This was the summer of 1954, and Hank Williams had been dead for a year and a half – dying in a moving car in a snowstorm in West Virginia on New Year’s Eve. But we didn’t necessarily know that. We just knew he was a voice, a plaintive voice, on the jukebox.
The diner was in a hamlet called North Creek in upstate New York. I was staying a month with people who were (are) like family to me. Many evenings after supper, Jimmy, who was six days younger than me (that’s how our mothers met) and I would hitch-hike the 7.7 miles to the Red Diner. We were 15.
The diner had a corner with, as I recall, a pinball machine, and guys could drink a beer and play the jukebox. I was a city kid – no doubt made that point way too often – and my main connection with “country” or “western” or “hillbilly” music was from Gene Autry records and seeing him in the rodeo in Madison Square Garden.
Hank Williams was no Gene Autry. He was a phenomenon unto himself – wailing and courting, letting it all out, six plays for a quarter, as I recall. “Hey, Good Lookin’,” “Jambalaya,” “Cold, Cold Heart,” “Your Cheatin’ Heart.”
It was an education for this city kid, and the education goes on, in the PBS series that is pulling me to the tube, two hours every night, all this week. It is about America – hard times, nasty times, lynchings and injustices but also the contribution of African-Americans to the swath of American music. I learn something every minute – the old icons I saw at the Ryman in the 70’s and 80’s, long after they were young and hungry and immensely creative.
I heard them first on the jukebox in the Red Diner in North Creek – Webb Pierce, Hank Thompson, Eddie Arnold, Pee Wee King (later my Louisville neighbor), Hank Snow, Ernest Tubb.
There was also a woman’s voice, as piercing as Hank Williams’, cutting into the noise in the Red Diner. Her song was a reply to Hank Thompson’s “Wild Side of Life,” which blames women for leading us poor men astray. Miss Kitty Wells was having none of it. She, too, borrowed an old Carter Family tune, and she lectured the men: “It Wasn’t God Who Made Honky-Tonk Angels.”
In the smoky, noisy corner of the Red Diner, we were getting a dose of feminism, although we hardly knew that.
Her song had been banned on some chicken networks, fearful of offending (male) listeners and (male) sponsors, but I never heard any of the farmhands in their clean boots and jeans, or the townies, or teen-agers like me, debate Miss Kitty’s point. Lady had a point.
After our hour or two in the Red Diner, we got out into the cool night air, crossed the street into the woods to pee into the Hudson River and then point our thumbs homeward.
The PBS series makes me think about the jukebox in the Red Diner. As of Tuesday, the series was up to 1953.
No Patsy Cline, no Loretta Lynn, no Dolly Parton, no Emmylou Harris, no Lucinda Williams, no Iris DeMent. Not yet. Kitty Wells passed in 2012, at the age of 91. She was there first.
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Bio of Kitty Wells:
"The day after my 80th birthday, which overflowed with good wishes, surprises and Covid-safe celebrations, I awoke feeling fulfilled and thinking that whatever happens going forward, I’m OK with it. My life has been rewarding, my bucket list is empty, my family is thriving, and if everything ends tomorrow, so be it.
"Not that I expect to do anything to hasten my demise. I will continue to exercise regularly, eat healthfully and strive to minimize stress. But I’m also now taking stock of the many common hallmarks of aging and deciding what I need to reconsider."
--Jane E. Brody, my pal in the NYT newsroom, oh, a few years back, in the Personal Health column, Sept. 13, 2021.
"People have said to me, ‘You’re fully vaccinated. Why are you being so careful?’” said Dr. Robert M. Wachter, professor and chair of the department of medicine at the University of California, San Francisco. “I’m still in the camp of I don’t want to get Covid. I don’t want to get a breakthrough infection.”
---Tara Parker-Pope, The New York Times, Aug. 16, 2021.