I still have not made it to Brazil -- although following Brazilian fans around Barcelona in 1982 and watching Sócrates and Falcão on the field probably qualifies me. I describe that seminal moment in my book.
Most soccer fans would list Brazil as their first or second favorite team. Well, maybe not Argentines.
I did catch some Argentina fans enjoying Brazilians dancing and playing music in the parking lot in New Jersey two summers ago. But that was before a friendly.
If it’s not the soccer, it’s the music that makes people think we have been to Brazil.
I was exploring that theme during my interview with John Schaefer, who has been producing New Sounds and now Soundcheck on WNYC-FM in New York for many years. That lovely interview was played Tuesday, June 10, after 9 PM.
Schaefer asked me to pick three songs that represent my love for soccer. For two of them, please check out Schaefer’s show or podcast. The third came directly from his show 13 years ago, when he played a “new sound” – a CD named Casa, featuring the trio, Morelenbaum2/Sakamoto, with a photo of Corcovado on the front.
You know how sometimes you hear a “new sound” and you wonder how life existed before that moment? I can trace a few albums or songs to that first ethereal experience.
Out of the ozone came Ryuichi Sakamoto, a Japanese activist-pianist, Jaques Morelenbaum, a Brazilian cellist, and Paula Morelenbaum (wife of Jaques), a singer. They recorded songs by Antonio Carlos Jobim in the house of Jobim – hence the Casa – and gave them a unique jazz/samba interpretation. I went out to Tower Records the next day and bought the CD. Been playing it ever since. The counter in my iTunes says it is my most-played album.
Omigosh, where to begin: melancholy songs of love, found and lost.
Fotografia, about a couple in a bar along the beach, ending with the Portuguese aquele beijo (that kiss) sung so insistently by Paula Morelenbaum, and then in English, with her delightful inflections.
Estrada Branca, about memories of a couple walking, walking, walking, and then her sighting the former lover “walking on my street.” When I looked up the Portuguese, the last words of the song are “death wish.” The American lyrics were quite a bit more upbeat. So it goes.
But the song I chose from Casa was Jobim’s classic Samba do Avião, once recorded by Tony Bennett as “Song of the Jet,” about flying home to Rio. It starts with Sakamoto’s rhythmic piano, incorporates Jaques Morelenbaum’s moody cello, and features Paula Morelenbaum’s soaring voice. After touchdown, there is a long jazz riff about the energy of Rio.
In musical terms, we might as well all be Brazilians. For me, it goes back to the classic Getz/Gilberto in 1963, with Astrud Gilberto singing some of Jobim’s songs, including The Girl From Ipanema. Then there was Sergio Mendes and Brasil ’66. My pal Doug Logan got me hooked on Caetano Veloso doing Jobim, doing Michael Jackson. And some Brazilian friends have introduced me to Gal Costa, João Gilberto, and recently Ana Carolina e Seu Jorge. And on the classical end, the music of Villa-Lobos.
Almost forgot the writer-singer Susannah McCorkle, who sang in Portuguese, Italian and English, and totally owns the Jobim classic, "The Waters of March."
So, yes, I have been to Brazil. Will be watching – and writing about – the World Cup for this site for the next month plus, starting Thursday, from 3-6 PM, at Foley’s on W. 33 St. in Manhattan, selling my book, watching Brazil-Croatia. The iPod goes with me, Brazil only a touch away.
Here is the link for the podcast of the interview:
Measuring Covid Deaths, by David Leonhardt. July 17, 2023. NYT online.
The United States has reached a milestone in the long struggle against Covid: The total number of Americans dying each day — from any cause — is no longer historically abnormal….
After three horrific years, in which Covid has killed more than one million Americans and transformed parts of daily life, the virus has turned into an ordinary illness.
The progress stems mostly from three factors:
First, about three-quarters of U.S. adults have received at least one vaccine shot.
Second, more than three-quarters of Americans have been infected with Covid, providing natural immunity from future symptoms. (About 97 percent of adults fall into at least one of those first two categories.)
Third, post-infection treatments like Paxlovid, which can reduce the severity of symptoms, became widely available last year.
“Nearly every death is preventable,” Dr. Ashish Jha, who was until recently President Biden’s top Covid adviser, told me. “We are at a point where almost everybody who’s up to date on their vaccines and gets treated if they have Covid, they rarely end up in the hospital, they almost never die.”
That is also true for most high-risk people, Jha pointed out, including older adults — like his parents, who are in their 80s — and people whose immune systems are compromised. “Even for most — not all but most —immuno-compromised people, vaccines are actually still quite effective at preventing against serious illness,” he said. “There has been a lot of bad information out there that somehow if you’re immuno-compromised that vaccines don’t work.”
That excess deaths have fallen close to zero helps make this point: If Covid were still a dire threat to large numbers of people, that would show up in the data.
One point of confusion, I think, has been the way that many Americans — including we in the media — have talked about the immuno-compromised. They are a more diverse group than casual discussion often imagines.
Most immuno-compromised people are at little additional risk from Covid — even people with serious conditions, such as multiple sclerosis or a history of many cancers. A much smaller group, such as people who have received kidney transplants or are undergoing active chemotherapy, face higher risks.
Covid’s toll, to be clear, has not fallen to zero. The C.D.C.’s main Covid webpage estimates that about 80 people per day have been dying from the virus in recent weeks, which is equal to about 1 percent of overall daily deaths.
The official number is probably an exaggeration because it includes some people who had virus when they died even though it was not the underlying cause of death. Other C.D.C. data suggests that almost one-third of official recent Covid deaths have fallen into this category. A study published in the journal Clinical Infectious Diseases came to similar conclusions.
Dr. Shira Doron, the chief infection control officer at Tufts Medicine in Massachusetts, told me that “age is clearly the most substantial risk factor.” Covid’s victims are both older and disproportionately unvaccinated. Given the politics of vaccination, the recent victims are also disproportionately
Republican and white.
Each of these deaths is a tragedy. The deaths that were preventable — because somebody had not received available vaccines and treatments — seem particularly tragic. (Here’s a Times guide to help you think about when to get your next booster shot.)
From the great Maureen Dowd:
As I write this, I’m in a deserted newsroom in The Times’s D.C. office. After working at home for two years during Covid, I was elated to get back, so I could wander around and pick up the latest scoop.
But in the last year, there has been only a smattering of people whenever I’m here, with row upon row of empty desks. Sometimes a larger group gets lured in for a meeting with a platter of bagels."
--- Dowd writes about the lost world of journalists clustered in newsrooms at all hours, smoking, drinking, gossipping, making phone calls, typing, editing.
"Putting out the paper," we called it.
Much more than nostalgia.