They changed their minds. A week ago, WNYC announced it was terminating its familiar "New Sounds" program with John Schaefer. On Monday, Goli Sheikholeslami, the new president and CEO of New York Public Radio, announced that "New Sounds" and Schaefer and the long-time producer, Caryn Havlik, will be remaining.
In a gracious statement, Sheikholeslami said, "A show like New Sounds can only be produced by public radio, and specifically at NYPR." She recently resigned from her arts job in Chicago to take the leadership of New York Public Radio.
Sheikholeslami's full statement on line can be read here:
The moral to the story is that sometimes new executives need to be reminded just what it is they are leading. Protesting is good, particularly in something as subjective as the arts. Donating (or not donating) also works. I am so happy for John Schaefer -- and for the eclectic audience of WNYC in the city that never sleeps.
Here is my original article last week:
I can’t remember where I was, but I definitely had the radio on, late one evening, listening to John Schaefer’s show, “New Sounds.”
You never know what you will get. Schaefer seemed to find music from cultures all over the world, and within the United States – odd instruments, string and reed and percussion, plus the human voice at all pitches, and he would bubble about them, with junior-high-school enthusiasm.
This night – he works best late in the evening – Schaefer introduced a trio performing the songs of Antonio Carlos Jobim but with unique arrangements, a blend of classic and bossa nova, familiar songs, carefully crafted.
The album was “Casa,” performed by Ryuichi Sakamoto with his incisive, spare piano, and Jacques Morelenbaum, with his lush, sweeping cello, and vocalist Paula Morelenbaum, with her haunting Portuguese and charming almost lisping English. The songs were standards, from the basic Jobim playbook, but the interpretations were unique.
I think Schaefer informed us that the album was recorded on the piano of the late Tom Jobim – in Jobim’s lakeside house in Rio. From what I read, Sakamoto felt awe at his pilgrimage to the home of the master, and had to ease into touching the piano.
I was hooked, went out and bought the CD, which has become the most-played album on my iPod.
A classic. That’s what John Schaefer does. He finds new releases, some of them flirting with commercial, some of them delightfully obscure, destined for one-time hearing, but in the memory bank, somewhere.
A show like this would seem to have institutional permanence, particularly in polyglot multicultural New York. In fact, “New Sounds” lasted from 1982 until this week, when the new hatchet at WNYC announced that “New Sounds” is about to be disappeared. For what reason? They have a better replacement?
“Why would they do that?” Laurie Anderson asked Michael Cooper in the Times on Monday.
In the city that never sleeps, shouldn’t there remain a place for music you never heard before? Something that opens your mind and your ears?
“New Sounds?” What does the “NY” in WNYC stand for?
Thank you, John Schaefer, for the many years of “New Sounds” and please let your fans know about the next gig.
* * *
Bad news on the doorstep:
A review of "Casa" when it was new:
The memories begin with what the World Trade Center meant to people.
My friend John McDermott, master photographer, was working on a book in September of 2000, about the 10 most significant people in U.S. soccer in the 1990's.
"One of those was German-born Thomas Dooley, son of a U.S. soldier and a German mother and Captain of the US National Team," McDermott wrote me on Wednesday. "Thomas was already a friend, and someone I admired a lot. So for us it was also a chance to catch up and spend a fun day together. I had the idea to make the portrait about 'Thomas Dooley’s American Dream.' His story is actually pretty incredible, but for another day. I had bought an American flag and convinced him that we could do something memorable with him and the Manhattan skyline. He embraced the idea and the result you see here. It’s one of my favorite portaits.
"A year later, on September 11th, our lives changed forever.," McDermott continued. "And I thought back to the day I had spent with Thomas. The morning of September 12th my phone rang. It was Thomas. He wanted to tell me how much that picture now meant to him, that he had always liked it, but that now it had special meaning for him. We talked for a long time and, as I recall, probably also shed a few tears over what had happened. And we remembered that beautiful, warm and sunny day a year earlier. My September 11th memory...Never forget."
Grazie, John, for pointing out what those buildings meant, at the tip of the glittering island. I had forgotten that my family held a retirement lunch for my dad in the sky-high restaurant. And I had forgotten that I took two French friends, grandmother and grandson, Simone and David, for a drink one evening with a view of the harbor. The World Trade Center meant New York, meant America, meant a place of hope, like the lady in the harbor.
And that brings me to my first version, published on Wednesday:
In August of 2001, I covered a rehab start by El Duque Hernandez in Staten Island. On the ferry back, I chatted with some visitors from Spain and asked what they were doing next. They pointed at two giant buildings glowing into the night, at the tip of Manhattan.
“Es para turistas,” I said with a smile, about the newcomers on our skyline.
“Somos turistas,” one man said with a smile, giving it back.
* * *
I think about it every year. Our son was working in a newsroom in Atlanta and called us just before 9 AM.
Don’t go into the city, he told me. A plane had hit the World Trade Center.
We discussed whether it was big or small, while I flicked on the television.
Within a few minutes, I saw a blip across the sky, and we knew it was no accident.
* * *
There was news of a hijacked plane, missing over Pennsylvania. My wife and I thought of our first grand-child near the Susquehanna, and we quivered in fear. When we heard the plane had gone down further west, we felt horror and, I admit, relief.
* * *
After gaping at the tube, I called the office. Mr. Bill and I agreed that there was nothing a sports column could say that day. Life would go on? Save that for a day or seven. Safe in the suburbs, I watched, wondering who I knew worked down there.
* * *
As it turns out, there were connections -- tragic and escapes. A man one of my relatives had baby-sat for, decades earlier. The sister of a colleague, who stayed in her upper-floor office to be with a friend, who used a wheelchair. People in neighboring towns, whose cars remained in railroad parking lots, mute memorials to their vanished drivers. A relative had dropped her laundry at the cleaners in the World Trade Center, and walked home. A friend voted in a primary and was late for work downtown. A journalist friend was supposed to catch one of those flights but after two hectic weeks at the US Open, she chose to sleep in.
Soon we got to know thousands who were there, and are still there.
* * *
Having covered police and fire officers as a news reporter, I knew what they did, rushing into danger, the opposite way of the crowds.
I had written about cop funerals, firefighter funerals, and now there would be hundreds.
* * *
Two days later, the winds picked up. I went out for the morning paper and our cars were covered with gray ash, a dismal snowfall, 25 miles from Ground Zero. The air was vicious.
* * *
I received e-mails from friends all over the world: Japan, Mexico, Europe, Australia, wanting to know if we were all right. Nowadays, when earthquakes or floods or fires or massacres strike, I write to Osaka or Mexico City or Paris because I remember.
* * *
My work resumed. I wrote about the impact sports have made in wartime, national-tragedy time – how sport can be a diversion, a statement, a rallying point. It was hard to type these words, but I had to believe that life would resume.
* * *
I went out to lunch with my friend Logan in midtown. Food tasted good, people were dressed, but the mood was somber. People told us about what they had seen from office windows, apartments, rooftops. Every bite, every word, was like play-acting.
* * *
That night, I wanted to see. I took the subway downtown and used my police press card to get inside the first security barrier, but was stopped at the real barricade, as well I should have been. I watched the scene from hell, as people and machines labored in the smoke and the shadows. After 15 minutes, I realized my throat was scratchy and I felt sick. I bought a cup of black coffee just to clear the taste in my mouth, and took the subway back uptown, in terror. In the subway car, every suitcase, every gym bag, was a potential bomb.
* * *
In those days, federal and city officials assured everybody, including the cleanup workers, that the air was perfectly safe. These wilful ignoramuses were like doctors back in Appalachia, who told the miners, “Hell, son, that coal dust will cure the common cold.”
* * *
I was assigned to cover the first ball game back, the Mets at Pittsburgh. We were not ready to fly, so we drove due west. The September air was crisp and clear. I love that ball park at the confluence of the Allegheny and the Monongahela, with the Roberto Clemente Bridge and the view of downtown, but I was in terror as I worked. Every noise made me jerk my head skyward, expecting to see a rogue airplane, a monstrous blip.
* * *
I think about those who were captives, and those who ran to danger.
My experiences and reflections seem peripheral, then and now.
Part of it is the tennis, of course. But I will admit, the high point of the U.S. Open these days, for me, is getting to see old friends and familiar faces, from decades of Opens and Wimbledons.
Tennis is a traveling circus, quite unlike any other sport -- writers, commentators, experts, former players, coaches, business types, publicists and officials who pop up in sunny places from Melbourne to Monaco to Miami, kaleidoscopic yet permanent. (There was Virginia Wade, 1977 Wimbledon champion, with Queen Elizabeth II in attendance, looking as brisk as she did rushing the net, on her way, presumably to a BBC assignment.)
I go to Flushing Meadows to see my friends, the ones who have survived the shrinking of the print-media corps. Some in this international rat pack seem to have been here forever –like Ubaldo Scanagatta from Florence, Italy, who files for three Italian papers and provides expertise on TV and radio on his site, Ubitennis.com. (In four languages.)
Ubaldo – who turns 70 on Saturday -- knows how to live. On his annual fortnight in New York, he comes prepared with familiar food -- grated cheese (Colla Parmigiano Reggiano), olive oil (Esselunga Extra Virgin) and Rigamonti Bresaola, which is described online as “air-dried, salted beef that has been aged two or three months until it becomes hard and turns a dark red, almost purple color. It is made from top round, and is lean and tender, with a sweet, musty smell. It originated in Valtellina, a valley in the Alps of northern Italy's Lombardy region.”
Even in these barbarian parts of the New World, it might perhaps be possible to find such Parmesan and Olive Oil and Bresaola, but Ubaldo takes no chances. He deigns eating with plastic, and therefore carries a real fork and a real knife in his kit, and when Italian players are not keeping him busy il mangia bene.
One of the highlights of my journalistic career was before the Monday final in 2009, when Ubaldo invited a few American amici sportivi to the dining room, where he broke out the Parmesan, the Extra Virgin and the Bresaola.
On Thursday I spotted Ubaldo in the Italian corner of the media writing room and I thought of other compatrioti famosi – Rino Tommasi, who analyzed the daily matchups on the Open programs for many decades, and Gianni Clerici, the squire of Lake Como, former amateur player (including Wimbledon, 1953), novelist, expert, with a waspish humor on and off the air. Clerici bestowed Italian heritage on Bud Collins, re-naming him “Collini.” But alas, Gianni does not come around anymore at 89, and neither does Rino at 85, and Bud passed in 2016. (The Media Center is named for him.)
