The Passover/Easter weekend ended well, or at least entertainingly.
I enjoyed the latest version of “Jesus Christ, Superstar,” live on NBC, even with all the commercials.
The music took me back nearly five decades and the production was modern and energetic, with great, careful harmonies from the large cast – performing on the move in an armory in Brooklyn.
John Legend played the title role, transported at the end into the heavens, or at least the rafters, and to my relief he emerged in one piece for the curtain call.
To my hearing in the year 2018, this version emphasized the doubts of Judas Priest – or maybe I was sensitized by Jon Meacham’s thoughtful take on Easter in Sunday’s NYT Book Review.
Mainly, this version of “Superstar” was entertainment – and I was entertained. Legend was, in a way, out-rocked by Brandon Victor Dixon (best known for his friendly little salutation to Vice President Pence after a performance of “Hamilton.”)
Bouncing his way cynically and energetically through the melee of Jerusalem, Dixon owned the stage.
Sara Bareilles as Mary Magdalene? Let me just say that I am a few decades past it for pop music (most of it sounds like calisthenics)-- but that strong, lush voice and gorgeous Levantine nose on Sara Bareilles? Where has she been all my life?
Then there was the mincing presence of Alice Cooper, performing the song he was born to sing -- that Vegas-English-music-hall mixture, “King Herod’s Song.” He said he was channeling Elvis; I thought of the late, great Tiny Tim on speed.
(I read in the Times that Alice Cooper got religion when he sobered up. So we had a born-againer playing a mad king. That’s show biz.)
The performance came after news that, on Easter morning, the great white hope of the Evangelicals could not even fake “the spirit of Holy Week,” as Laura Ingraham said in perhaps her final days as a creature of the cable. (It has come to my attention that Ingraham and Ann Coulter are actually two different people. How long has this been going on?)
Last week Ingraham trashed one of the young people who survived automatic weapon fire in Florida and then, watching her sponsors vanish, she cited religious impulses to take it all back, sort of.)
From his tropical Berchtesgarten, Trump tweeted out that he was going to enact new horrible penalties on Mexico and Mexicans. When questioned outside the church, Trump brayed affirmations of his intent on a weekend when Jews and Christians were honoring survival, celebrating outsiders, the others, in our world.
The Four Questions had been asked at Seders, the extra place set for Elijah; the agony of the “carpenter king” noted in sacred and profane ways in church and on the stage of the armory in Brooklyn.
And at my wife’s lovely Easter dinner, somebody at the table recalled a recent holiday when most stores were closed -- but a Latino bodega in our town was selling coffee and pasteles and more.
The outsiders are now part of us. God bless them. And the President wants to expel them.
That bad actor is still performing a role for which he never rehearsed -- not channeling Elvis or Alice Cooper but something more camp, and at the same time more vile, more ominous.
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(A friend sent this in the Jesuit magazine, America:)
(In case you missed Alice Cooper: )
David Vecsey's sweet tale of distant love before the Web, now NYT Podcast, narrated by Griffin Dunne. Please see:
George Vecsey is Hofstra University's Alumnus of the Month! Read a Q&A with George here.