Long before he won the Pulitzer Prize, Stephen Dunn helped win basketball games.
His soft jump shots from the outside floated into the basket, often enough to earn him the locker-room nickname, “Radar.”
His game was soft, gentle. His poetry had the impact of a subtle elbow, making its point.
He found himself along the road from the Queens playground to the Hofstra College gym to the gatherings where he read his poems.
We watched him soar, higher in poetry than he ever did in basketball, but always one of us, a bunch of Hofstra jocks – student-athletes, actually – plus, one former student publicist who became a journalist.
The quiet bloke at our table at Foley’s, the great sports pub, was a big-timer, with the 2001 Pulitzer to prove it, not that he ever brought it up. Radar was always quiet, modest, observant, and accurate.
The last time I talked to him, months ago, he allowed as how he was now confined to a wheelchair from Parkinson’s Disease, and his voice was so badly shot that a good friend would have to read his latest work at some Zoom poetry gathering. Then it got worse, and Stephen Dunn died Thursday on his 82nd birthday.
Stephen was another advertisement for the Hofstra of the late ‘50s – when Hofstra was stretching from a suburban commuter college, making a pitch for city kids – Francis Coppola from Queens, Lainie Kazan from Brooklyn, Tony Major from Florida and Harlem, and Stephen Dunn from Forest Hills, Queens.
Stephen won a starting job as a sophomore, was the second highest scorer, but always quietly, hesitant to roar. He was a first-generation college kid, and did not know how it all worked.
But on one of our big-time road trips all the way to Allentown or Gettysburg, he was listening to two older teammates, Sam Toperoff and Dick Pulaski, talking about "Moby-Dick," talking with enthusiasm and insight and opinions.
Wow, Radar thought. He began to pay more attention in class, began to work at his writing. That was one epiphany.
The other epiphany was next season, matching up with a new player on the team, from a basketball family. “He could block my jump shot. He could steal the ball from me,” Stephen wrote in an essay, “Basketball and Poetry: The Two Richies.” (This lovely essay is in “Walking Light; Essays and Memoirs,” W.W. Norton and Co., 1993.)
“No one could free me from Richie Swartz. Richie Swartz turned me inward to where doubts are, and doubts, while good for the poet, are bad for the athlete.”
(The “good Richie” was another teammate, Richie Goldstein, who once fed Stephen for 45 points in a Press League game.)
When Stephen Dunn was a celebrated poet, he would often read from this essay, and when he was finished lauding Richie Swartz, Stephen would add: “You son of a bitch,” but lovingly.
Stephen was still a core player on the 1959-60 team that won 23 games and lost 1, and crushingly was not invited to any post-season tournament. Stephen surprised himself by playing a season in the Eastern League, crowding into a car with more celebrated former college players, for weekends in Williamsport and Sunbury, Scranton and Camden. He was a pro. Then circuitously, he became a poet.
Dunn’s life and career are best appreciated in the obituary by Neil Genzlinger, in The New York Times:
Stephen Dunn lived his final decades in an aerie outside Frostburg, Md., with his wife, Barbara Hurd, also a writer, specializing in nature.
They held occasional soirees, with friends from around the region, people who liked to write and read and listen and talk. And his legs gave out, and his voice gave out, and on Thursday, all of him gave out.
Happy Birthday, Radar. You can get off your feet, your jumper arching perfectly, into the basket.
"Among the things that have long fascinated people about Jesus and explain his enduring appeal is his method of dialogue and teaching. "He asked a lot of questions and told a lot of stories in the form of parables. In fact, parables form about a third of Jesus’ recorded teachings. The Gospels were written decades after he died, so his questions and parables clearly left a deep impression on those who bore testimony to him....
"Some of Jesus’ questions were rhetorical; others were meant to challenge or even provoke. In some cases, Jesus used questions to parry attacks by religious authorities who set traps for him. In others, he used questions to enter more fully into the lives of others and to help people look at the state of their hearts. He asked people about their fears and their faith. Jesus used questions to free a woman caught in adultery from condemnation and to inquire whether people considered him to be the Messiah. He probed deeply into questions not many had asked before him, like “For what is a man profited, if he shall gain the whole world, and lose his own soul?”
---(Peter Wehner, long-time White House consultant and writer, in the NYT last week about Jesus Christ’s method of teaching by asking questions.)
"Would that I could mention all the illuminating details in this biography, for example, why Wells praised Black Americans so highly, saying, 'I took a mighty liking to these gentle, human, dark-skinned people,' and 'Whatever America has to show in heroic living today, I doubt if she can show anything finer than the quality of the resolve, the steadfast efforts hundreds of black and colored men are making today to live blamelessly, honorably and patiently, getting by themselves what scraps of refinement, beauty and learning they may, keeping their hold on a civilization they are grudged and denied.''
-- "How H.G. Wells Predicted the 20th Century," Charles Johnson, NYT Book Review, Nov. 19, 2021. ***".
...the monsters arrive."
"They come in a deafening, surging swarm, blasting from lawn to lawn and filling the air with the stench of gasoline and death. I would call them mechanical locusts, descending upon every patch of gold in the neighborhood the way the grasshoppers of old would arrive, in numbers so great they darkened the sky, to lay bare a cornfield in minutes. But that comparison is unfair to locusts.
"Grasshoppers belong here. Gasoline-powered leaf blowers are invaders, the most maddening of all the maddening, environment-destroying tools of the American lawn-care industry."
---The great Margaret Renkl, from Nashville, one of my favorite NYT bylines, Oct. 26, 2021.
(She describes our Long Island enclave to every decibel, every stink.)