Many of my American friends are still typing and talking. A few days ago, I sat with tennis high priests Steve Flink and Joel Drucker during a match in Ashe Stadium, and also caught up with Johnette Howard, John Jeansonne, Wayne Coffey, Jeff Williams, Helene Elliott, Bob Greene, Anne Liguori, Chuck Culpepper, Andre Christopher and my tennis pal Cindy Shmerler.
Three more were hanging together in the media center: NYT international reporter Chris Clarey, retired NYT columnist (but still active) Harvey Araton and Adam Zagoria, New York sports expert who writes for the NYT on occasion. Nice guy that he is, Adam took a photo of the three of us.
For all the camaraderie, there is an air of nostalgia to the Bud Collins Media Center. A decade ago, the place bustled from morning to post-midnight with dozens and dozens of tennis writers from major cities – Boston, Miami, Denver, Orlando, Dallas, and on and on. There was a clatter of writers who were competitors but also friends – Robin Finn of the NYT provided a stash of Twizzlers (and really nasty nicknames for tennis stars.) Alas, falling circulation and earlier deadlines and changing Web priorities have cut back on the banter and the community.
The tennis endures. On Thursday, I watched in the lower press area of Arthur Ashe Stadium, as sixth-seeded Alexander Zverev of Germany matched his power and height against the mixture of power and drop shots of Frances Tiafoe, an American born in Sierra Leone.
On a sleepy, sunny, pre-holiday afternoon, the predominantly American crowd urged Tiafoe as he befuddled Zverev in the second and fourth sets, but ultimately Zverev prevailed, 6-3, in the fifth.
The fans surged out into the midway in search of refreshment or more tennis on the back courts. I went back to the Media Center to schmooze.
The present is superimposed over the past.
The U.S. Open began Monday by doing the right thing. A statue of Althea Gibson, pioneer and champion, was unveiled at the National Tennis Center, where she never played, at least competitively.
Billie Jean King, Zina Garrison, Leslie Allen, Katrina Adams and Angela Buxton, Gibson's old doubles partner, all spoke of how Buxton was first.
The statue, by Eric Goulder, is striking, as was Althea Gibson.
Buxton, 85 and in a wheelchair, flew from London to recall how she bonded with Gibson on a pioneering mixed tennis trip to India and other countries.
This belated honor to the first African-American player to play -- and win -- the "national" tournament is a prime example that this grand New York event is never only about these few weeks. The Open is about continuity.
For all the crass, hard edges to the contemporary Open, there is still a faint whiff of gentility from the old Nationals in Forest Hills. Maybe it was the grass and the clubby atmosphere that mellowed people out.
While tennis patrons this year are eager to catch a glimpse of Cori Gauff, age 15, to see if she just might be “the next” Naomi Osaka, or “the next” Sloane Stephens, the old champions still grace this event, in person or in perpetuity. I think of them every year as I visit the Open.
I was reminded of Gibson this past week when Art Seitz, long-time tennis photographer from Florida, sent photos of Gibson that he had taken over the years. Seitz said he often met Gibson and found her to be friendly within the tennis circle, particularly to the young players, as tennis evolved to the age of King to Chris Evert and Martina Navratilova and Steffi Graf and Venus Williams and Serena Williams and so many others.
The old champions are part of the Open, and so is the old site -- Forest Hills from 1915 through 1977. As a Queens kid of 10 or 11, I started taking the IND subway to 71st St/Continental Ave., walking to the little oasis of the West Side Tennis Club.
The place was so tiny, so intimate, that you could literally rub shoulders with players as they tried, politely of course, to reach their grass court for a match.
As a Brooklyn Dodger/Jackie Robinson fan, I was eager for glimpses of Althea Gibson, the first African-American to play in the “national” tournament.
She made her debut in 1950 and did not last long those first few years, but her athleticism and drive were obvious. She reached the finals in 1956 and won it in 1957 and 1958, after which she retired from tennis so she could make some money, as incongruous as that sounds today.
Gibson played professional golf and I think I saw her play as part of the Harlem Globetrotters tour that came to New York every March.
But money never reached Althea Gibson as tennis became big business, and old stars often returned to add their luster to the event. As a columnist who covered the Open and often Wimbledon, too, I was never aware of Gibson giving a press conference or showing up for big-bucks from sponsors and patrons.
Except to get Gibson's autograph a time or two on the crowded walkways of the West Side Tennis Club, to my regret, I never met her.
The best reflection of Gibson on Monday came from Buxton, a British player in the '40s and '50s, who had eagerly played doubles with Gibson, winning the 1956 Wimbledon doubles. Buxton said that as a Jew she was also somewhat of an outsider in those years.
Buxton told the crowd at the unveiling how her family in London was host to Gibson when she played Wimbledon, and how Buxton's mother introduced the two players as "my daughters."
In recent decades, Buxton would come around and chat with reporters, with obvious affection and a sense of mission about her friend Althea. In 2003, she told a reporter that Gibson was "tall and lanky and rather like Venus Williams.” Gibson was said to wish the Williams sisters, as great as they are, would rush the net more, but that is contemporary tennis.
articIn later years, Gibson was ill, at home in New Jersey. She passed in 2003.
The city of Newark has put a statue of Gibson in a park, and now the USTA, through the of efforts of Katrina Adams, a former player and recently the president of the USTA.
The talent and will of Althea Gibson are part of the Open, reflected by the current players, most of them tall and agile, like Gibson. We follow the new stars, and Althea Gibson’s image is with us forever -- on the lawns of the sedate little club a few miles away in another corner of Queens.
* * *
Obit, NYT, 2003:
Current NYT article on the statue and how it got here:
A Florida reporter's perspective of Gibson:
Gibson and "the Nationals" and Queens:
The Facebook site for Art Seitz:
New York City will clean up the tickertape from the parade for the soccer champions on Wednesday. But who will clean up the Mets?
This is the lament of a Mets fan facing the dog days of summer – jealous as hell about the Yankees’ talented young players starting with that nice Aaron Judge, but not able to switch allegiances.
For a Mets’ fan, what is there? More than half the major-league teams stink, either through ineptitude or lack of money, and the Mets would seem to suffer from both.
They are now going to divest themselves of some players who were supposed to be part of a contending team this season. Now begins the ugly dance of summer for bad franchises – when players get sent away.
The Mets’ TV caught Zack Wheeler skulking in a corner of the dugout the other day, and the knowing commentary was that he might be making his last start as a Met last Sunday (which turned out to be a stinker, surprise, surprise.)
So what does a fan have left? As a Mets fan in my certified old age, I go on line daily to read the New York Post’s fine sports section to find out what is happening with the Mets.
But some things a fan can figure out for oneself. The closest thing to “fun” for the rest of this season could be Jeff McNeil winning the batting title He is currently leading the league with .349, despite the Mets’ brain trust having hoped he would be crowded off the roster by opening day.
If Jed Lowrie – 35 years old, career average .262 – had not suffered some kind of lingering injury (it really doesn’t matter), my feeling is the Mets would have been playing him ahead of McNeil. Even so, McNeil has been banished from his best defensive position, second base, currently deeded to the ghost of Robinson Canó, trying to come back after a suspension for a performance-enhancing drug.
McNeil’s skills are throwbacks to another era – that is to say, Tony Gwynn or Wade Boggs, hitters who knew how to stroke a pitched ball to a vacant patch of fair territory. This conflicts with the analytics promoted by techies in a dark room somewhere in New Shea Stadium. Launch Arc! The techies insist. And the Mets’ management seems to go along.
The general manager is a reforming agent named Brodie Van Wagenen, who apparently tossed a chair to demonstrate his manly-man qualities during a post-game tirade with his coaching staff. And the manager is Mickey Callaway, emphatically not from this franchise, who makes me appreciate, more every day, the old-school style of Terry Collins.
What do Mets’ fans have?
The Post’s Joel Sherman praises management for allowing Pete Alonso to make the team on opening day rather than tying him up in the minors to keep a legal hold on him for another season. Alonso won the home-run derby and drove in two runs in the All-Star Game and has 30 homers this season. Sherman compares Alonso’s run with Jeremy Lin’s short, furious spurt with the Knicks a few years ago. He calls Alonso “a rose floating in sewage.”
Jacob DeGrom is looking more and more grim as he faces years of pitching six great innings and watching the bullpen blow it.
And Jeff McNeil, reviving an unwanted art, is hitting it where they ain’t, as Wee Willie Keeler exemplified more than a century ago.
The Mets also have Gary, Keith and Ron in the TV booth. Their informed excellence makes it hard for me to watch network baseball.
That’s it. The dog days.
Where have you gone, Megan Rapinoe?
In 1869, a group of civic-minded women opened a home for older people, on the island of Manhattan. The leader was Hannah Newland Chapin, wife of Edwin Chapin, a noted Universalist minister in New York. The motto of the Chapin Home was: “What is your need‚ not your creed.”
In 1910, the home was moved to the glacial spine of Queens, where it remains to this day.
My mother, May Spencer, wrote about the Chapin Home as a reporter, and later Society Editor, of the Long Island Press in Queens. The home was on familiar turf -- right down the block from the beautiful new Jamaica High School, where my mom had been in the first group of students in 1927.
The Chapin Home obviously made an impression on our mom. When we began to suggest that she needed more care than she was getting, alone, in the big old house where she had lived since 1925, she was having none of it.
However, she allowed as how she had found the Chapin Home to be a nice place when she was a young reporter. And when it became necessary, our mom spent most of the last years of her life in the Chapin Home.
For the past month, the Chapin Home has been celebrating its 150th anniversary. How many institutions last that long?
Well, in that same year, with the wounds of the Civil War so visible, when these civic-minded woman built a rest home, the American Museum of Natural History was founded in New York City; the “golden spike" was driven in Utah, completing the first transcontinental railroad; the Cincinnati Red Stockings became the first fully professional baseball team. (Jesse James robbed his first bank that year, Happy anniversary, Jesse.)
And the Chapin Home is still going strong. I heard about a sesquicentennial party last Friday and accepted an invitation. But first, I consulted my siblings about their memories of Mom in Chapin. We all agreed that Mom’s formidable intelligence and strong will had given the staff a good challenge. One of the caretakers – I believe with a lilting Trinidadian accent – had nicknamed Mom “City Hall.” You know – you can’t tell City Hall anything.
My sister Liz recalled how the staff would make sure Mom was dressed for a ride in her wheelchair down the block to Jamaica High and how Mom would sit in Goose Pond, across the street, and tell about her days at Jamaica.
Liz’s husband, Rich, has fond memories of the weekly Catholic Mass there, and the musical entertainment – and how he would dance with some of the “showgirls” who lived at Chapin.
