The other day I found myself musing how much fun Shakespeare would have with the assorted knaves, brigands, fools, strumpets, cutpurses and buffoons in our sight today.
Then I noticed “Charlie and the Chocolate Factory” is on Broadway, and I flicked on the Web and saw a familiar facial expression – a sullen youth who can never get enough, of anything.
These are all stock characters for the ages, from the open-air theaters of London in the 16th and 17th Century to the films and plays today.
Roald Dahl captured it in his book that inspired the movie with Gene Wilder, leading to the Broadway musical of today. Dahl created a character described on the school-prep web site, gradesaver.com
Gloop is incredibly greedy and the first child to find a Golden Ticket. He is also the first child to fail Wonka’s tests. Gloop eats an extraordinary amount of chocolate, so much that his mother says it would have been impossible for him not to have eventually found a Golden Ticket. While his origin is unknown in the book, he tends to be thought of as German, since he is from Germany in both movies. His mother seems to delight in her son’s gluttonous habits and encourages them. Augustus leaves the factory when he drinks from the chocolate river, and falls in, getting sucked up a pipe and sent to the Fudge Room.
These days we have a public figure, indulged by his family but, when he was discovered hiding knives, was banished to a military school, hence the unsated appetite for attention, for love, for respect.
The irony is that in the original movie, the Gloop family hails from Bavaria. Today the leader of Germany is a dignified woman who has put up with two boy-men presidents from America.
And by the way, the comparison of Dahl’s Gloop and our current Gloop is not about excess weight – it’s the neediness, the meanness, the emptiness.
Our Gloop is capable of generosity, but only to himself and his associates for the moment, as witnessed by his proposed plan that would cut taxes for the gunnysack guys he has assembled -- people like him.
Going on 100 days, I am waiting for a Willy Wonka figure to emerge from Congress and inspect the new Augustus Gloop with a gimlet eye.
Savvy Europeans have figured out Ivanka the Brand; one of these days maybe some law agency will take a look at Jared Kushner and his dodgy investors.
As for our contemporary Gloop, where, when we really need it, is the pipe to the Fudge Room?
(check out the antlers over the newscaster's head)
David Vecsey's sweet tale of distant love before the Web, now NYT Podcast, narrated by Griffin Dunne. Please see:
George Vecsey is Hofstra University's Alumnus of the Month! Read a Q&A with George here.