedy. The deaths that were preventable — because somebody had not received available vaccines and treatments — seem particularly tragic. (Here’s a Times guide to help you think about when to get your next booster shot.)
From the great Maureen Dowd:
As I write this, I’m in a deserted newsroom in The Times’s D.C. office. After working at home for two years during Covid, I was elated to get back, so I could wander around and pick up the latest scoop.
But in the last year, there has been only a smattering of people whenever I’m here, with row upon row of empty desks. Sometimes a larger group gets lured in for a meeting with a platter of bagels."
--- Dowd writes about the lost world of journalists clustered in newsrooms at all hours, smoking, drinking, gossipping, making phone calls, typing, editing.
"Putting out the paper," we called it.
Much more than nostalgia.