My sister Jane recalled how “staff members were so welcoming, and helpful,” and how other residents became Mom's friends - and ours. “What a blessing it was for her to spend her final years there,” Jane said.
My brother Chris remembered how the staff “showed loving humanity,” particularly a caretaker named Delva (still at Chapin) who “called me several times in Mom's early days at Chapin, either telling me what was most disturbing Mom or placing me in telephone contact with her.”
And my wife recalled how the staff made it easy for her to sit with my mom in her final weeks, and play opera on the CDs, and how other residents would visit the room, for the music as well as to give support.
With these memories fresh in my notebook, I went back to Chapin last Friday and met Kathy Ferrara, the director of activities‚ volunteers and spiritual care, a friendly face from Mom’s time. I also ran into Janet Unger, the former administrator, now retired, and Jennifer McManamin, now the chief administrator. I felt great energy and purpose from all the staff.
Nearly 17 years later, the main hall, under a bright skylight, seemed like home -- full of residents, many in wheelchairs, or with walkers, the clientele as diverse as Queens itself. After lovely music by a harpist, Chapin honored seven residents as centenarians – 100 years or older – and three others who are 99, including Frances Cottone, who wore her red Marines cap, having served stateside during World War Two.
(Local Fox News, Channel 5, did a nice feature on the centenarians)
After a few short talks, the staff distributed birthday cake, while a pretty singer entertained with American standards – Gershwin, Rodgers and Hart, plus Tom Jobim’s “Corcovado,” in Portuguese. I later looked up the singer, Hilary Gardner, and discovered she is very active in jazz circles, in New York, Europe and elsewhere – and has a very interesting web site.
Some residents smiled and applauded the music; others just took it in. A few ladies danced in place, or with a few young male attendants, and Kathy Ferrara, alert and smiling, just as I remembered her, danced with several women. (She even got me up on my feet for a few minutes for my vague approximation of the lindy.)
Visiting my mom for five years demystified aging for me. On my return, I remembered how hard the staff worked, how they kept the Chapin Home clean and positive. I have no illusions about the daily routine back in the residential wing -- the care needed by the ill and the elderly, the hard work, the constant upbeat attitude.
Memories of my mom flooded back: sharing her mid-day meal, looking out her window at Joe Austin Park (named for an epic youth coach in Jamaica, an honor bestowed by one of his star athletes, named Mario Cuomo.) Coming back, years later, I felt very much at home.
My Buckner/Mookie column is back in The New York Times today, nearly 33 years after I wrote it….and rewrote it….in a manic press box on a hectic Sunday morning.
Poor Bill Buckner has passed at 69 and the Times paid him the honor of an obituary by Daniel E. Slotnik and a salute by Tyler Kepner and the NYT also resurrected my column through the glories of digital memory.
Having my column back “in print” is also an honor, bringing back memories of that crazy World Series. It recalls a time before the Web when papers had flotillas of sports columnists who were expected to be at major events and be able to type fast, with instant wisdom, for the next deadline for readers who would wonder what daily columnists like Daley or Lipsyte or Smith or Anderson or Berkow (later Rhoden, Araton, Roberts) thought.
This is, as I like to call it, ancient history.*
It seems like yesterday, that Saturday night in the press box. I had written a column for the early Sunday paper (in fact, the bulk of the print run) based on my meandering through New England on Friday, after the fifth game in Boston. My “early” column was written to make sense, no matter what transpired in the game late Saturday night. I was not predicting, merely musing.
So I wrote about how, with a 3-2 lead, the Boston sports radio was squawking and gargling and screaming including how Bill Buckner’s ankles were shot and manager John McNamara should get Dave Stapleton in for defense – tortured Cassandras who saw the truth about to fall on their heads.
I wrote my early column about Boston’s feeling of doom, even with a lead in the Series. I tied it to lingering Calvinist New England gloom, and the historically unfortunate sale of Babe Ruth to the Yankees in 1918, but at no point in my column did I refer to any “Curse of the Bambino.”
The Red Sox had a lead on Saturday night and I can still see their players edging up the dugout steps, eager to celebrate, and the scoreboard briefly showed a message of congratulations to the visitors, but then the flower pot of history fell off the upper-story window ledge onto Boston’s head and, the assembled journalists commenced pecking away on our rudimentary computers, rewriting whatever we had written about Boston finally exorcising the ghosts of failures past.-xx
Now there was a new failure. The great Dave Anderson compared the Mookie/Buckner moment to Bobby Thomson’s 1951 home run off Ralph Branca – Dave knew those guys.
I wrote the version in the NYT today and then a dozen or so Times reporters began breathing again.
A novice news reporter, in the press box to help out, remarked that he was impressed by how fast we had rewritten our stories. Joe Vecchione, our sports editor who was supervising us in the press box, drily said (sounding like Clint Eastwood in the subsequent movie “The Unforgiven”) “We do it every day, kid.”
And you know what? We did do it every day, kid. It was a different world, including journalistically.
The seventh game was postponed when the miasma of rain settled over New York, but the teams resumed Monday night and the Mets rallied (people forget that) to beat the Sox to win the World Series and the legion of Times reporters wrapped it up. The headline on my column was “Babe Ruth Curse Strikes Again.”
Please note: I am not that smart or inventive to pull that concept out of the dank air. Over the decades, people had laid the failures by the Sox upon the sale of Ruth. In October of 1986, this was not new news, was not instant insight.
Eighteen years later, my esteemed colleague Dan Shaughnessy, wrote a book about various Red Sox failures (including Bucky Freaking Dent and Aaron Freaking Boone.) The title was “The Curse of the Bambino,” and the phrase is all Dan’s.
How The Sox have become overlords of the American League is a 21st-Century story of talented ownership, management and players. The club stages magnificent ceremonies to honor the past, even the failures.
Bill Buckner was a gracious and familiar presence at baseball gatherings, as the obituary and Kepner’s column describe. The rising tide of Red Sox success floated Buckner’s rowboat. He deserved more decades, more salutes, as a superb player who had a bad moment.
*- Talk about ancient history. Sports Illustrated was just sold to some other company. It was once a giant that advanced marvelous writing and reporter. I gave up my subscription soon after I retired in 2011 -- didn’t even know it had gone biweekly.
xx- A day or so later, the great Vin Scully -- who had just made the marvelous call of the final play as heard in the video above -- was quoted as saying he had been surprised to hear New York sportswriters cheering in the press box. With all due respect, we were not cheering; we were gasping – oy! – at the Mookie-Buckner turn of events, and how we now had to re-write our earlier gems, which were poised to go out to the waiting world.
(Deconstructing the legend of "The Curse.")
All championships are miracles, somewhere, if you think about it.
Even if a team assembles a lineup full of Galácticos and runs away with a championship, it seems like a miracle for that time, that place, those athletes, those fans.
But here in New York, the Greatest Little Town in the World, we know that our miracles are bigger and better, more stupendous than any other miracles, just because.
Take 1969 – precisely 50 years ago, when the Amazing Mets won everything, which is why there is a year-long (more, in the planning) of celebrations and evocations and memorials, to say nothing of a one-event boom in the publishing industry, just as there was in 1970.
I have just read – and enjoyed -- two of the lunar tide of books cresting this spring.
One is “They Said It Couldn’t Be Done: The ’69 Mets, New York City, and the Most Astounding Season in Baseball History,” by Wayne Coffey.
See what I mean about New York being the center of the universe?
Coffey’s book is delightful because it replays the surprising surge by a franchise known for its goofy, even charming, failures. (Casey Stengel! Marvelous Marv! Bedsheet banners!)
Coffey also catalogues how the Mets firmed up before our unbelieving eyes under the talents and Marine steeliness of manager Gil Hodges and franchise superstar Tom Seaver. Some reporters (me) never believed it until Cleon Jones caught the last out and went to one knee in what only could be construed as prayer.
But….the very best part of Coffey’s book is the work he did nearly half a century after the fans stopped ripping up the Shea lawn for souvenirs. Coffey, it turns out, was a schoolboy playing hooky, in that scrum, on that day of days. Later he became a good and versatile reporter for The New York Daily News. Now he writes books…and works at them.
I loved, absolutely loved, catching up with people I knew half a century ago. Coffey discloses a previous link between Hodges and the mid-season acquisition, Donn Clendenon, who has posthumously become a more vital part of those Mets. Also, Coffey discloses that Clendenon was mentored at Morehouse College by a graduate named Martin Luther King, Jr., and was often a guest in the King home.
By 1969, Clendenon was also a salty vet who hit the Met clubhouse motor-mouthing, heckling everybody, the way the 60s Pirates had done. He told Gil Hodges, Jr., the teen-age son of the manager, to man up and defy his Marine dad. Gilly was wise enough to tell Clendenon: no way.
Coffey pays attention to the bigger picture – Karl Eberhardt, the self-proclaimed Little Old Signmaker in the stands, and Jane Jarvis, the hip jazz musician who played the Shea organ with wit and talent, and two batboys from my high school (the late, lamented Jamaica High) who were mentored by Joe Austin, Mario Cuomo’s legendary amateur coach.
With Shakespearean breadth, Coffey describes the major players and also the Rosencrantzes and Guildensterns of the Amazing Mets. Yes, it was a miracle.
The other book I have read is “Here’s the Catch: a Memoir of the Miracle Mets and More.” If the book sounds like Rocky, earnestly thundering to epic catches and humiliating gaffes, that is because he has been writing it on his own for a while. He describes himself as an average-IQ human and middle-of-the-pack major leaguer but his curiosity and zest have made him much more, over the years.
Rocky, going on 75 and vibrant, tells about departed teammates and soul mates like Tug McGraw and Ed Charles and Tommie Agee – guys with whom he competed and talked and drank and ate ribs and gallivanted.
Having known him since he was a teen-ager in Met camp in 1965, I know Rocky to be an autodidact (one year of being a jock in college) who often demonstrates his eclectic tastes. He follows the music of the Marsalis Family of his adopted home of New Orleans, and he also mentions classical music…and the Globe Theatre of Shakespearean time….and Jackson Pollock…and Monet….and Don DeLillo and so on. He means it. That is Rocky.
Maybe the best part of Swoboda’s book is growing up in a working-class neighborhood of Baltimore – relatives with tempers and guns and wit and opinions, two of them working in the morgue, pulling gory pranks on cops. Then there was the family flasher. Plus, the Chinese cook his earthy grandmother married, who smoked and drank and drove erratically and taught him how to make and eat Chinese food.
Swoboda writes about his lovely redheaded wife, Cecilia, and how Casey and Edna Stengel, childless, fussed over the Swobodas’ first-born, and his active scorn for the Vietnam War and the instant rapport when he visited the troops over there, very close to combat.
