THIS JUST IN
My friend Ron Swoboda has some thoughts on the steroid-era players. Now a broadcaster in his long-time home in New Orleans, Swoboda admits that he and other players from the 60’s have no idea what decisions they would have made if the stuff had been available back then.
If I was the new commish coming in the front door I'd try to figure out how to bring all of God's wayward children into the Hall. Even if it meant admitting that baseball was lax on steroids when Sosa and McGwire were bringing fans back to the game after the stupidity of 1994. Of course, the players would all have to own up to their transgressions as well. Then after the truth has set us all free, we have the players in the Hall who belong there and a good set of rules and blood checks to go forward with.
Since I'm not in any danger of becoming commish, these musings come cheap.
Your thoughts? (Comments Below)
I couldn’t wait for a baseball game so I popped in a DVD for one of my favorite baseball movies.
I love “Eight Men Out” for the Dixieland music and vintage suits and funky hotel lobbies and ball parks – also for the loving look at the game even in a dirty time, the Black Sox scandal of 1919.
Well, I guess all times are dirty. Baseball currently has two separate scandals hanging over it. One involves Pete Rose, who bet on games while managing, and then lied about it. I am conflicted about Rose, a total knucklehead who gave me a great amount of enjoyment as writer and fan.
I think Pete played honest, although we all knew he had a major gambling jones and ultimately broke the major rule of baseball – No Gambling. I wish Rose the player were eligible for the Hall of Fame – but I don’t know I would make that decision if I were commissioner.
Then there is the whole steroid generation, when the union fought testing, for reasons I am sure the union leaders understood. No player identified or suspected as a steroid user has later been voted into the Hall by the writers. Some come back as coaches and guests at old-timers’ games and some just vanish with bloated home-run and strikeout totals.
Now Alex Rodriguez, the ghost of scandals past, is haunting Yankee camp, yawning his way through first-base practice. What a chump. But the Yankees and baseball are legally stuck with him, no doubt hoping he breaks a leg taking grounders, and the insurance kicks in.
What are we going to do with all those specters? A friend of mine says baseball writers of the past generation will never vote for suspected users because of guilty consciences for not breaking the story. Fair enough. I do not vote because the Times does not want its writers making news; I also never had proof of anything, except what my eyes told me about body sizes, and what common sense said about union stonewalling.
Apparently, some writers did suspect some White Sox players were throwing the 1919 World Series. I love “Eight Men Out” because I am a huge John Sayles fan but also because I was there when they were filming it – in Indianapolis, an old ballpark – and also because I wrote about how D.B. Sweeney learned to hit left-handed to portray Shoeless Joe Jackson.
I love the movie for the portrayal of a cheapskate owner and a hanging judge turned commissioner who channeled eight players of varying guilt into a lifetime ban. I love the image of the great David Strathairn as a pitcher, Ed Cicotte, who is cheated out of a bonus, and John Cusack as a tormented infielder, Buck Weaver, who plays it straight, but will not squeal. The gamblers and thugs and cynical sportswriters and innocent wives are all part of a beautiful American period piece.
Today, would Shoeless Joe Jackson (.375 in that Series) and Buck Weaver (.324) be included along with the core fixers? I do not feel any sympathy for Barry Bonds and Roger Clemens and A-Rod, great players who got in deep, as far as I can see.
But the game goes on. I helped myself to a seasonal preview in “Eight Men Out” – dirt, grass, finger signals, wood on ball, clunk of ball on an outfield fence, and a Dixieland band. Hang in there.
"Among the things that have long fascinated people about Jesus and explain his enduring appeal is his method of dialogue and teaching. "He asked a lot of questions and told a lot of stories in the form of parables. In fact, parables form about a third of Jesus’ recorded teachings. The Gospels were written decades after he died, so his questions and parables clearly left a deep impression on those who bore testimony to him....
"Some of Jesus’ questions were rhetorical; others were meant to challenge or even provoke. In some cases, Jesus used questions to parry attacks by religious authorities who set traps for him. In others, he used questions to enter more fully into the lives of others and to help people look at the state of their hearts. He asked people about their fears and their faith. Jesus used questions to free a woman caught in adultery from condemnation and to inquire whether people considered him to be the Messiah. He probed deeply into questions not many had asked before him, like “For what is a man profited, if he shall gain the whole world, and lose his own soul?”
---(Peter Wehner, long-time White House consultant and writer, in the NYT last week about Jesus Christ’s method of teaching by asking questions.)
"Would that I could mention all the illuminating details in this biography, for example, why Wells praised Black Americans so highly, saying, 'I took a mighty liking to these gentle, human, dark-skinned people,' and 'Whatever America has to show in heroic living today, I doubt if she can show anything finer than the quality of the resolve, the steadfast efforts hundreds of black and colored men are making today to live blamelessly, honorably and patiently, getting by themselves what scraps of refinement, beauty and learning they may, keeping their hold on a civilization they are grudged and denied.''
-- "How H.G. Wells Predicted the 20th Century," Charles Johnson, NYT Book Review, Nov. 19, 2021. ***".
...the monsters arrive."
"They come in a deafening, surging swarm, blasting from lawn to lawn and filling the air with the stench of gasoline and death. I would call them mechanical locusts, descending upon every patch of gold in the neighborhood the way the grasshoppers of old would arrive, in numbers so great they darkened the sky, to lay bare a cornfield in minutes. But that comparison is unfair to locusts.
"Grasshoppers belong here. Gasoline-powered leaf blowers are invaders, the most maddening of all the maddening, environment-destroying tools of the American lawn-care industry."
---The great Margaret Renkl, from Nashville, one of my favorite NYT bylines, Oct. 26, 2021.
(She describes our Long Island enclave to every decibel, every stink.)