North Americans have come a long way with Brazil and music. When I was a kid, we had the movie,“The Road to Rio” with Crosby and Hope -- don’t bother – but in the early 1960s I first heard “Song of the Jet,” (Samba do Avião) a Tom Jobim song, sung by Tony Bennett, about a jet landing in Rio. Now we were getting somewhere.
In the same magnificent decade for music, we heard a version of “The Girl From Ipanema,” music by Antônio Carlos Jobim, in a collaboration by Stan Getz and Astrud Gilberto, and In the same decade, we got the bossa nova – Brazil ’66 – Sergio Mendes. About the same time, a skinny kid from Bahia captivated listeners and ticked off the authorities and lived to smirk about it.
I’ve been listening to Veloso for over a decade, partially because of my friends Altenir and Celia, but also for the music that flows so copiously, a veritable Amazon of Veloso -- love songs, political songs, tributes to indigenous people, their cultures disrupted by invaders from Europe.
On one of his CDs, there is a song called “Manhata,” in his reedy but purposeful voice, about “uma canoa,” as he describes a Lenape maiden piloting her canoe on one of the streams criss-crossing a certain island in North America. (The streams still exist in the basements of high-rise Manhattan. Surprise!)
About three minutes in, the peaceful gliding turns into a cacophonous stroll through modern “Manhata” – Blare of horns! Rattle of drums! That would make sense, since Veloso has often performed in the city and seems to find a higher level of ego and motivation in Bigtown.
In 2008, Veloso was the subject of a DVD, “Coração Vagabundo" (Wandering Heart) during his tour of Sao Paulo, Japan and Manhata – preening when pretty girls smiled on the street and cabbies honked their horns in recognition. His kind of town. (Blitzer informs us that Veloso keeps a flat in the East Village.)
As a writer and a fan, I am envious of the access Blitzer had with Veloso in Rio, and also with musicians I admire like David Byrne and Jacques Morelenbaum. Also, Blitzer’s article quivers with the presence of Tom Jobim, Joao Gilberto, Gal Costa, Gilberto Gil.
The article also takes us from the dictatorship that spared Veloso in the ‘60s to the current regime of Jair Bolsonaro, who considers it a good day when bulldozers take down dozens of acres of the rain forest.
But enough from me. Jonathan Blitzer writes the story so well. Perhaps you subscribe to the New Yorker, as I do, or perhaps you can call up a freebie from the website. Here is the link, and good luck:
Did I mention that Veloso also sings Cole Porter....and Michael Jackson (above) with a touch of Lennon/McCartney at the end ?
Also, for a great swath of contemporary Brazilian music, my friend Andrea Dunn plays two hours every Monday, from 1-3 PM, Eastern Time, on KDHX (88.1 FM) St. Louis https://kdhx.org/
(Why We Still Hunker)
“….this is really an old person’s disease now. That was true at the beginning of the outbreak, but it’s becoming even more true now. It’s quite possible that we’ll see increasing relative vulnerability among the old, which is to say people who are in middle age are going to feel pretty safe living a totally normal life. But people of their parents’ generation may not ever. That’s because they have a much harder time building up immunity, which means they lose the benefits of the vaccines and previous exposure much more quickly.
---Jonathan Wolfe, The New York Times, daily Coronavirus Briefing, Aug. 3, 2022
Should Donald Trump Be Prosecuted?
Rep. Liz Cheney, on ABC TV:
“Ultimately, the Justice Department will decide that. I think we may well as a committee have a view on that and if you just think about it from the perspective of what kind of man knows that a mob is armed and sends the mob to attack the Capitol and further incites that mob when his own vice president is under threat, when the Congress is under threat. It's just -- it’s very chilling and I think certainly we will, you know, continue to present to the American people what we found.”