He laments behaving like a jackass toward Hodges, who was not just resolute with big hands but also a wily manager. All sports memoirs should be this earnest, this real.
On my incoming table are books by Art Shamsky about 1969, plus Ron Darling’s book, mostly about 1986, which was, of course, another miracle.
They all are, but some are more miraculous than others.
The hissy fit by Amazon reminds me of one of the best things that has happened to my home town -- not getting the 2012 Summer Olympics.
This happened in 2005, when the City Council voted down a stadium that would have been plopped down on the far west side of Manhattan to accommodate the Typhoid Mary of sports events.
Since the Games were given to London, the Hudson Yards area of Manhattan has grown, without having to work around a neighborhood killer of a stadium.
I say that as a sports columnist who was a very early critic of the proposal.
My memory was just jogged by the rising up of people who resented the $3-billion tax benefits to be given Amazon, which wanted to build a “campus” in the Long Island City section of Queens.
Rather than negotiate with critics – show some respect for the locals -- Amazon turned tail and ran. The political aspects have been well reported in the Times and elsewhere. Experts and business people say Amazon really would have meant 25,000 new jobs in the city, but I say they would have been jobs for new people, out-of-towners, with technological skills, eager to pay the gouge prices in new high rises in formerly lumpen Queens.
As David Leonhardt points out, Queens already has jobs:
As a native of Queens (who lives just to the east these days), I love the boom all over my home borough -- the languages and energy and skills and food: Oaxaca restaurant in Corona; Korean restaurants along Northern Blvd.
I’m not sure Queens needs the great favor Amazon was going to bestow. Many people living near the proposed “campus” would have been displaced by the land rush and the rent-grubbing and the price-raising. (See: “Brooklyn, hipsters.”)
To Jeff Bezos, I would say a few things:
1. Thank you for the Prime delivery of a 64-ounce container of kitchen-drain cleaner rather than my having to run to the store during the deep freeze this month.
2. Please, keep reporting on that disturbed person in Washington with your wonderful paper, The Washington Post.
3. When local activists express their concerns, please, learn to negotiate. This is Noo Yawk, for goodness’ sakes. (“If I can make it there, I’ll make it anywhere.” Guess you didn’t.)
4. And while I think of it, please read your own paper’s electronic files about the stupidity of people who take intimate selfies.
This uprising by “progressives” – whatever that means – seems to have come as a shock to Gov. Cuomo and Mayor DiBlasio (who keeps changing his story, as in his 180-degree swerve in the Times on Monday.)
I would give some advice to these illustrious public servants. (The same would apply to former mayors Bloomberg and Giuliani.)
1. Fix the damn subways first. Help working people get to work.
2. Pay attention to the rising seas, because the disturbed President has no clue.
3. Pay attention to those dreaded “progressives.”
These guys are always running for President rather than fixing New York. They need to know that New Yorkers don’t like out-of-towners telling us what the deal is.
Jeff Bezos, say hello to the New York Echo:
New York Echo: Shut the f--k u-u-u-u-p!
*-Homage to the greatest headline any of us will ever see, written by William J. Brink, managing editor of the New York Daily News, when President Ford did not help the city during the 1975 financial crisis:
FORD TO CITY: DROP DEAD.
I’ve seen her, wheeling her child in the caverns of my home town, going shopping, going to the doctor, who knows.
She was Latina, or maybe Asian, or dark-skinned from the States or Haiti or Africa, or white, but I have seen her, trying to navigate the stairways of hell-on-earth, our subway system.
Every so often, I stop and hold out my arm and gesture: I’ll take the front end.
I mean, what else are we men for, but to lug and lift and load?
They see a grandfather type, offering to help, and they make the decision that I mean no mischief, and they nod in assent, and we improvise a step-by-step ballet on the murderous stairs.
(Update: my friend James Barron in the NYT has reported that the medical examiner can find no major trauma from a fall, so the cause of death may be medical reasons. But as Barron points out, the dialogue continues about the brutal conditions in the subways, under Albany and City Hall. All I can say is, lend a hand once in a while.)
(Recently, at my old stop, 179th St. in Queens, I carried two shopping bags up the stairs, to a bus stop, which gave me the opportunity to drop a few words of Spanish on the lady – “muy pesadas,” very heavy – which got me a smile that lit up my afternoon. No medals; I only do it once in a while, when I have time, and am of a mood.)
They are up against it, these mothers with their infants, these abuelas with their groceries, and most of the time they have no alternative. The subways are primitive, and falling apart, despite the elected public officials who posture and prance but put critical offices in a building in the terrorists’ playbook, who ignore climate warnings and put fancy new stations to collect the coming floods, but ignore the infrastructure and the lack of elevators for those who need them.
The Times says: “Only about a quarter of the subway system’s 472 stations have elevators, and the ones that exist are often out of order.”
Malaysia Goodson, 22, was living in Stamford, Conn., but had come back to the city of her childhood on some errand. Somehow, she tumbled down a flight of stairs while maneuvering a stroller holding her 1-year-old. The daughter is reported to be all right but her mother died.
I’ll try to remember her next time I am in the subway.
For Malaysia Goodson: Ravel’s “Pavane for a Dead Princess:”
I watched a film Sunday that had me muttering “Mengele! Mengele!” -- after the infamous Nazi doctor who conducted ghastly procedures on Jews.
In fact, Manohla Dargis of the Times used the same reviled name in her recent review of “Three Identical Strangers,” a documentary about adoption gone way wrong.
The film was on CNN, after a quick theater run last year, reviving the 1980 discovery by three young men that identical versions of themselves lived in the New York area.
Their ecstatic smiles lit up the talk shows – the sensation of the year! -- Boys born on the same date – from the same (unwed) mother – and within six months placed in three separate (Jewish) homes—now reunited.
The boys danced in unison and partied in unison and smiled for the camera in unison. Only slowly and tentatively did anybody ask: why were these three identical boys placed in three non-identical homes, all within driving distance of “researchers” who had somehow acquired permission to take videos of the boys, separately, going through psychological tests? Was it an accident they were placed in what could be judged as three different socio-economic levels? Was that part of this experiment, this playing with lives?
Only slowly does the documentary allow the victims – for victims they were – to disclose there was a dark side, behind the glowing smiles that seem ever more forced and ominous.
The most sane outsider in this documentary is a journalist, Lawrence Wright, who investigated the scandal for the New Yorker. Wright appears frustrated that he never really cracked the heart of darkness of this vile plot by Dr. Peter Neubauer, who had been trained by Anna Freud, and become a “prominent psychiatrist” in New York.
In Wright’s subsequent book about female twins, also separated for Neubauer’s nature-vs-nurture experiment, he describes “an extensive team of psychologists, psychiatrists, pediatricians, observers, and testers.”
A New York foundation that facilitated Jewish adoptions, and a doctor, born in Austria, who escaped the Holocaust in Switzerland, perpetrated this experiment on three families.
These boys, who had once slept in the same crib, nestled against identical bodies, had suffered the double loss of mother (at birth) and brothers (at six months). Only slowly do we understand the gaping holes at the centers of their psyches.
Adoption is tricky enough. Allow me to go personal here: both sides of our families have been enlarged and enriched by adoption, but the process may leave serious gaps.
My father was in orphanages and foster homes before being adopted by a Christian family of Hungarian background, when he was 5. When he was 15, his adoptive father skipped, leaving a wife and their natural daughter. My father, later in life, tried to learn more, knowing only the name he had been given at birth. Alas, the agency told him, all records have been lost. Or sealed. So sorry. Friends often told him he looked Jewish.
A few years ago, my DNA test revealed that my heritage is half English/Irish and half Ashkenazy Jewish. As a Christian, with many Jewish friends, I was thrilled with the discovery. There was no dancing, no partying, no talk shows, just the melancholy wish my father could have known the truth that was withheld from him by a system that victimizes adopted children who grow up with serious questions, or don't even know.
The three boys in the documentary discovered they had company in this world through the most bizarre circumstances: a young man arrived at a community college in the Catskills and students rushed up to greet him, hug him, kiss him and call him Eddy, which was strange, since his name is Bobby. A mutual friend united the two boys, who stared at each other as if in a mirror. And then the photos in the papers turned up another lookalike – all born on the same day.
Years later, after bonding, and then moving apart, the three young men in the documentary came to realize they were victims of an experiment – but for what?
The Louise Wise Services seemed to have encouraged unethical tactics by the doctor – hardly out of racial hatred, like Jews in the Holocaust, but out of greed, or hubris, or curiosity gone amok. Nazi stuff. Mengele stuff. The agency went out of business in 2004, laying down legal blockades for people who wanted information on their adoptions.
As somebody with half Jewish DNA, I feel contempt for the smug wealthy board members of that now-defunct foundation, who, get this, poured Champagne for each other after fending off the six adoptive parents, who, with such idealism, had adopted these boys.
The documentary touched our souls. Spoiler alert: there are flaws – passing over the implication of one of the men in a serious crime, ignoring the fact that a fourth identical child died at birth, and obscuring some family dynamics, undoubtedly for legal reasons. Only last fall, a legal challenge forced the sealed records to be opened now, rather than in 2065.
My heart aches for those three young men, who were treated like captives during a pogrom in a European shtetl. This happened in my home town, New York.
As the saying goes: Never Again.
* * *
Here's an interesting link critiquing the Jewish angle of the documentary:
The NYT review of the documentary:
An excerpt from Lawrence Wright’s book on the female twins who were reunited:
The psychiatrist at the core of the scandal:
The decision to unseal the records:
An article by Lawrence Wright:
More from CNN:
In the final hours of an ugly year, I stuck with the tried and true.
Our local classical station, WQXR-FM, was playing the top 100, as chosen by listeners. It was reassuring to hear music that stirred people and soothed people in other dark times, with other crackpots and despots flailing around, and the music survived.
Then again, we have seen votes go wacko in a democracy. When the Gilbert and Sullivan spectacle, “Pirates of Penzance,” popped up in 10th place, my reaction was, “Wait, WTF, how did that get in there?”
The WQXR–FM web site had the same reaction:
Was it was the work of Gilbert and Sullivan superfan sleeper agents? Or is everyone just really excited about the end-of-year New York Gilbert and Sullivan Players production of Pirates at the Kaye Playhouse. (It turns out that it very well might be both, as the New York Gilbert and Sullivan Players staged a campaign to launch the opera into the countdown — and it clearly worked.
Trolls. Bots. Hacking. Malware. Whatever they are. Sounds like a job for Super-Mueller, but Our Civic Protector is said to be otherwise occupied with his investigation into more serious shenanigans.
Other than the jolt of Gilbert and Sullivan coming in 10th in any classical music ranking, it was a joy to hear oldies soothe the dark days and nights as 2018 slunk off into history.
Beethoven had four symphonies in the top 10, including his Ninth, with the rousing “Ode to Joy,” now becoming a staple ‘round midnight on Dec. 31.
Some of the most familiar music can be considered chestnuts, but I was happy to hear them, knowing that new and adventuresome and inventive music will be presented by John Schaefer on “New Sounds” and by Terrance McKnight on his weeknight show.
Plus, as 2018 ebbed, I heard some of my favorites, Dvorak and Copland and Vaughn Williams and Smetana and Bartok and Barber and Ravel and Satie and Lenny Himself, conducting his “West Side Story: Symphonic Dances,” which always makes me feel 16 again, walking the streets of my home town, feeling, “could be, who knows?”
In the symphonic version, I could hear the lyrics of Stephen Sondheim:
Could it be? Yes, it could
Something's coming, something good
If I can wait
Something's coming, I don't know what it is
But it is gonna be great.
Happy New Year.
There I was on the F train, creeping (and I do mean creeping) through my home borough of Queens on Tuesday.
In her final days at home, Marie DeBenedettis propped herself in the kitchen of the fabled family delicatessen – Mama’s of Corona, Queens – and devoted herself to teaching her kid sister, Irene, how to cook.
Not an easy task, Irene would say. The three sisters had their roles. Carmela Lamorgese was now La Nonna, Grandma, caring for her own family after years of helping run the business. Marie was the chef. Irene had taught school and now her job was to “run around and talk a lot” – that is, coordinate the deli and their awesome throwback pastry shop two doors down.
It revolved around Marie – the sweetest person I have ever hugged, optimistic and positive, but a taskmaster in the kitchen as she tried to impart her knowledge to Irene and a few assistants.
“One day she said to me, ‘Irene, basil, lots of basil in everything, that’s what makes it taste so good.’”
So, that is the secret of life on 104th St. – the reason the tomato sauce, the daily specials, all taste so good.
Irene was trying, knowing their sister was not well, could not easily budge from her perch in the cramped kitchen.
I dropped into the deli in late spring and asked Marie how her protégé was doing.
“All right,” Marie said.
“She’s tough on me and the girls,” Irene said later. “She wants us to know everything.”
The time came for Marie to go to the hospital a month or so ago.
One night Irene counted 17 workers -- younger women with roots in the Bari area of Italy and Latinas from Corona – visiting Marie in a group.
“I didn’t know she had that many people working here,” Irene said.
One of the workers told Irene, “She keeps saying ‘cavatelli, cavatelli’” -- small pasta shells often stuffed with garlic and broccoli or broccoli rabe.
Irene deduced that Marie was reminding the assistant to prepare cavatelli for the regulars who would expect it on Thursday.
“She knew who liked what,” Irene told me the other day at the wake. “She would see somebody coming in the door and she would tell the girls to prepare an egg-and-sausage hero.”
All that love, all that skill that was Marie DeBenedettis passed away on Sept. 4. The funeral was held on Tuesday, Sept. 11.
The Mets, a mile away, where Mama’s has an outlet, held a moment of silence before a game last weekend, via Jay Horwitz, PR man and loyal keeper of the Met flame. David Wright, the captain, dropped into Mama’s to offer his condolences. The prince of Corona, Omar Minaya, who introduced me to Mama’s in 2006, is back where he belongs -- with the Mets.
(My first visit with Omar – here.)
Mama’s is a family place – new neighbors speaking Spanish, Italian and English, old neighbors who moved away but come back for mozzarella and cannoli, and a steady clientele from the FDNY, the NYPD, the schools and churches and seminaries, and assistant district attorneys from nearby Kew Gardens. (Mama’s is the safest place in Queens.)
The institution will go on. Mama’s is officially named Leo’s Latticini, for Frank and Irene Leo, who began the dynasty in the 1930s. “Mama” was their daughter, Nancy, who ran the store with her husband, Frank DeBenedettis. Nancy, who passed in 2009, was such a force in the traditional Italian neighborhood that the public school up 104th St. has been named in her honor.
(Please see the lovely article by Lisa Colangelo in that civic treasure, the Daily News:)
The family tradition continues. Carmela's daughter is known as Little Marie....and
she and her husband, Fiore Difeo, named their first-born Gina Marie, followed by Anthony and Dominic.
Mama's has reminded me that I am a Queens boy. I have introduced friends and family to Mama’s, watched World Cup matches (featuring Italy), chatting with my friend Oronzo Lamorgese, Carmela’s husband, as a guest in the private dining room behind the pasticceria – lavish plates, prepared by Marie and staff.
I am sure Marie was as good a teacher as she was a cook. Mama's goes on, with basil. My love and condolences to La Famiglia.
I’ve been reading a lot of books lately.
I think I know why.
My latest has been a gripping history of the first settler to advocate local government and polyglot culture among people he labelled “Americans” -- a new concept in the mid-17th Century.
Adriaen van der Donck was perhaps the first “New Yorker” – except that it was still named New Amsterdam in his time.
Of course, my discovery is a trifle late. The book, “The Island at the Center of the World,” by Russell Shorto, was first published in 2004. I don’t know how I missed it, until our friends Ina and Maury gave us a copy recently.
New Yorkers know the names of Peter Minuit and Peter Stuyvesant, executives sent to the New World to regulate commerce for the Dutch West India Company. Van der Donck, trained in the law, was also sent to New Amsterdam to help the company make more money, but he saw the mélange of Dutch and England, French and Spanish, Africans and Native Americans, and he realized they constituted something far more than company workers.
Van der Donck was sent as a lawman to another Dutch region, Fort Orange, now Albany, where he learned Indian languages and encouraged trade and visited their villages. Native Americans were somewhat free to bargain, to visit, to argue and even sue.
Why don’t we know more about him, and more about the contribution of Dutch society? For that matter, why don’t we know about the petition signed on Dec. 27, 1657, by 31 English settlers, protesting the persecution of Quakers. (Not one signee was Quaker.) And, while they were speaking up for Quakers, the English protesters proclaimed:
“The law of love, peace and liberty in the states extending to Jews, Turks and Egyptians, as they are considered sonnes of Adam, which is the glory of the outward state of Holland, soe (sow? GV) love, peace and liberty, extending to all in Christ Jesus, condemns hatred, war and bondage.”
The petition was signed in the Long Island village of Vlissinge, today known as Flushing, the home of the Amazing Mets and a bustling Chinatown and the start of a thriving Korean diaspora moving eastward along Northern Blvd. (the roadway of Tom and Daisy Buchanan.)
The Flushing Remonstrance – issued at the end of the time of Adriaen van der Donck -- is one of the great statements in the history of North America. It has rarely been more relevant than now, when “sonnes of Adam” are being separated psychologically, as children are grasped from their parents by agents of an increasingly cruel state.
In a way, the current regime led me to read this book about Dutch settlers.
The puffy, petulant face of a child tyrant -- as well as his dissonant voice, the President as shrill earworm -- have driven me from the news channels (and the repetitiveness of most commentators, and the commercials for old-age “remedies.”)
Lately, I have taken to sitting near the evening music on WQXR-FM and reading books. My wife, as part of her family genealogy studies, just finished “Domesday: a Search for the Roots of England,” issued by Michael Wood in 1986, and also a classic television documentary.
One more point about books: one of the heroes of Russell Shorto’s book is Charles Gehring, an American scholar, who has spent much of his career on an un-numbered floor in a state building in Albany, translating historic Dutch handwritten documents into contemporary English.
This book adds to my immense respect for scholars like Gehring – and Shorto – and Wood. They help us see ugly times in the 21st Century, in perspective.
* * *
The Flushing Remonstrance:
When the lights went out in New York City on July 13, 1977, looters took over many streets, breaking into stores, carrying merchandise away.
The next morning, Alan Rubin, the owner of an electronics store at West 98th St. and Broadway, posted a sign in his window: “WE ARE STAYING.”
Order was restored from the blackout and the general good will of New York returned. Alan Rubin was but one of thousands of small-business operators committed to making a living in the neighborhoods of the city.
Now his daughter, Jen Rubin, has written a book about those days, and the feeling for people and the city that many New Yorkers have. Her book is titled: “We Are Staying: Eighty Years in the Life of a Family, a Store, and a Neighborhood.”
Rubin, who lives in Madison, Wis., is a regular on the Moth story-telling series.
She comes from an accomplished family -- her mother, Sandi, worked for the Jerusalem Foundation, and her brother, Josh, is an attorney for the city. Regulars on my site will be familiar with frequent posts by Alan Rubin.
His daughter uses his quotes in 1977 to explain why he stayed:
“I’m responsible for twenty-five families—the families of people that work for me,” Alan Rubin said. “What’s going to happen to them if I pull out? As bad as I got hit, there are other guys that got wiped out. What’s going to happen if they can’t reopen? What can the city and government do to keep people like us from leaving these neighborhoods?”
And she writes about his feel for his business, then known as Radio Clinic:
“Forty-three years earlier his dad, who had run for his life from Russia, put his stake down on this block and slowly built up the business. When Grandpa became ill with cancer, he passed the business on to his son and son-in-law. This was the family’s business, and my dad wasn’t budging.”
Alan Rubin kept his store going and retired in 2006. He and Sandi now live in the Berkshires, where he, a former star goalkeeper for Lehigh University, teaches the position to young people, out of his love for the sport.
Jen Rubin’s new book is available through her website:
You could feel the rumble of power, all through the building.
The New York Daily News had the highest circulation in a country that used to read newspapers.
I was privileged to work there two summers – 1956 and 1957 – as a copy boy, doing lowly tasks like fetching a liverwurst sandwich and a container of beer for the sports editor, Charlie Hoerter.
Every so often, he would lurch back into the department at 9 or 10 PM and fire me or some other hapless wage slave.
“He won’t remember,” my mentors told me, and they were right.
The building quivered and shook in the evening, as the presses emitted 2-million copies and dropped them onto powerful trucks idling in the bays. Those trucks would speed them out all over the Northeast, put them on trains, delivering salty murder tales and sassy sports articles and snide editorials aimed at bleeding-heart liberals (like me, and my father, who moonlighted a few nights a week in Sports.)
We didn’t like the editorial slant but we lived for inside stuff on our Brooklyn Dodgers, by Dick Young, one of the best baseball writers I have ever read. Dick liked my father, and used to talk respectfully to me, a 17-year-old who asked questions, and later he welcomed me to onto the beat.
The Daily News had platoons of world-wise reporters, including pioneer women like Kitty Hanson, who could absolutely make my day by sashaying from the elevator to the news room in a summer dress. Oh, my.
Every afternoon, just before 3 PM, I would enter through the vast, high lobby, with its gigantic globe rotating in the middle. Tourists were respectfully quiet but not the printers or copy editors, planning a foray to the Old Seidelburg at 41st and Third.
One of the better sports copy editors would go there every time the Milwaukee Braves got to town, to fight with Johnny Logan, the Braves’ shortstop. It was their little ritual.
Between the late '50s and early '70s, the Daily News morphed into one damn good New York tabloid, along with New York Newsday. I know because I was a metro reporter for the Times from ‘73 to ‘76, trying to match wits with Daily News and New York Newsday reporters who knew all about crime and schools and City Hall and transit.
I have told the story of the best newspaper lead I ever read, three times as good as mine:
When the federal government chose to stiff New York during a financial crisis, an editor named William J. Brink (patriarch to other newspaper people named Bill Brink) wrote the best headline any of us will ever see:
FORD TO CITY: DROP DEAD
To our chagrin, people stopped reading newspapers when they could convince themselves they were learning something from comedians on late-night tv or underwear guys typing blogs in their basements (like me these days.) The Daily News dwindled, with a smaller staff but a keen eye for NYC phonies and buffoons who somehow fooled the people Out There.
Now the Daily News hangs on in some anonymous skyscraper, owned by a company called Tronc, a name that says everything about the kind of person who would own it. (Tronc!!! It sounds like a jackass, braying.)
On Monday, this Tronc “laid off” half the newsroom. I know a lot of good people who could swear they have been “fired.”
I also know some good people who are still working for the New York Daily News, as long as Tronc feels like it.
The old building on East 42 St. still has the globe, and the name, but the trucks don’t rumble anymore. We have all lost something.
* * *
(For more on the Daily News lobby, please see)
One of the most heinous things about living around New York City is crossing the George Washington Bridge onto the Cross-Bronx Expressway. Abandon all hope, as Dante warned.
It’s even bad when Chris Christie’s little pals are not monkeying with the traffic lanes.
On Saturday evening, we encountered a cloudburst and a breakdown in the center lane, right around Webster Ave. in the Bronx. Thousands of assassins and cut-throats were doing evil things at the wheel, hacking their way toward Long Island or New England.
But I did get by.
My wife worked the FM tuner and somehow found a Grateful Dead hour on wonderful WFUV from Fordham University.
In short order, David Gans played one of the most ethereal of all Dead songs, “Attics of My Mind,” sung not by Jerry and company but by children from the Barton Hills Choir of Austin, Tex.
Apparently, the children perform Dead songs as well as other familiar pop tunes Their harmonies are amazing. They enunciated the Jerry Garcia-Robert Hunter lyrics so sweetly. They mellowed me right out to where I could withstand the assassins and cut-throats of the Cross-Bronx.
When I got home I downloaded the video of the Barton Hills Choir (above.)
I don’t know much about them or their repertoire but their faces and voices are so sweet.
Can’t see them covering “Mexicali Blues” or “Pride of Cucamonga” or “Me and My Uncle.”
But late Saturday night, in a cloudburst, with a middle-lane breakdown, surrounded by thousands of cut-throats and assassins right out of a Dead classic, these children got us through. We did survive. .
What a perfect sign of spring -- survival and hope.
Man, do we need that.
I’ve been moping with a head cold, or maybe it’s from the front pages, but along with Passover and Easter come the openings for the Mets and Yankees, and not a moment too soon.
Soccer-buff Andy Tansey took this photo at the Mets/Willets Point IRT station.
I remember the first day at funky little Jarry Park in Montreal in 1969. First game ever in Canada. I got there early and workmen were still touching up the premises.
* * *
Who doesn't love Opening Day? Lonnie Shalton, baseball buff in Kansas City, wrote his own appraisal of the big day. (He mentions a few things I typed -- and also lots of other baseball insights.)
* * *
Fresh paint may cover some of the flaws of the Mets. They have Syndergaard and DeGrom going in the first two games, and we’ll take our chances after that.
The Mets don’t seem any better than last year – scary thought, that – but the owners did bring back old-reliable Jay Bruce, and maybe Conforto will be ready in late April, and maybe Céspedes can make it through a week or a month.
At least the Mets are haimish – with familiar faces like Weeping Wilmer and Old Pro Cabrera and Prodigal Son Reyes. They are ours, for better or worse, or for right now.
Having seen the first home game in 1962 in the Polo Grounds, I know that to be a Met fan is to root for the familiar, with all its goods and bads.
The Yankees open in Toronto. Why is this Yankee team different from all other Yankee teams? Because they have a new look with Aaron Judge and Giancarlo Stanton, both powerful, both charismatic.
I’ve been conditioned by the recent dynasty to respect and enjoy the Yankees, as much against my religion as that is. Judge is so mature and Stanton is so poised.
Plus, I read that good old John Sterling is working on his home-run call for Stanton – and that John had his cataracts removed and doesn’t have to fake his long-ball calls so blatantly. (What took you so long, dude?)
This is all avoidance, of course. The world is screwed up. Russia incinerated some of its young people in a mall fire through incompetence the way our lawmakers and their NRA patrons put our young people in shooting galleries passing as classrooms.
Did you see the faces of young Russians protesting the shoddy construction and careless operation that killed their contemporaries?
This masterful photo by Mladen Antonov of Agence France-Presse mirrors the mournful but determined never-again postures of American youth last week. The world is indeed small.
I can read a bit of Cyrillic – the young person with the long hair and olive jacket has a sign that says коррупция – Corruption. Can they haunt Putin the way protestors from Parkland are haunting Rubio and all the other “public servants” on Wayne LaPierre’s handout list?
In the meantime, may the paint dry in Queens by Thursday morning.
Ed Charles played only 279 games for the Mets but he touched New Yorkers – really, everybody who met him – with his humanity.
This was apparent on Monday at a farewell celebration of Charles in Queens, his adopted home borough. People told stories about him, and I kept thinking of all the ways, Zelig-like, he popped back into my life.
His 1969 Miracle Mets teammate Art Shamsky told how he and Charles and Catfish Hunter and Jack Aker were making an appearance at a boy’s camp “up near Canada somewhere” and how Ed Charles drove – “one mile below the speed limit, always. Ed never went fast. That’s why they called him The Glider.” When they finally got there, the players elected Ed to speak first to the campers. After 45 poignant minutes, Shamsky said they had learned never to let that charismatic man speak first.
Everybody smiled when they talked about Charles, who died last Thursday at 84. His long-time companion, Lavonnie Brinkley, and Ed’s daughter-in-law, Tomika Charles, gave gracious talks, and his son, Edwin Douglas Charles, Jr., made us smile with his tale of playing pool with his dad, and how the old third baseman never let up, in any game.
A retired city police officer alluded to Ed’s decade as a city social worker with PINS – People in Need of Supervision – and how Ed reached them. People talked about barbecues and ball games and fantasy camps with Ed, how it was always fun.
As sports friends and real-life friends at the funeral home talked about Ed’s long and accomplished life, I thought about how we connected over the years, in the tricky dance between reporter and subject.
---The first time was between games of a day-nighter in Kansas City, on my first long road trip covering the Yankees for Newsday, August of 1962. Old New York reporters were schmoozing in the office of Hank Bauer, the jut-jawed ex-Yankee and ex-Marine with two Purple Hearts from Okinawa.
Ed Charles, a 29-year-old rookie – kept in the minors because of race and bad luck – came to consult the manager, maybe about whether he was good to go in the second game. I watched Bauer’s face, once described as resembling a clenched fist, softening into a smile. “Bauer likes this guy,” I thought to myself. “He respects him.” (I looked it up: Ed went 7-for-12 with a homer in that four-game series.)
--- We met in 1967 when the Mets brought him in to replace Ken Boyer at third base. During batting practice in the Houston Astrodome, the first indoor ball park, Ed summoned me onto the field, behind third base, shielding me with his glove and his athletic reflexes.
“Look at this,” he said, pointing at the erratic hops on the rock-hard "turf" -- one low, one high, a torment for anybody guarding the hot corner. I must have stayed beside him for 15 minutes and nobody ran me off. I have never been on a field during practice since. That was Ed Charles. Easy does it.
--- We had a reporter-athlete friendship, but there are always gradations. During a weekend series in glorious mid-summer Montreal in 1969, somehow there were three VIP tickets for a Joan Baez concert. I went to a brasserie with Joe Gergen of Newsday and Ed Charles and then we saw the concert, with Baez singing about love, and the Vietnam War.
--- The Mets won the World Series and Ed went into orbit near the mound, but then he was released, his career over, with a promotions job with the Mets gone over a $5,000 dispute in moving expenses. But I was walking near Tin Pan Alley in midtown in 1970 and there was Ed, working for Buddah (correct spelling for that company) Records. He was destined for Big Town. He later had some ups and downs in business but patched things up with the Mets and settled into his groove as poet/Met icon.
---When Tommie Agee died suddenly, Ed was working at the Mets’ fantasy camp, and he took calls from reporters to talk about his friend. Ed Charles, as this New Yorker would put it, was a mensch.
--- In 2012, the 50th anniversary of the Mets, Hofstra University recruited Ed to give a keynote talk on his poetry and his deep bond with the Mets. I was asked by my alma mater to introduce him, and I suggested to Ed that I could help him segue into his poems. He smiled at me the same way he had calmed down Rocky Swoboda and all the other twitchy Mets kids back in the day. “I got this, big guy,” he told me – and he did.
--- Last time I saw him, a few months ago, I visited his apartment in East Elmhurst, Queens. Lavonnie was there, and I brought some of that good deli from Mama’s in nearby Corona, plus enough cannoli to last a few days. Ed was inhaling oxygen confined to quarters. I saw sadness and acceptance, He let me know: he knew the deal.
On Monday, The Glider had his last New York moment. There will be a funeral in Kansas City on Saturday and he will be buried, as a military veteran, at the national cemetery in Leavenworth, Kans.
The funeral home Monday was a few blocks from the first home owned by Jackie and Rachel Robinson in 1949. The first Robinson home, on 177 St. in the upscale black neighborhood of Addisleigh Park, has been declared a New York landmark, as written up on the StreetEasy real-estate site (by none other than Laura Vecsey, a sports and political columnist.)
Ed Charles often talked about taking inspiration from sighting Jackie Robinson as a boy in Florida; the proximity of the funeral home and Robinson home was a sweet coincidence, the family said.
The karma was unmistakable. Like Rachel and Jackie Robinson, Ed Charles encountered Jim Crow prejudice, but came to New York and won a World Series, and left a great legacy of talent and character.
(The Charles family has requested that any donations go to worthy causes like: The Negro Leagues Baseball Museum in Kansas City or the Jackie Robinson Foundation in New York)
The terrible plight of Paul Manafort and Rick Gates reminds me of the best newspaper crime story I ever read.
January, 1973, I had just moved to Metro news at the Times. The editors sent me out to deepest Brooklyn, where jewels had been stolen from the altar of an ornate church.
I wrote a wordy lead about the caretaker of the church muttering “Che coraggio” – what gall, in Italian. And I did quote a store owner in the neighborhood, noting the influential persons who supported the church, as saying: “No fence is going to touch this stuff.”
But the reporter from the Daily News wrote a classic.
I cannot locate the exact words by Frank Faso that day, but his story began something like this:
“Some nervy crooks stole the crown jewels from the altar of St. Rosalia Regina Pacis in Brooklyn the other day.
“If they are lucky, the police will catch them.”
Oh, yeah. How New York. How tabloid. How wonderful. (This was when two great tabloids, New York Newsday and the Daily News, were covering the city with zeal and skill.) I was chastened and respectful.
The jewels were recovered 24 hours later.
* * *
This tale of criminality reminds me of our current administration, in that Manafort and Gates, now making front-page headlines for their stunning variety of indictments, seem to have owed a good deal of money to some other rather unpleasant people – Russians, Russians with a memory, Russians with poisoned umbrellas and lethal cups of tea.
Paul Manafort. Is there anything on public record of him ever being or doing anything respectable, before he became an American shill for thuggish Ukrainians and Russians? What did he ever do to put him in the middle of a presidential campaign in a country whose income taxes he had apparently ducked?
Who is this guy? He seems to have had money problems, with bad people looking for him, to try to recover millions and millions of dollars. And Gates was a hapless Robin to Manafort’s compulsive Batman.
In this, they resemble a couple of pigeons with a gambling jones who bet too much on the third race at Aqueduct or 23 on the roulette table.
Suckers. Suckers on the lam. They tried to get it back by aligning themselves with two real-estate hustlers from Noo Yawk and Noo Joisey.
If this were a never-released season of “The Sopranos,” we would have new characters, Paulie Peanuts and Rusty Gates, trying to make it all right for themselves by serving in the family of Donnie Combs and his son-in-law Squeaky.
But remember in “The Sopranos” -- I have not watched any series since -- how there were always investigators listening on tapped wires, or cooped in a windowless van, or waiting to scoop up a member of the clan for a friendly chat?
Paulie Peanuts and Rusty Gates seem to have fallen into the right hands. Now they just have to watch out for lethal umbrellas or laced tea in their next abodes.
But wait, there seem to be a few more episodes in the series:
What about the money-laundering and real-estate nightmares of Donnie Combs and his son-in-law Squeaky? These guys seem to have Russian troubles and Chinese troubles, respectively.
To paraphrase the great Frank Faso of the old New York Daily News:
If they are lucky, Robert S. Mueller will get them.
The old lady had a look of merriment – not often seen in the subway.
She was talking to herself and talking to strangers around her, trying to create a bit of community on the F train, creeping its way toward the City, as we people from Queens call Manhattan.
I love my occasional rides into The City from near my old neighborhood – legal parking on Midland Parkway right in front of Trump’s old house, between 10 to 4, just right for lunch.
I particularly love these day trips for the interplay between the young and the old, the mixture of ethnicities. Queens. Benign and hopeful and so very American.
Never losing her smile, the old lady apologized, in Spanish, to the woman on her right for jostling her, thereby waking her from a quick nap.
She smiled at a man standing up and pointed to an empty seat next to me. He declined.
Then the old lady began to pay rapt attention to the woman on her left – a much younger woman of Asian ancestry, making up her face, no easy task on a train lurching noisily on mismatched rails.
The younger woman was applying makeup to her cheeks and then she began to touch up her eyebrows, an intricate maneuver requiring a surgeon’s touch.
The older lady followed every stroke as if she were watching an Olympic event – curling, maybe.
She had a rapt smile, perhaps being reminded of her younger self. Her smile was still beautiful.
The younger woman pretended not to notice. Upgraded, she put away her kit and stared straight ahead.
The older lady had two shopping bags on the floor and a bag on her lap. Her tights, under her topcoat, had a couple of holes.
She inspected a black man in a topcoat standing near me.
“Muy bonitos,” she said, pointing to his well-shined shoes.
Several times she made eye contact with me and I smiled back. She was making me happy with her merry but somewhat melancholy smile. She deserved a smile.
She pointed to her imaginary watch, the universal sign.
“Mediodia, menos unos minutes,” I said.
The young woman on her left got off at 63rd and Lexington. Another woman of Asian background took her place, also young, also pretty. The old lady said something to her in English. The young woman looked her in the eye and responded, sweetly. They chatted for a minute or two.
Then the older lady resumed her soft, sweet, bilingual monologue more or less to herself. In Spanish she said she liked to cook but could not afford it. She rubbed thumb and forefinger, indicating no money.
“Donde va hoy?” I asked her. “Wherever somebody will buy me a drink,” she said in Spanish, giggling. She made the universal sign of a glass being tipped to her lips.
I was getting off at Herald Square.
“Buen dia,” I said, getting a big smile.
I hope she’s all right.
* * *
Something nice often happens on my rides.
One day I saw an abuelita struggling upstairs with shopping bags at 179th St. “Pesadas,” I said. Heavy. And I lugged them to her bus stop for east Queens.
* * *
A year ago I saw a couple of young (white) innocents get on the E train at 23rd and Ely, from one of those expensive high rises looming up in Long Island City – two girls, maybe just out of college, probably staked by parents to an expensive new condo, one stop from the City.
One innocent, clearly an out-of-towner, had a large wallet or maybe an iPad sticking out of the back pocket of her designer jeans – three or four inches of value, exposed, for the swiping.
An older Chinese woman waved her index finger at the young woman, as if to say, “Put that thing in your bag.” The innocent smiled, clueless. The older Chinese woman persisted, as a granny would. The innocent’s friend got the point and the valuable was safely stowed. The granny smiled, grimly, and that was that.
* * *
A few months ago, I saw another elderly Chinese woman, also on the E train, pointing to a young African-American woman, standing up, holding an infant. The older lady was pointing to an empty seat. The young woman smiled and nodded to the door, to indicate she was getting off at the next stop.
One New Yorker taking care of another. You see that a lot. My friends from out there in America tell me that New Yorkers are always offering help with street maps or the maze of a huge subway station.
Then again, I remember salarymen and women offering me help – in English -- with the strange addresses of Tokyo. And people walking us a few blocks in Cairo or Mumbai. The old babushkas of Moscow making sure my wife got off at the right bus stop for the circus. It’s a city thing.
Big Al passed last Sunday morning.
What that means – what I think that means – is that I will not be getting any more emails out of the blue, like:
“Just asking. How good a clutch hitter was Yogelah, anyway? Ask your friend Newk.”
This was a very personal barb, aimed not just at me but at the admirable Don Newcombe, still working for the Dodgers out in LA, who got creamed by Yogi Berra for two – count ‘em, two – two-run homers in the seventh game of the 1956 World Series.
Oh, yes, Big Al remembered. And made sure to remind me.
Big Al was a loving member of his own family, but his special charm was getting on a point and pushing it. This made him a great lawyer for a major insurance company, according to Joseph LoParrino, for whom Al was mentor and friend.
“Al and I debated every major sports and news story since 1999 and since email was invented,” LoParrino wrote to me. “When the Tiger Woods scandal broke - my phone buzzed. His commentary made you fall over laughing. I could press his buttons in any category.”
Big Al was a master in button-pushing. My first contact with him was via his company envelopes and company stationery, before the advent of emails. Big Al would scribble – penmanship obviously not his forte in the public schools of East Queens – lengthy screeds about how I had insulted the current Yankees or, much much worse, The Mick.
Al – who was a decade younger than me – thought part of the problem was that I had attended Jamaica High in the 50’s whereas he had attended rival Van Buren High in the 60’s.
(He couldn’t blame college, since we both attended Hofstra as undergraduates.)
Al let me know, in six pages of briefs, that he knew more about sports than I did because he had played basketball and baseball for the demanding Marv Kessler at Van Buren.
I loved his descriptions of Kessler, vilifying him in Queens billingsgate, for sins committed in games or practices. (Many years later, Kessler praised Big Al as player and mensch; Al felt that praise was a tad late.)
Every journalist would be thrilled to have a critic like Big Al. We became mail pals, bonding over the long-lost Charney’s deli at 188th and Union Turnpike, and zaftig Queens girls, and Alley Pond Park, and the way the old Knicks played, and really what else is there?
Al became my Yankee Everyman, a stand-in for all of them. What he felt, they all felt. Eventually we met for a few dinners at the old Palm on the west side of Second Avenue. Al would deride me for ordering broiled fish and salad rather than the double primo beef and potatoes. Sissy. Weenie. And other Marv Kessler terms.
Sometimes he would order a full meal to bring home to his mother who lived in New Jersey.
He was such a Palm regular that his caricature was on the wall of valued customers, celebrities or just people who liked to eat beef. (Alas, that caricature seems to have been lost in the move across Second Ave.)
By then, Al was no longer the rail of a forward that Marv Kessler had berated back in Queens Village. He was Big Al, Manhattan bachelor, Eastside Al on one email handle. We would talk politics, and he would tell me tales about his service veteran/fireman/tradesman/paper hanger father who gave up his love of the Brooklyn Dodgers for his Yankee-fan wife, Ruth, who had seen Gehrig play.
Al was proud to tell me how his mother loved Andy Pettitte more than she loved him. He ascribed it to Pettitte’s schnozz but knew it was about Andy’s gentleness.
With no context whatsoever, Al dropped little e-bombs on me about or how Casey Stengel stuck with lefty Bob Kuzava against Jackie Robinson in the seventh game of 1952 and how Billy Martin raced across the windy, sunny infield to catch the popup. Always there was Yogelah, golfing homers off his shoetops, an endless loop of homers off poor Newk (one of the great people I have met in baseball.)
Al went silent one year, and I worried, so I sent a letter to his office, and somebody told me he was out on sick leave. When his mom passed in 2009 he took over her house in New Jersey and lived near his sister and her family -- and raved to his friends at work about the joys of the Jersey suburbs. Via the email, he never stopped taunting me, or raving about the Yankees and in particular The Mick. (He loved Sandy Koufax, too.)
One time he spoke for all New York fans who flocked to the ball parks on opening day over the decades:
Recently I sent an email: “Al, where are you?” His sister, Roberta Taxerman Smith, emailed me Monday morning saying Big Al had passed Sunday at 67 and the funeral would be held Tuesday in New Jersey. His paid obit was in the Times and on legacy.com:
I smiled when I noted that Big Al passed in the Holy Name Medical Center in Teaneck. He was a loyal Jew, and a most ecumenical dude, as many of us were in Queens. He and I exchanged greetings at Rosh Hashanah and Christmas and the first day of pitchers and catchers and other holy days. He knew I had grown up with mostly Jewish friends and he called me “landsman.”
When I found out, via DNA testing, that I am 47 percent Jewish, via my father, who was adopted, Big Al's reaction was: I told you so. Then again, that was often his reaction.
Roberta Taxerman Smith told me Al believed, to the end, that the docs were going to take care of him and he never complained. He had saved his complaints for Joe Torre’s strategies, and we argued over that, too.
Here’s what I really hate about losing Big Al: he I were both looking forward to seeing Aaron Judge and Giancarlo Stanton in the same lineup, the same pinstripes.
Murderer’s Row, 2018.
If there is justice, on Opening Day they go back-to-back.
Maybe Big Al will send me an e-mail.
There's nothing like a good old movie. My wife and I were reminded of that Saturday night when we kept warm together and watched the local PBS station in New York present “Breakfast at Tiffany’s,” which came out in 1961.
The movie is still wonderful – at least for those of us who came of age in that city, in that time.
Then again, there is nothing like a good old actress, or actor. We reaffirmed that Sunday night as we watched eternal favorites Helen Mirren, Meryl Streep, Oprah Winfrey (delivering a righteous sermon on fairness for women in the arts; if America ever elected a television celebrity as President, at least it could choose one with brains and conscience), Shirley Maclaine, Barbra Streisand, Carol Burnett and many others warming up the night at the Golden Globes. (Some older guys, and younger people, were there, too.)
Audrey Hepburn was not there, sadly, because she passed in 1993, way too young at 63, but lit up the night on Saturday, in the role of her life, lovely in her little black outfit.
The second star of "Breakfast at Tiffany's" is New York itself – the city that existed one way in Truman Capote’s book and another way in the movie-makers’ minds.
That New York remains implanted in the memories of people who dared to dream that a one-bedroom walkup near midtown could be affordable for somebody who has not necessarily scored a gigantic deal.
My wife and I, a couple of kids, had a one-night honeymoon at the Plaza – Castro and Khrushchev were also in town -- before getting back to work on Monday. There was magic in Rockefeller Center and Fifth Avenue and Central Park and the side streets with their surprises and secrets.
In that apparently genteel playground, out-of-towners like Holly Golightly, a party girl, and Paul Varjak, a writer of fading potential, could meet on a fire escape -- kindred souls, both living in that playground courtesy of wealthier patrons.
New York seemed to offer glamour, stability, hope. When “Breakfast at Tiffany’s” was issued in 1961:
--Penn Station had not yet been demolished, replaced by that contemptuous dungeon of a terminal, and soon afterward the neighborhood-strangling “new” Madison Square Garden.
--The Pan-Am Building (now called the MetLife Building) had not yet been plopped down, ruining the esthetic of Park Ave.
--John F. Kennedy was the new President.
--Rupert Murdoch was making stuff up, but in Australia.
--George Steinbrenner was still bullying his lackeys in Cleveland.
--And Donald Trump was still living out in Queens and fidgeting his way through classes in college.
In other words, the good old days.
The movie endures despite blind spots and gaffes:
--Mickey Rooney, as a put-upon Japanese photographer upstairs, is a total embarrassment with stereotypical accent and offensive false teeth. They should have known better, even then.
-- There is no trace of social issues, of Vietnam, of race. The only glimpse of African-Americans is on visitors’ day at Sing Sing, and some extras at the library and a five-and-dime store. The four other boroughs do not exist.
--A sub-plot involving a planned caper in Brazil contains many confusions of language and custom. I bet my friend Altenir Jose Silva of Rio, who has written movies himself, notices his middle name mispronounced the Spanish way rather than the soft, throaty Portuguese-Brazilian way.
Still, the movie crackles when Holly Golightly sings "Moon River" to herself on the fire escape or lowers her sunglasses to inspect Patricia Neal, a domineering designer who is supporting the younger writer, played by George Peppard.
Martin Balsam is fine as a Hollywood agent, and a familiar New York character actor of the time, Jim McGiver, is superb in a cameo as an officious salesman at Tiffany’s, who bends to Hepburn’s smile.
I have been under the impression that Buddy Ebsen is cornball as a rustic face from the past but the re-viewing convinced me that Ebsen is dignified and touching.
By the way, Capote’s book is much darker than the movie, including a graphic hint that Holly did indeed have adventures in deepest Brazil.
That’s all I’m saying, in case somehow you have not seen the movie about a beautiful and tormented drifter, “off to see the world.”
* * *
(Unfortunately, on some Saturday evenings, Channel 13 switches to stale oldie pop concerts; go figure. I cannot fathom why a high-level public station cannot find a landmark movie every freaking Saturday night, for those of us who have not figured out what “streaming” or “Netflix” are. I’m sure the hardy band of regulars on this site – including screen writer Silva – could suggest 52 classic films a year to help Channel 13 present a consistent series.)
As he passed 80, Ray Robinson had an idea for a new book – the last recorded words of prominent people.
He knew how to write books, of course – the Lou Gehrig bio, the Christy Mathewson bio. He was a magazine editor and a freelance writer.
The book came out in 2003, when Ray was 83 – “Famous Last Words: Fond Farewells, Deathbed Diatribes and Exclamations Upon Expiration,” published by Workman Publishing.
It fits in the hand or the pocket. Perfect quick-take reading. Perfect little gift.
This is a blatant plug. Ray would approve.
Alas, Ray Robinson passed on Nov. 1. He would have been 97 on Dec. 4 and was to be honored by a coterie of baseball buffs who meet monthly in the city.
Ray’s last words? I don’t know, but I talked to him the night before. What was on his mind was a perfect guide to this grand old man of New York and Columbia University and publishing.
In our last chat he did not bring up seeing Fidel Castro in Havana or how he met Lou Gehrig as a young New York fan or how he spilt ink on Lefty Grove while asking for an autograph at Yankee Stadium, or his activism with the ALS Association of New York, in homage to Gehrig.
Neither did he tell the great story of how a precocious New York girl named Betty Perske called him a “cheap SOB” or maybe it was “cheap bastard.”
This underscored link will explain the brief meeting of Ray and the future Lauren Bacall.)
Among Ray’s last words to me:
Ray’s passing will leave a huge gap in our lives -- for Jerry, our token ball player, who escorted Ray to the doctor, and Ernestine, who fussed over Ray, and Darrell, one of the originals from 1991 (!), and Lee and Marty and Willie from our group, and Bob and Jeremy, the busy superstars, plus Al and Rosa, who knew Ray and Phyllis forever, and all the other buffs who sat around the table once a month and talked baseball and politics and everything else.
We’ll meet on his birthday, I’m sure, and try to remember some of Ray’s good stories.
Measuring Covid Deaths, by David Leonhardt. July 17, 2023. NYT online.
The United States has reached a milestone in the long struggle against Covid: The total number of Americans dying each day — from any cause — is no longer historically abnormal….
After three horrific years, in which Covid has killed more than one million Americans and transformed parts of daily life, the virus has turned into an ordinary illness.
The progress stems mostly from three factors:
First, about three-quarters of U.S. adults have received at least one vaccine shot.
Second, more than three-quarters of Americans have been infected with Covid, providing natural immunity from future symptoms. (About 97 percent of adults fall into at least one of those first two categories.)
Third, post-infection treatments like Paxlovid, which can reduce the severity of symptoms, became widely available last year.
“Nearly every death is preventable,” Dr. Ashish Jha, who was until recently President Biden’s top Covid adviser, told me. “We are at a point where almost everybody who’s up to date on their vaccines and gets treated if they have Covid, they rarely end up in the hospital, they almost never die.”
That is also true for most high-risk people, Jha pointed out, including older adults — like his parents, who are in their 80s — and people whose immune systems are compromised. “Even for most — not all but most —immuno-compromised people, vaccines are actually still quite effective at preventing against serious illness,” he said. “There has been a lot of bad information out there that somehow if you’re immuno-compromised that vaccines don’t work.”
That excess deaths have fallen close to zero helps make this point: If Covid were still a dire threat to large numbers of people, that would show up in the data.
One point of confusion, I think, has been the way that many Americans — including we in the media — have talked about the immuno-compromised. They are a more diverse group than casual discussion often imagines.
Most immuno-compromised people are at little additional risk from Covid — even people with serious conditions, such as multiple sclerosis or a history of many cancers. A much smaller group, such as people who have received kidney transplants or are undergoing active chemotherapy, face higher risks.
Covid’s toll, to be clear, has not fallen to zero. The C.D.C.’s main Covid webpage estimates that about 80 people per day have been dying from the virus in recent weeks, which is equal to about 1 percent of overall daily deaths.
The official number is probably an exaggeration because it includes some people who had virus when they died even though it was not the underlying cause of death. Other C.D.C. data suggests that almost one-third of official recent Covid deaths have fallen into this category. A study published in the journal Clinical Infectious Diseases came to similar conclusions.
Dr. Shira Doron, the chief infection control officer at Tufts Medicine in Massachusetts, told me that “age is clearly the most substantial risk factor.” Covid’s victims are both older and disproportionately unvaccinated. Given the politics of vaccination, the recent victims are also disproportionately
Republican and white.
Each of these deaths is a tragedy. The deaths that were preventable — because somebody had not received available vaccines and treatments — seem particularly tragic. (Here’s a Times guide to help you think about when to get your next booster shot.)
From the great Maureen Dowd:
As I write this, I’m in a deserted newsroom in The Times’s D.C. office. After working at home for two years during Covid, I was elated to get back, so I could wander around and pick up the latest scoop.
But in the last year, there has been only a smattering of people whenever I’m here, with row upon row of empty desks. Sometimes a larger group gets lured in for a meeting with a platter of bagels."
--- Dowd writes about the lost world of journalists clustered in newsrooms at all hours, smoking, drinking, gossipping, making phone calls, typing, editing.
"Putting out the paper," we called it.
Much more than nostalgia.